Where are all the female DJs?

From Annie Mac to Éclair Fifi, women are grabbing more airtime than ever, but the decks still feel stacked against them, writes Kate Hutchinson

Moby relaunches initiative to give away free music to non-profit film-makers

Track-placement pioneer offers non-commercial movie producers access to more than 150 tracks

Kanye West: Yeezus – review

Harsh rhythms crash, dance beats drop out, soul samples grate, voices are warped beyond recognition. Is West's dementedly contrary album the sound of a music star just doing his job?

John Wizards (No 1,533)

South African duo making the sound of seven virtuosos from across a wide variety of styles both traditional and electronic

Austra: Olympia – review

Austra's sad-face disco drags itself on to the dancefloor and sounds terrific, but there'll still be tears before dawn, writes Rebecca Nicholson

Chvrches: Music for the masses?

The Glasgow trio's rough-edged, noncomformist take on synthpop is, they say, not 'DIY or die'

Disclosure admit miming at Wembley – but say they didn’t want to

No 1 dance duo say organisers of Capital FM Summertime Ball forced them to mime, so they made it obvious

Rockness – review

The booking and scheduling may have felt patchy, but pinch-yourself beautiful views of Loch Ness, relentless beats and the heavy, heavy monster sound of Madness won over the crowds, writes Malcolm Jack

Boards of Canada: Tomorrow’s Harvest – review

With its elegant rhythms and crackly samples, the cult Scots' cryptic fourth album was worth the eight-year wait, writes Kitty Empire

Boards of Canada: ‘We’ve become a lot more nihilistic over the years’

Their music is veiled in mystery and they rarely give interviews. But on the release of their first album in eight years, Tomorrow's Harvest, brothers Marcus Eoin and Mike Sandison talk about their passion for grim 70s movie soundtracks and vintage hardware with Louis Pattison

Jamie Isaac (No 1,526)

Meet the South London singer-producer taking late-night blubstep to another level

Meet Jon Hopkins – the next Brian Eno

From studying the sound of hotel water pipes to stealing chord patterns from a reversing lorry, Jon Hopkins likes to go the extra mile when adding a little human warmth to his electronic music. Jude Rogers listens in