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The Chicks review – barn-burning virtuosity and cut-glass vocals

Rain and technical difficulties no match for the pop-country icons as the Texans dazzle crowds with tracks from their comeback album and old favourites

What’s behind Saudi Arabia’s answer to Glastonbury? The power of popwashing

At events such as Riyadh’s Soundstorm festival, pop music is the new frontier in reputation-laundering for repressive regimes, says former Guardian music editor Michael Hann

Taylor Swift Sydney and Melbourne presale tickets sold out after record 4m users join Ticketek queue

Australian fans faced hours-long virtual queues and tried a range of strategies as second tranche of Eras tour presale tickets went on sale

‘Its time has come to be part of global culture’: how Glastonbury champions south Asian music

The south Asian underground is thriving – and Glastonbury is one of the best places to hear it. Its DJs explain why they’re done with being overlooked

‘A nuclear reactor of music’: the story of Simple Minds’ classic album Empires and Dance

Before their 80s megastardom, the band minted a strange vision of European culture and tension that still resonates. They – and superfan James Dean Bradfield from the Manic Street Preachers – reflect on its power

Taylor Swift tour given ‘major event’ status in Victoria in bid to foil ticket scalpers

Decision comes as passes for singer’s 2024 Eras tour in Australia are being resold for more than $3,000

Calls for national anti-scalping laws after resale ticket prices for Taylor Swift’s Australian tour soar

Within hours of presales opening for the singer’s Australian tour, tickets were being sold online for more than $3,000

Taylor Swift ticket website hit by ‘technical difficulties’ as first Australian presale packages sell out

American Express said there were issues half an hour before some Sydney packages became available, directing fans to Ticketek sites

Elton John at Glastonbury review – bittersweet joy at the end of the yellow brick road

Could it really be his final ever UK concert? After this utterly vital performance, fans will be desperately hoping not

Blondie at Glastonbury review – Debbie Harry is an atomic charisma bomb

She can’t sing like she used to – but makes up for it with a riveting performance full of untamed theatrics and awesomely aloof cool

Yusuf/Cat Stevens at Glastonbury review – singer-songwriter’s ‘legends’ set is a lowkey triumph

The 74-year-old’s mellow but idiosyncratic pop and indelibly beautiful classic cuts provided a soothing balm for tired music fans on the final afternoon of the festival

‘The most important cassette on the planet’: how Steely Dan fans uncovered their holy grail

The Second Arrangement was accidentally wiped in the studio in 1979. Now a version found by the recording engineer’s family has the community ‘freaking out’

Curtis Waters: Bad Son review – genre-busting second album from pop outsider

The producer of viral hit Stunnin’ takes on house and emo in an uneven but bracing set

Female musicians defend Emily Eavis after row over Glastonbury gender split

Artists including Sharleen Spiteri of Texas back the festival’s co-organiser, who was criticised over booking all-male headliners

Wham! review – the truth behind the mahogany tans and catchy songs

This perky tribute to the 80s pop sensations reveals the bond between the pair and the cost to George Michael of playing the heart-throb

Post navigation

← Older posts
  • The Chicks review – barn-burning virtuosity and cut-glass vocals
  • What’s behind Saudi Arabia’s answer to Glastonbury? The power of popwashing
  • ‘He tells you it’s all right to be miserable’: why Nick Drake enchants every new generation
  • Drug-testing at festivals saves lives. Why does the Home Office want to end it?
  • Taylor Swift Sydney and Melbourne presale tickets sold out after record 4m users join Ticketek queue
  • Kanye West accused of antisemitic abuse by former business partner
  • How to get Taylor Swift tickets today for her Eras tour in Australia: what you need to know about the Sydney and Melbourne concerts
  • ‘Its time has come to be part of global culture’: how Glastonbury champions south Asian music
  • Iron Maiden review – showstopping rock theatre and tantalising live rarities
  • Lewis Capaldi cancels all tour dates to ‘adjust to impact’ of Tourette syndrome
  • CIA experiments, Mormon ravers and reformed racists: the untold history of MDMA
  • The George Tavern: the London gig venue at the heart of the fight against gentrification
  • ‘A nuclear reactor of music’: the story of Simple Minds’ classic album Empires and Dance
  • Taylor Swift tour given ‘major event’ status in Victoria in bid to foil ticket scalpers
  • Paul McCartney: Photographs 1963-64 review – watching the world change, almost overnight
  • Seventy-six and looking for your next gig? You’ll get a warmer welcome at Glastonbury than at the supermarket
  • ‘We sing the word faggot lovingly, hundreds of times’: inside Manchester’s queerest show
  • Calls for national anti-scalping laws after resale ticket prices for Taylor Swift’s Australian tour soar
  • ‘When Ms Dynamite played, the crowd bent the barriers’ – how we made Rampage sound system
  • Lewis Capaldi’s Glastonbury set displayed the best of the human spirit – and put disability centre-stage
  • Taylor Swift ticket website hit by ‘technical difficulties’ as first Australian presale packages sell out
  • Glastonbury 2023 review: giggly rap on Friday, Smiths covers on Saturday – and a mystery act that surprised no one
  • Rocketmen, ravers and relief from the sun: Sunday at Glastonbury – photo essay
  • Perv-O-Shine and sleep vaping: 23 things I learned about the world – and myself – at Glastonbury 2023
  • Sunday at Glastonbury 2023: Elton John closes the festival in spectacular style – as it happened
  • Elton John at Glastonbury review – bittersweet joy at the end of the yellow brick road
  • Blondie at Glastonbury review – Debbie Harry is an atomic charisma bomb
  • Yusuf/Cat Stevens at Glastonbury review – singer-songwriter’s ‘legends’ set is a lowkey triumph
  • Capaldi’s crowd and Del Rey cut short: memorable Glastonbury 2023 moments
  • Everest review – opera strains to scale mountain tragedy

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