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Spotify and Universal Music agree deal to let subscribers create AI remixes

Licensing agreement will allow listeners to use AI to create content on streaming platform for first time

John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder

Molière Ex Machina: AI used to create ‘new work’ by beloved French playwright

Comedy debuts at Versailles featuring dialogue, music, costumes and scenery created with help of AI tool Le Chat

Taylor Swift files trademarks for voice and image amid concern over AI misuse

The singer’s company filed three applications on Friday after Matthew McConaughey launched similar strategy

Man used AI to make false statements to shut down London nightclub, police say

Heaven club neighbour admits offences under Licensing Act, as Met says fictitious AI-generated complaints a growing issue

Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’

The physicist, BBC presenter and author on snowflakes, art v science and the time Paul McCartney quizzed him about one of Saturn’s moons

‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify

Fraudulent music streams have long been a scourge for the industry, but experts say generative AI has supercharged it

The Rite of Spring / Mirror review – techie Stravinsky and digital doppelgangers from Alexander Whitley

Visual spectacle overwhelms the human drama in the choreographer’s tech-heavy double bill

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Drake and livestreamer Adin Ross accused of using online casino money to artificially inflate streams in class action case

US class action alleges Stake’s anonymised design enabled rapper to fund automated streams on music platforms

‘Music needs a human component to be of any value’: Guardian readers on the growing use of AI in music

AI promises to have far-reaching effects in music-making. While some welcome it as a compositional tool, many have deep concerns. Here are some of your responses

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

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← Older posts
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  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Food orders and phone bills: Jimi Hendrix memorabilia to go on display in London
  • ‘The knickers that get thrown are bigger now!’: Barry Manilow on fans, love, coming out – and turning 82
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • The Guardian view on 100 years after Miles Davis’s birth: why he still shapes modern music
  • Bruce Springsteen is a model for how celebrities should resist Trump
  • ‘Growing up, you couldn’t play Bon Jovi – that’s what our parents listened to’: Bebe Rexha’s honest playlist
  • From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead
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  • ‘We’ve got 25 to 30% already shot’: sequel to Michael Jackson biopic on way, says studio
  • Add to playlist: the virtuoso prog-metal-folk of Brazil’s Papangu and the week’s best new tracks
  • Dido and Aeneas review – close your eyes and this was a tremendous performance
  • Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection
  • Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
  • Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller
  • Trash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectability
  • Or, the Whale album review – Caroline Shaw and Andrew Yee collaboration offers intimacy and joy
  • Spotify and Universal Music agree deal to let subscribers create AI remixes
  • Scottish singer-songwriter Jacob Alon wins big at Ivor Novello awards
  • Italian police stop party attended by Mick Jagger over music ban

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