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‘Algorithms make everything predictable’: why the CD is making a comeback

As John Lewis reports a 96% rise in searches for CD players, music fans share their reasons for ditching streaming

‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank

From Wichita Lineman to MacArthur Park, he penned masterpieces. As the great hit-maker resurrects his lost songs, he recalls writing for giants – and the night Richard Harris stripped off and disappeared

Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’

Fender criticises stadium pricing, calling it ‘bollocks’ and says it ‘won’t be happening’ on his tour

Barriers facing black and south Asian music events ‘cost London up to £141m a year’

Exclusive: Investigation finds racial inequality in live music industry rife and many genres labelled ‘high risk’ despite lack of evidence

O2 signs record deal to keep London venue’s naming rights

Exclusive: 10-year sponsorship extension at a 50% premium on last agreement crowns bonanza year for live venue

From the Bayeux tapestry to Glastonbury: top tips and tricks to grab the hottest tickets

Nothing is guaranteed but there are ways to boost your chances of experiencing such in-demand events

Rod Stewart announces final tour for 2027: ‘Most definitely my last’

The 81-year-old singer will wrap up a touring career that stretches back to his mid-teens in the early 1960s, with dates planned for UK and Europe

Rapper and actor Eve looks back: ‘I was the only girl in the boardroom in major label meetings – that Philly girl had to come out’

The Grammy-winning artist on ​destroying egos in school, the dealers who looked out for her, and learning from early failure

‘Eminem’s Lose Yourself is my anthem for getting the kids out of the house’: Kimberly Wyatt’s honest playlist

The Pussycat Doll went roller skating to the Beach Boys and is ‘completely over’ Gangnam Style. But what song makes her cry every time?

Work intensifying on UK laws to stamp out concert ticket touts, say sources

Artists including Tinie Tempah and the Smiths’ drummer Mike Joyce ramp up pressure on government to keep its pledge to outlaw for-profit resales

Tell us: do you enjoy listening to music on CDs?

Is this a recent development, or are you a die-hard compact disc fan? What do you like about the format?

‘Love and respect’ or ‘a cash grab’? The furious battle over the final album by the Fall

Creators of Post Script, made with vocals by the late Mark E Smith, defend it as ‘a great, positive record’, but fiancee describes it as ‘ethically wrong’

How much is being close to your favorite artist worth? Superfans are reshaping the concert industry

Some admit to spending thousands of dollars for barricade spots and other VIP perks at concerts, which is becoming more common

UK startup snares $20m to recreate gigs with ‘hyper-realistic’ digital avatars

Unit1 hopes to offer lower cost version of shows such as Abba Voyage, showcasing living and dead artists in any venue

Ed Sheeran thought fans didn’t want artists to be politically engaged. He’s finding out how wrong he was

Twenty years ago, even Madonna faced radio blacklisting for being overtly political. But in our age of streaming, there’s less excuse for not speaking out, says Guardian columnist Jason Okundaye

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← Older posts
  • Juan Atkins obituary
  • Australians are streaming more music than ever – but homegrown songs are being skipped
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • Paul McCartney becomes a billionaire and world’s third richest musician
  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist
  • ‘Free grand piano’: the scam playing on music lovers’ heartstrings
  • Willie Nelson: ‘I drank too much, I smoked too much. I took too many pills’
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Richard Lloyd, founding member and guitarist of punk band Television, dies aged 75
  • Amy Winehouse inspired me to quit a soul-crushing job
  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
  • Eurovision’s Asia experiment gets under way in flamboyant Bangkok
  • Eurovision is heading to Asia: here’s what to expect
  • Macklemore says that nine US arenas turned down his Free Palestine tour
  • David Staff obituary
  • Herbert Blomstedt obituary
  • Clem Cattini obituary
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Post your questions for folk music legend Judy Collins
  • ‘I went into a deep, deep hole’: Wynonna Judd on overcoming family tragedy and putting a lifetime of love and pain into her new album
  • The week’s best new tracks and the act you need to know: crowd-pleasing anticapitalist rockers Sans Froid
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album

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