wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

Reading and Leeds festival review – post-GCSE blowout shows how dominant dance music now is

Charli xcx and Fontaines DC are spellbinding and there’s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker

Tell us: what’s the song that is guaranteed to get you on the dancefloor?

What track gets your feet moving the moment you hear it – and on to the dancefloor? I Feel Love by Donna Summer? Or We Found Love by Rihanna? We’d love to hear what yours is

‘So many people say things about my appearance – it’s not normal’: Jorja Smith on burnout, body-shaming and finding freedom

Being recognised by the Brits, Grammys and Drake made the singer one of British music’s most famous names – and also left her exhausted. Now, after decompressing in her home town she returns with a record made for raving

Skintown review – Northern Irish scamps rave their Troubles away

Catholics and Protestants find E-fuelled common ground at a hallowed Portrush club in Ciarán McMenamin’s adaptation of his own 2018 novel

Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle

Playing their biggest headlining gig to date, the Russell brothers are in a bouncy mood, though their grandstanding rave melodies lose some punch in an outdoor environment

Prince to Madonna, Blur to Beth Orton: William Orbit’s 12 greatest recordings

The late producer’s gift for bringing in elements from dance music’s cutting edge drew all manner of music royalty – and he often made them sound better than ever before

‘I was so self-assured in my early 20s. Then my frontal lobe hit’: Rachel Chinouriri, every pop star’s favourite UK pop star

​She faced racist bullying as a child – then pigeonholing as an artist. Now following up a hit debut album championed by the A-list, the Croydon singer-songwriter says she finally understands who she really is

‘People say they’ve conceived to my music’: Tricky’s honest playlist

The trip-hop star doesn’t believe in getting jiggy to songs and would choose Cyndi Lauper at karaoke. But which classic reminds him of his mum?

Nia Archives: Emotional Junglist review – breakbeats and heartbreak combined by a brilliant British one-off

On the Bradford-born producer’s self-assured second album, drum’n’bass rhythms power up angsty odes with shades of Arctic Monkeys, Kate Nash and myriad genres

‘A sublime, breezy confection’: writers on their 2026 songs of the summer

The annual rundown of Guardian writers picking their most played tracks of the season goes from club-ready pop to sunny tech house

‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole

After the Guardian’s music critics chose their best of the half-year, we asked you for your picks – from Brian Jackson and Arlo Parks to Maya Hawke, Flea and more

Eat, sleep, rave … make peace! DJ Yousuke Yukimatsu’s mission to change the world with topless raves

He beat brain cancer. Now your favourite DJ’s favourite DJ is on a UK tour, armed with experimental techno, Beastie Boys and Taylor Swift

‘We’ve had moments of devastating pain’: jazz icons Ezra Collective on their new album – and why we can’t rely on the government

Speaking at a Guardian Live event at Love Supreme festival, the band tell us about lessons with Tony Allen, mayhem in Lagos and why musicians should be ‘pillars of the community’

Breaking hearts and blowing minds:​ Robyn’s 20 greatest songs – ranked!

As she tours the UK, we pick the best of an artist who defined the ‘sad banger’ – but also radiates joy and strength from her perfect pop songs

Madonna: Confessions II review – nostalgic dancefloor trip sparks her most vital album in two decades

After years spent chasing trends like trap and Latin pop, Madonna settles back​ nicely into​ old-school dance music to tell vivid vignettes of life in 80s New York

Post navigation

← Older posts
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • ‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold on to hope
  • ‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective
  • Tupac trial spotlights decades of US police failures in solving the case

Contact www.wrongmog.com   Terms of Use