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Nas / The Roots review – NY rap legend is in a nostalgic state of mind

Nas performs his gritty but intricate 90s classics, sharing the bill on the first London edition of the Roots Picnic festival with Questlove and co’s exuberant funk

Acrobatic, goofy and super-fast: the biama battles redefining Ivorian dance culture

Fuelled by TikTok and street dance battles, the coupé-décalé offshoot is latest expression of Côte d’Ivoire’s pop culture

Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums

Beneath the Hollywood narrators, Pink Floyd-y interludes and accompanying comic books lies songwriting that proves the Tipsy singer’s breakout success was no fluke

‘People say they’ve conceived to my music’: Tricky’s honest playlist

The trip-hop star doesn’t believe in getting jiggy to songs and would choose Cyndi Lauper at karaoke. But which classic reminds him of his mum?

‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk

Five decades since punk bible Sniffin’ Glue, DIY magazines are in rude, rich health. Their creators talk fandom, community-building and resisting the algorithm

‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole

After the Guardian’s music critics chose their best of the half-year, we asked you for your picks – from Brian Jackson and Arlo Parks to Maya Hawke, Flea and more

Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’

Three years ago, the pop star was riding high after a sellout tour. But then a slew of shocking accusations from her former dancers changed everything. Where does she go from here?

R&B star Syd on her new album, the return of the Internet and Odd Future fallouts: ‘We only had three meetings as a group and I called two of them’

She was a member of the influential rap collective, then the alt-R&B hitmakers – but struggled to find her own voice. Now, after realising she ‘didn’t like anybody else’s beats’, she’s finally made a solo album that is truly hers

‘There’s not a lot of Black stories made by Black creatives in theater’: inside Kwame Kwei-Armah’s new TLC musical

CrazySexyCool, the celebrated playwright’s new show in DC, is a vibrant love letter to the hits and sisterhood of the R&B trio

‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?

The unconventional actor is releasing a new hip-hop album, the latest unlikely new string to his bow, but the big surprise is that he might actually be great

Grammy-nominated music producer Tay Keith, who worked with Drake and Travis Scott, dies aged 29

Hip-hop producer behind Travis Scott’s Sicko Mode and Drake’s Nonstop has been found dead at home during a police welfare check

The Spurs can match the Knicks’ energy in the NBA finals but not their desperation

As a lifelong Knicks fan, the Public Enemy frontman knows how much New York craves an end to its 53-year NBA title drought

‘Central to human identity’: exhibition at the Met connects bodies with musical instruments

Musical Bodies looks at 4,000 years of musical history and how humans have long forged relationships with instruments

Is Australian music at risk of extinction? Here’s what the data tells us

Forty years of Aria chart history shows big changes to our listening habits – and local artists have a huge fight ahead

Kanya King, founder of Mobo awards for Black British music, dies aged 57

Entrepreneur died of colon cancer, with Mobo Organisation hailing her as ‘one of the most fearless champions’ in the music industry

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← Older posts
  • Bruckner Symphony No 3 album review – Anima Eterna’s period instruments bring visceral drama
  • Billion-streamers, Beyoncé and heart-bruising beauty: Frank Ocean’s 20 best songs – ranked!
  • Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • We’re going to party like it’s 1629… the masques, the music and the mayhem of Banqueting House
  • Countries in ‘armed conflict’ barred from hosting Eurovision
  • Post your questions for Amy Lee of Evanescence
  • From sensation to spectacular, to silence: the strange history of Coleridge-Taylor’s Song of Hiawatha
  • ‘Today’s Brazilians have no idea what it feels like to lose democracy’: Joyce Moreno on her battles to become a Latin musical great
  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Rod Stewart cancels farewell tour dates after undergoing successful heart procedure
  • The astonishing voice of Grace Cummings: ‘The peace I found in music is a legitimate lifesaver’
  • Spotify to distinguish AI artists from real people – and stop recommending them
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly
  • ‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • ‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • William Orbit obituary
  • My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
  • Taylor Swift songs removed from Trump and White House’s social media posts
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Super Furry Animals’ foray into football is not part of Big Music’s money grab
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • ‘Chris Martin seems nice – but Coldplay make me feel carsick!’: Lucy Beaumont’s honest playlist
  • The hill I will die on: Remove those earphones – you’re blocking out the music of humanity

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