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Sound clashes are a thrilling reggae tradition. Will AI ruin them?

The use of fake AI vocals – including those of Donald Trump – is sending shockwaves through this historic scene. At a Montego Bay clash, performers debate their culture’s future

‘We have to adapt or die’: Daniel Bedingfield says AI is music’s future

Exclusive: Gotta Get Thru This singer argues that ‘neo-luddites’ risk being left behind as technology develops

Welsh record label to digitise entire catalogue of 26,000 recordings

Sain, co-founded by singer Dafydd Iwan, begins painstaking process of preserving tracks to inspire future artists

The music industry is engineering artist popularity – listeners are right to be angry

Numerous tactics, including payola-like deals on Spotify, are promoting artists people haven’t chosen to hear – but the industry refuses to discuss it

CDs sales are growing. How I wish I hadn’t given my beloved collection away

Compact discs provided the soundtrack to his life. Then came streaming and he couldn’t get rid of them fast enough. As CDs enjoy a renaissance, our writer looks back at what he lost

Mungo Jerry frontman hopes new anti-piracy tech stops artists losing out

Ray Dorset says band lost £23m in royalties but suggests fingerprinting software could help musicians

‘It’s basically inaccessible without a phone’: are kids losing their love for music?

Children used to obsessively put CDs and 7-inches on repeat, but streaming means they need digital devices and parental permission to play music. And there’s little being done to help

Diva Cups: the 10 funniest things I have ever seen (on the internet)

The pop DJ duo are old enough to have Omegle trauma but young enough to have brain rot. It’s a winning combination

On my radar: Andrew O’Hagan’s cultural highlights

The novelist on a comedic TikTok sensation, the importance of a good suit and his favourite educational app

Everyone Knows That: internet music mystery solved via 1986 adult movie

The search for song that has consumed thousands of Reddit users is over, with discovery that it was written for pornographic film

Bait, ting, certi: how UK rap changed the language of the nation

Fuelled by music fandom and social media, young British people’s slang is evolving to include words with pidgin, patois and Arabic roots – even where strong regional English dialects exist

Billie Eilish, Nicki Minaj, Stevie Wonder and more musicians demand protection against AI

Letter signed by more than 200 artists makes broad ask that tech firms pledge to not develop AI tools to replace human creatives

James Blake’s music subscription model is a fantasy that disadvantages fans and musicians

With unrealistic costs, the inability to share music and the pressure of consumer expectations, the producer’s collaboration with Vault doesn’t add up, writes Tom Vek

Danish man found guilty of fraudulently profiting from music streaming royalties

Unnamed 53-year-old made at least £230,000 from artificially generated plays of hundreds of tracks

Swedish composer becomes Spotify’s most-famous musician you’ve never heard of

Johan Röhr’s 2,700 songs have been streamed 15bn times and have more plays than Britney Spears or Abba

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  • Big hits, massive ballads and titanic emotions: Celine Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet

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