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The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’

The 85-year-old was helped on stage by actor John Stamos, who shared an emotional message about his ‘musical hero and mentor’

Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink

In Narromine – redubbed ‘Dollymine’ for the weekend – the country music star’s face is everywhere and a warm spirit of inclusivity is all-embracing

Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey

The makers of Coraline return with their distinctive animation style in a magical tale of a secret world of strange beasts, talking animals and evil governesses

Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic

Sam Rockwell voices the gumshoe who becomes embroiled with Scarlett Johansson’s femme fatale in this big-hearted and beautifully designed fantasy spectacular

Geordie Greep denies sexual assault allegations from stage in Vancouver

While some heard the former Black Midi frontman out, others made for the exit as he addressed accusations

From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead

Jeremy Strong plays Mark Zuckerberg in Aaron Sorkin’s sequel to The Social Network, and the Last One Laughing star reckons with divorce in her new standup tour

Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show

Melancholic newer tracks sit uncomfortably alongside the chunky psychedelia and hazy prog-rock the Australian band is known for

Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff

Director general called for ‘a little less conversation, a little more action’ – but from what other songs could he have drawn inspiration?

Post your questions for Richard Thompson

Ahead of new album Hippies, Thugs and Heroes, the British folk music legend will join us to answer your questions

Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks

Drawing from post-hardcore, twee and emo, the Exeter trio’s intoxicating energy feels like an invitation to form your own band

Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute

This elegant contemporary reinvention of 1963 album John Coltrane and Johnny Hartman pairs Marsalis’s post-bop sax with Reeves’ agile vocals, to time-stopping effect

Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA

Following 2023 breakout Time Ain’t Accidental, the best songs here are when Williamson strips back country music, rebuilding it as something familiar yet different

Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording

Conductor Alain Altinoglu brings weight and purpose while the instrumental solos are piquant and precise.

‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives

Whether on the frontline in Ukraine or skate parks in Soweto, the genre is still a vital outlet for disaffected people everywhere. Here, musicians explain how they rage against the machine

Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum

Adored by the A-list and filling arenas, but without huge smash hits, the Australian singer treads his own distinctive path through pop via shoegaze, Balearic and the Smiths

Post navigation

← Older posts
  • The Beach Boys’ Mike Love returns to the stage despite ‘facing serious health challenges’
  • Dollywood down under: Dolly Parton fans and drag queens turn a tiny Australian town pink
  • Wildwood review – Laika’s pleasingly old fashioned stop-motion magic-forest odyssey
  • Ray Gunn review – Brad Bird’s animated film-noir sci-fi caper is an old-school family classic
  • Geordie Greep denies sexual assault allegations from stage in Vancouver
  • From The Social Reckoning to Harriet Kemsley: your complete entertainment guide to the week ahead
  • Tame Impala review – Kevin Parker ricochets between musical uppers and downers in eye-popping arena show
  • Be more Jagger? How BBC’s Matt Brittin could follow up Elvis appeal to staff
  • Post your questions for Richard Thompson
  • Add to playlist: the fizzing fuzz-pop racket of Pushbike and the week’s best new tracks
  • Branford Marsalis Quartet and Dianne Reeves: Dedicated to You review – eloquent Coltrane tribute
  • Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
  • ‘It gave me a superpower – question everything’: ​as punk turns 50, bands from China to Greenland explain how it fires up their lives
  • Shostakovich Symphony No 8 album review – composer’s cry of despair in a remarkable and resonant new recording
  • Troye Sivan: She’s the Best review – a strange, singular pop star who deserves to be multiplatinum
  • Franz & Marie review – Woyzeck folk musical finds heart amid the horror
  • Fierce, frantic and loaded with menace: Fontaines DC’s 20 greatest songs – ranked!
  • Women and the Piano album review – Tomes brings her poetic instincts to a rewarding compilation
  • Dafydd Owain’s second album wins the 2026 Welsh music prize
  • How Black banjo players are changing Americana music
  • Only connect: two composers who put humans at the heart of their music, and the conductor who didn’t
  • ‘In the wake of death, Courtney Love was giving it her all’: Hole’s Melissa Auf der Maur on her best photograph
  • The 80-year-old market trader who became a Chilean music star
  • Freddie Jackson, romantic US singer with 10 R&B chart-toppers, dies aged 70
  • Bob Davenport obituary
  • 24 Hour Party People review – daring metatextual paean to the Manchester music scene
  • O2 signs record deal to keep London venue’s naming rights
  • Dolly Parton’s estate alleges her nephew used barbed wire to avoid being served
  • The west has a blinkered view of African music – and it’s hurting the whole continent’s culture
  • V/H/S/Mixtape review – murderous puppets pull the strings in mixed bag of gory music-themed mini-movies

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