wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

Moldovan public TV chief resigns over Eurovision ‘neighbourhood voting’ lapse

Vlad Țurcan said Moldovan jury’s score of three points for Romania’s entry failed to recognise sensitivities between neighbours

Feldman and Beckett: Words and Music review – hypnotic absurdism at Sheffield Chamber Music festival

This fascinating and bold concert featured the works of the ‘word man’ and the ‘note man’, and their absurdist radio play Words and Music

‘This keeps the dream alive’: the bands sleeping at venues to make touring work

A new UK scheme is encouraging venues to provide accommodation for touring acts. But what if someone hurls a TV through a window?

Kraftwerk review – after more than half a century of techno supremacy, they still sound like the future

Ralf Hutter and his bandmates show how profound their influence has been on huge swathes of popular music – and they give a tender tribute to the late Ryuichi Sakamoto

Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soul

The Palermo collective explain how they reshape archival labour songs, carters’ cries and lullabies with modern instruments to transform the island’s bitter legacies into a kind of liberation

Ecca Vandal, the genre-defying punk-rap star on getting offline and having tea with Flea: ‘It constantly spins me out’

The Australian singer’s new album, Looking For People to Unfollow, is a punchy rejection of ‘faux-sincerity’ and music being reduced to TikTok-able snippets

Requiem for America review – Brent Michael Davids gives the invisible a voice in his urgent new work

The BBC Symphony Orchestra and conductor Teddy Abrams performed the world premiere of Davids’ sombre and powerful new work that tells of the colonisation of North America

‘I had been silent for a very long time’: how a chance meeting at a burger van revived techno genius the Field

A run of immaculate albums ended in 2018 with an identity crisis and the producer becoming a kindergarten chef. Now he’s back with a blissed-out new record

Dr Hook co-frontman Dennis Locorriere dies aged 76

Singer took lead vocal on UK No 1 When You’re in Love With a Beautiful Woman, and had numerous other transatlantic hits

Still collapsing after all these years: Einstürzende Neubauten on their fifth decade as a Berlin legend

The band’s newest member, Josefine Lukschy, was born the year their fifth album was released. They and founding member Blixa Bargeld talk about leading the counter counter-culture

French star Patrick Bruel denies multiple sexual assault allegations

Singer and actor who has appeared in more than 40 films faces investigations in France and Belgium

‘A quiet belief everything’s going to be all right’: Bulgarians celebrate Dara’s Eurovision win with Bangaranga

Bulgaria’s first-ever win in European song contest delivers ray of hope at turbulent time after years of political instability

Anne-Sophie Mutter review – star violinist celebrates 50 years in brilliant style

Mutter’s anniversary tour opened with a programme of Beethoven, André Previn and – ever a champion of new music – the European premiere of Aftab Darvishi’s Likoo, a rhapsodic lament for women under the Iranian regime

Britten Sinfonia: Britten in America review – delightful music from a fruitful vacation

This was a virtuosic, witty performance of a mixed programme of works mostly by Benjamin Britten and Aaron Copland, who spent the summer of 1939 together in Woodstock

Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop

Johan Cruijff Arena, the NetherlandsStyles’ first stop in his Together, Together tour, which will see him perform lengthy residencies around the world, is a reminder of how talented he is

Post navigation

← Older posts
  • Moldovan public TV chief resigns over Eurovision ‘neighbourhood voting’ lapse
  • Feldman and Beckett: Words and Music review – hypnotic absurdism at Sheffield Chamber Music festival
  • ‘This keeps the dream alive’: the bands sleeping at venues to make touring work
  • Kraftwerk review – after more than half a century of techno supremacy, they still sound like the future
  • Jayson Gillham: MSO executive suggested cancelling pianist’s concert before seeing Gaza comments, court hears
  • Carters’ cries, lullabies and tales of errant crocodiles: Lero Lero and the battle for Sicily’s soul
  • Ecca Vandal, the genre-defying punk-rap star on getting offline and having tea with Flea: ‘It constantly spins me out’
  • Requiem for America review – Brent Michael Davids gives the invisible a voice in his urgent new work
  • ‘I had been silent for a very long time’: how a chance meeting at a burger van revived techno genius the Field
  • Shakira in line for €55m payout as Spanish court rules tax fines were wrong
  • Dr Hook co-frontman Dennis Locorriere dies aged 76
  • Pianist Jayson Gillham says he never considered apologising for Gaza comments, trial hears
  • Still collapsing after all these years: Einstürzende Neubauten on their fifth decade as a Berlin legend
  • French star Patrick Bruel denies multiple sexual assault allegations
  • ‘A quiet belief everything’s going to be all right’: Bulgarians celebrate Dara’s Eurovision win with Bangaranga
  • Dame Felicity Lott obituary
  • Anne-Sophie Mutter review – star violinist celebrates 50 years in brilliant style
  • Britten Sinfonia: Britten in America review – delightful music from a fruitful vacation
  • Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop
  • 70th Eurovision song contest grand final – as it happened
  • Bulgaria wins 70th Eurovision contest with Dara and Bangaranga
  • Flying Lotus: ‘People kept saying, “You can’t make hip-hop with a laptop.” Those comments were my fuel’
  • John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow
  • How did Eurovision go from sequins and flares to geopolitical slugfest?
  • From Normal to Ania Magliano: your complete entertainment guide to the week ahead
  • Giant green pickle tells us UK’s Jewish culture month has begun
  • Belle and Sebastian write Scotland anthem after dramatic World Cup qualifier
  • Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster
  • Eurovision 2026: why is Australia competing – and could Delta Goodrem actually win?
  • BBCNOW/Bloch/Eberle review – this was a riveting and beguiling concert

Contact www.wrongmog.com   Terms of Use