Jungle (No 1,536)
Unknowns create mesmeric urban-tribal music with potentially viral video
Joe McKee (No 1,535)
Formerly with Aussie band Snowman, McKee torches his past to delightful, lushly atmospheric effect
Phlo Finister (No 1,534)
Enjoy this amazing new ethereal-R&B artist while you can – less voice than void, she may not be here for long
Isle of Wight festival – review
The Killers were the class act, while Bon Jovi summed up the tone of this year's dad-rock-friendly festival, writes Ian Gittins
Kings of Leon – review
Tenessee's finest are back, with muscles flexed and new songs that recapture their old sense of energy and fun, writes Kitty Empire
Kodaline: In a Perfect World – review
Irish four-piece Kodaline tick all the anthemic indie-rock boxes but the choruses on their debut album never really soar, writes Ally Carnwath
Tunng: Turbines – review
Tunng's latest is a concept album about a fictional village whose inhabitants impose their personalities on the music itself, writes Maddy Costa
Sigur Rós: Kveikur – review
Sigur Rós have a bit more sturm und drang on their latest, and it suits them well, writes Dave Simpson
Ben Howard – review
The 26-year-old Devonian who won two Brit awards is so ambivalent about the spotlight he plays this gig in the dark, writes Caroline Sullivan
Chvrches: Music for the masses?
The Glasgow trio's rough-edged, noncomformist take on synthpop is, they say, not 'DIY or die'
Chalk and Numbers (No 1,532)
This duo take us back to the golden age of the 1960s. But which year in particular?
Various: Scared to Get Happy – review
A compilation that tries to paint 1980s indie as a mythic genre akin to 60s garage rock is perhaps a bit too much in love with its subject, says Alexis Petridis
Teenage Mothers (No 1,530)
Introducing a group of Australian psych-rockers with a dash of goth and a taste for drama