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‘He was always a bit of a groundbreaker’: David Bowie enters a new dimension in ‘extended reality’ documentary

Hundreds of unseen images of the star feature at the Venice film festival, alongside virtual worlds exploring wildfires, wolves and the birth of stars

The Guardian view on loneliness: the decline in friendship leaves gen Z exposed

Editorial: Problems with housing, jobs and technology have dented young people’s confidence in the future and each other

Anthropic sued over alleged theft of ‘tens of thousands’ of songs

AI company faces multibillion dollar lawsuit over misuse of copyrighted songs to train Claude models

‘It brings me joy’: how young people are making CDs cool again

Compact discs are back, with searches for players up 96% at John Lewis and popular models sold out online

‘I feel like I’m at war’: are we losing the battle against machine-made music?

Despite outcry from musicians, AI slop is creeping into the charts as record labels scramble to adapt to a new normal where hits can be made at the click of a button

Spotify to distinguish AI artists from real people – and stop recommending them

Music streaming platform creates ‘AI persona’ label that will appear on profiles and track listings in crackdown on fake performers

The hill I will die on: Remove those earphones – you’re blocking out the music of humanity

Beyond the white noise lies a vibrant world of possibility, so take your headphones off and listen to your surroundings. It may even save your life, says author Stefan Stern

Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac

For the festival’s 150th anniversary, the creative team have turned to AI to generate visuals reflecting Wagner’s tetralogy’s past, present – and future. The hyperactive result is a dismal, mindless mess

Robert Laidlow: Reality Eaters album review – wildly imaginative and intricate, but eminently approachable

Einstein’s field equations, Newton’s universal law and artificial intelligence are among the subjects of Laidlow’s ambitious orchestral works

Open earbuds let you tune in without tuning out the world. Here are the five best pairs in the US

Don’t float through the world in an AirPod bubble – enjoy music or podcasts and carry on using these tested favorites

Is the most popular song played on Australian radio stations the product of generative AI?

Josh Fawaz’s song, a cover of Like a Prayer, has raised questions about how generative AI is being used in music and whether it should be declared

‘Don’t kill music’: Anthony Albanese’s favourite bands beg PM to stop AI companies from stealing their work

A potential deal with the government would allow international tech companies to mine the creative work of Australian musicians. Some of the prime minister’s favourite artists told the Guardian how they feel about it

The Guardian view on the analogue resurgence: the shock of the old

Editorial: Long-abandoned formats such as cassettes and VHS tapes are finding new life as consumers seek a digital detox

AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red

I draw the old way – with my hand. Doing it with AI would not make me more creative, it would drain the colour out of my existence

Spotify boss defends move to AI music, saying it is better than ‘slop’

Streaming platform says remix tool agreed with Universal Music Group will protect artists from piracy

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← Older posts
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • ‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold on to hope
  • ‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective
  • Tupac trial spotlights decades of US police failures in solving the case

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