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Snap out of it: Manchester club joins growing trend to ban phone cameras

Nightclub director says they ‘really want the music and experience to be at the forefront’, following in the footsteps of Berlin’s club scene

Kate Bush joins campaign against AI using artists’ work without permission

Singer-songwriter follows Paul McCartney and others in speaking out as ministers consider opt-out system

Music tells the story of our lives – and trusty old Last.fm does it better than gaudy Spotify Wrapped

The music tracking site runs a reduced service these days, but still offers an alternative to AI-generated slideshows and made-up genres that’s useful – and genuinely revealing

Paul McCartney warns AI ‘could take over’ as UK debates copyright laws

Former Beatle speaks out amid fears the rise of AI threatens income streams for music, news and book publishers

‘Hatsune Miku has a special part in my heart’: the 16-year-old pop sensation who does not exist

Miku is a ‘Vocaloid’ – a holographic avatar that represents a digital bank of vocal samples – and performs sellout tours for thousands of very real mega-fans

For now, let’s revel in Bluesky’s promised land and kid ourselves it’ll never get like X

Watching the numbers migrate from Elon Musk’s toxic platform is addictive, but the best social media is finite

Beatles for sale: new home sought for Abbey Road recording console

Current owners hope to attract musicians who want to work with desk used to make fab four’s celebrated album – after it previously failed to sell

From Rupert Murdoch to Thom Yorke: the growing backlash to AI

Media mogul and leading artists join fight to stop tech firms using creative works for free as training data

Helen Mirren: it’s so sad Kurt Cobain died before GPS was invented

The Oscar-winning actor has made the latest in a series of references to the Nirvana frontman and the technological advances he didn’t live to see

‘The most important DJ in the UK’? Live streamer takes music to streets

DJ AG has built a huge audience by inviting performers such as Skepta to join him in London and elsewhere

Thom Yorke and Julianne Moore join thousands of creatives in AI warning

Statement comes as tech firms try to use creative professionals’ work to train AI models

‘I’m empowering my song to go and make love with different people’: Imogen Heap on how her AI twin will rewrite pop

Known for her wild “Imogenation”, Heap has always reworked pop with tech, but her new data-mining project is her boldest yet. She explains why ‘you can’t stop progress’

Three-armed robot conductor makes debut in Dresden

German city’s Sinfoniker says aim is not to replace humans but to play music human conductors would find impossible

‘You can try weirder and weirder things’: once-mocked synthesisers enjoy new golden era

Formerly reviled music technology is more popular than ever as designers experiment for a growing group of enthusiasts

AI-generated parody song about immigrants storms into German Top 50

Artist Butterbro accused of walking fine line between parody and discrimination and helping make racial slur mainstream

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  • Big hits, massive ballads and titanic emotions: Celine Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet

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