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‘We got banned from YouTube but they showed Saddam Hussein being hanged’: the wild viral visions of Romain Gavras

What will life be like in 2034? Will kids surf in quarries – or live in the woods since they think Earth is hollow? We meet the film-maker behind Gener8ion, whose dark predictions have a habit of going viral

‘In prison, I made a little studio in my head. It kept me sane’: Ibrahim Alfa Jr, British techno’s great survivor

He moved from Nigeria to middle England and was swept up into the rave scene – then battled through incarceration and near-death illness. After making 500 tracks while living on porridge and lettuce, he explains how he kept going

‘You can let your inner freak out!’: welcome to Pixelate and the growing craze for internet-culture raves

At Pixelate, the music is as garish as the meme-referencing costumes. Is it internet ‘brainrot’ come to life – or a much-needed offline community?

Collection of rave-era memorabilia expected to fetch up to £80,000

Producer Rob Ford’s trove of 1,700 items includes membership cards and the Prodigy’s first business card

‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power

One of disco’s biggest stars answers your questions, recalling tours with Rick James, inspiration for Destiny’s Child and what she wished she asked Michael Jackson

Post your questions for Sister Sledge’s Kathy Sledge

The voice of some of Sister Sledge’s biggest hits is touring again, and will take on your questions

‘Brits are not as groovy as us – but they’re less square than Europeans’: how drum’n’bass united Brazil and the UK

When drum’n’bass grew stale in the 90s, it got a samba-splicing Brazilian twist. As that style returns, the scene’s legends and newcomers celebrate a cross-cultural triumph

Goldie, Bananarama and boat trips with the Spice Girls: the hedonistic madness of 90s label London Records

From synthpop to drum’n’bass, the company had a roster of edgy stars – and let them do what they wanted. As a new podcast is launched, artists and staff remember the extreme work environment

‘I had been silent for a very long time’: how a chance meeting at a burger van revived techno genius the Field

A run of immaculate albums ended in 2018 with an identity crisis and the producer becoming a kindergarten chef. Now he’s back with a blissed-out new record

Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster

It’s possible that the world’s biggest rapper is using this epic content drop to get out of his record deal, but aside from some bright spots on Iceman, should the public really be subjected to it?

Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights

On a floral-themed LP, squiggling melodies and quizzical distortion banish the winter gloom Dreijer brought to the Knife and his tracks with Fever Ray

‘In times like this, it pays to be Italian’: Mind Enterprises, the Campari-necking Italo disco revivalists who became a meme

A video of the Italian duo huffing cigarettes and pouring aperitifs on a Mediterranean balcony might have gone viral – but there’s nothing slapdash about their blissful electro evocations of la dolce vita

Kneecap: Fenian review – their new album is terrific, triumphant yet tortured

With strong words for Keir Starmer, the Irish rave-rap trio remain unbowed by the controversy around them – and yet this is a more ruminative record than you might expect

Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot

Reinvigorating the South African mapanta subgenre, producer Serokolo 7 blends folk vocal melodies with seething 180bpm rhythms, creating a barrage of sound

Mane character energy: part-nag pop provocateur HorsegiirL on burnout, eco tunes and pompous idiot DJs

The half-human, half-horse star has bounced back from the brink with a grass-themed album that’s ‘a love letter to Mother Earth’. Is it true she was discovered by Whitney Horseton?

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← Older posts
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  • Danish String Quartet review – captivating performance from a world-class group
  • The best albums of 2026 so far
  • ‘Central to human identity’: exhibition at the Met connects bodies with musical instruments
  • James Blood Ulmer, adventurous US guitarist and vocalist, dies aged 86
  • Cello belonging to artist John Constable to be played for first time in 100 years
  • ‘We were going off the cliff’: Soundgarden’s Kim Thayil on inventing grunge – and losing Chris Cornell and Kurt Cobain
  • French star Patrick Bruel held by police investigating new sexual assault allegations
  • ‘You escape the slaughter. But there’s a long tail of sadness’: musician Bedouine on the strangeness of Arab life outside the Middle East
  • Post your questions for David Byrne
  • ‘In prison, I made a little studio in my head. It kept me sane’: Ibrahim Alfa Jr, British techno’s great survivor
  • Is Australian music at risk of extinction? Here’s what the data tells us
  • Aria music quiz: how well do you know the Australian charts?
  • Jesse Hector obituary
  • A priceless book of Yiddish songs from the Holocaust lay in a Sydney cupboard for decades – now it has been rescued
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • Readers reply: If an alien asked you: ‘What is music?’ what would you play for them?
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • Hilarious or a nightmare? Exhibition displays the worst album covers ever
  • ‘So rogue’: country superstar Shania Twain turns London pub into saloon
  • ‘At my funeral I want people dancing in the aisles to Madness’: David Gray’s honest playlist
  • Hello, goodbye: the Beatles’ chaotic, controversial final tour – as never seen before
  • Judge dismisses Kennedy Center suit against musician who canceled
  • Stevie Nicks donates $3m to medical school to recognize her voice doctor
  • When I claim my black Britishness in this age of intolerance, here is the music that goes with it
  • From Masters of the Universe to Monteverdi: your complete entertainment guide to the week ahead

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