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For now, let’s revel in Bluesky’s promised land and kid ourselves it’ll never get like X

Watching the numbers migrate from Elon Musk’s toxic platform is addictive, but the best social media is finite

Beatles for sale: new home sought for Abbey Road recording console

Current owners hope to attract musicians who want to work with desk used to make fab four’s celebrated album – after it previously failed to sell

From Rupert Murdoch to Thom Yorke: the growing backlash to AI

Media mogul and leading artists join fight to stop tech firms using creative works for free as training data

Helen Mirren: it’s so sad Kurt Cobain died before GPS was invented

The Oscar-winning actor has made the latest in a series of references to the Nirvana frontman and the technological advances he didn’t live to see

‘The most important DJ in the UK’? Live streamer takes music to streets

DJ AG has built a huge audience by inviting performers such as Skepta to join him in London and elsewhere

Thom Yorke and Julianne Moore join thousands of creatives in AI warning

Statement comes as tech firms try to use creative professionals’ work to train AI models

‘I’m empowering my song to go and make love with different people’: Imogen Heap on how her AI twin will rewrite pop

Known for her wild “Imogenation”, Heap has always reworked pop with tech, but her new data-mining project is her boldest yet. She explains why ‘you can’t stop progress’

Three-armed robot conductor makes debut in Dresden

German city’s Sinfoniker says aim is not to replace humans but to play music human conductors would find impossible

‘You can try weirder and weirder things’: once-mocked synthesisers enjoy new golden era

Formerly reviled music technology is more popular than ever as designers experiment for a growing group of enthusiasts

AI-generated parody song about immigrants storms into German Top 50

Artist Butterbro accused of walking fine line between parody and discrimination and helping make racial slur mainstream

Sound clashes are a thrilling reggae tradition. Will AI ruin them?

The use of fake AI vocals – including those of Donald Trump – is sending shockwaves through this historic scene. At a Montego Bay clash, performers debate their culture’s future

‘We have to adapt or die’: Daniel Bedingfield says AI is music’s future

Exclusive: Gotta Get Thru This singer argues that ‘neo-luddites’ risk being left behind as technology develops

Welsh record label to digitise entire catalogue of 26,000 recordings

Sain, co-founded by singer Dafydd Iwan, begins painstaking process of preserving tracks to inspire future artists

The music industry is engineering artist popularity – listeners are right to be angry

Numerous tactics, including payola-like deals on Spotify, are promoting artists people haven’t chosen to hear – but the industry refuses to discuss it

CDs sales are growing. How I wish I hadn’t given my beloved collection away

Compact discs provided the soundtrack to his life. Then came streaming and he couldn’t get rid of them fast enough. As CDs enjoy a renaissance, our writer looks back at what he lost

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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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