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Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models

Authentic Brands Group says AI company infringed on rights of songs by the King such as Can’t Help Falling in Love

As fans reject AI-generated music, even boosters are drawing the line

Enthusiasts like Grimes and A$AP Rocky may embrace AI-generated content, but they won’t produce it themselves

The dangers of letting tech billionaires shape our world

As SpaceX impacts Ukraine and AI-generated music divides artists and fans, critics are asking what happens when technology has too much control over our lives

Kylie Minogue songs already used to train AI as tech firms ‘strong-arm’ Australian government, music body warns

Of the dozens of countries approached to water down their laws, Australia appears to be the only one considering it, publishers’ group says

‘If you can’t hold it, you don’t own it’: why media fans want to escape algorithms with CDs, DVDs and vinyl

People describe their return to physical media – whether to protect data, support artists, or retain control of one’s choices

Tell us: do you enjoy listening to music on CDs?

Is this a recent development, or are you a die-hard compact disc fan? What do you like about the format?

The living dead: we can watch ‘Janis Joplin’ perform or reunite the Beatles, but who are the real winners here?

Advances in digital technology mean that avatars are ever more realistic, and zombie concerts are coming our way. Exciting as it might be to witness the Fab Four, or Maria Callas on stage, I’d rather have flesh and blood live experiences any day.

Exhausted by optimisation, I’m seeking solace in the past. As Sibelius’s swans soar skywards, so do my spirits

Humans have always been capable of transcending the lock box of daily life with little more technology at their side than wood, string, a baton and their voices

UK startup snares $20m to recreate gigs with ‘hyper-realistic’ digital avatars

Unit1 hopes to offer lower cost version of shows such as Abba Voyage, showcasing living and dead artists in any venue

Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds

Wang’s avatar performs music from Ravel and Debussy to Prokofiev and Liszt while dizzying virtual worlds take shape around her in this virtual reality installation

‘He was always a bit of a groundbreaker’: David Bowie enters a new dimension in ‘extended reality’ documentary

Hundreds of unseen images of the star feature at the Venice film festival, alongside virtual worlds exploring wildfires, wolves and the birth of stars

The Guardian view on loneliness: the decline in friendship leaves gen Z exposed

Editorial: Problems with housing, jobs and technology have dented young people’s confidence in the future and each other

Anthropic sued over alleged theft of ‘tens of thousands’ of songs

AI company faces multibillion dollar lawsuit over misuse of copyrighted songs to train Claude models

‘It brings me joy’: how young people are making CDs cool again

Compact discs are back, with searches for players up 96% at John Lewis and popular models sold out online

‘I feel like I’m at war’: are we losing the battle against machine-made music?

Despite outcry from musicians, AI slop is creeping into the charts as record labels scramble to adapt to a new normal where hits can be made at the click of a button

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← Older posts
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • ‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails
  • Neil Young files second lawsuit against Trump for unauthorised use of Rockin’ in the Free World at rallies
  • ‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • Jay-Z picks headliner for 2027 Super Bowl half-time show … Jay-Z
  • John Anderson obituary
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • ‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season
  • I used to think I had impeccable taste in music. My kids taught me to stop being a snob
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • ‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season

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