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‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?

The unconventional actor is releasing a new hip-hop album, the latest unlikely new string to his bow, but the big surprise is that he might actually be great

Grammy-nominated music producer Tay Keith, who worked with Drake and Travis Scott, dies aged 29

Hip-hop producer behind Travis Scott’s Sicko Mode and Drake’s Nonstop has been found dead at home during a police welfare check

The Spurs can match the Knicks’ energy in the NBA finals but not their desperation

As a lifelong Knicks fan, the Public Enemy frontman knows how much New York craves an end to its 53-year NBA title drought

‘Central to human identity’: exhibition at the Met connects bodies with musical instruments

Musical Bodies looks at 4,000 years of musical history and how humans have long forged relationships with instruments

Is Australian music at risk of extinction? Here’s what the data tells us

Forty years of Aria chart history shows big changes to our listening habits – and local artists have a huge fight ahead

Kanya King, founder of Mobo awards for Black British music, dies aged 57

Entrepreneur died of colon cancer, with Mobo Organisation hailing her as ‘one of the most fearless champions’ in the music industry

Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun

Teeing up a forthcoming solo album, the rapper doesn’t reheat his old Beastie Boys sound, instead throwing down everything from ballads to Kraftwerk references

Lil’ Kim review – formidable rap legend delivers mostly vibes, but the crowd is here for it

Fifteen years since her last Australian show, the seminal hip hop artist was met by a mood of giddy nostalgia that forgave her short set of truncated hits

‘I’ve rebranded as a stoic. It’s my ting now!’ The crime and punishment of Pozer, UK rap’s fastest, fiercest talent

In a chaotic London childhood, Isaiah Sampson got drawn into drug dealing and worse before hauling himself into the charts. He opens up about his psychological scars and trust issues

Flying Lotus: ‘People kept saying, “You can’t make hip-hop with a laptop.” Those comments were my fuel’

In the lead-up to his Australian tour, the producer and DJ reveals his obsession with Chucky, his favourite time signature and which Kanye West record is the ‘most overrated album of all time’

Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun

Seething with righteous anger and moshpit-ready tracks, the Australian artist’s genre-hopping but cohesive LP makes a case for the durability of the form

Kanye West loses lawsuit over uncleared sample played at stadium fan event

Rapper known as Ye must pay six-figure sum to four plaintiffs who successfully argued he infringed on their copyright

Drake lost the beef and embraced the manosphere. Is it too late for him to win back his audience?

After his Kendrick Lamar feud, Drake alienated female fans. With new album Iceman, he’s aiming for the top of the charts again

Flutes, freestyles and infectious fun: Lizzo’s greatest songs – ranked!

Ahead of her new album Bitch, we rate the best of a singer who expertly suffuses self-empowerment anthems with humour and party-starting energy

Rapper Kid Cudi fires MIA from tour after ‘offensive’ Republican rant

The British artist was booed after identifying as a Republican voter while on stage in Dallas

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← Older posts
  • The show must go on: musical theatre cancellations lead to industry calls for urgent government help
  • ‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
  • The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit
  • Quincy Jones emailed saying, ‘Hey man, I need to have a word’: how Jacob Collier made In My Room
  • Billy Budd review – Clayton’s Vere is the devastating heart of vivid staging
  • Ubuntu Ensemble review – charged musical snapshots of South Africa’s struggle
  • Post your questions for Ezra Collective at Love Supreme festival
  • A new start after 60: I spent eight years thinking I had Parkinson’s. Then doctors ‘de-diagnosed’ me
  • Country diary: There’s no blackbird song like the one on my street
  • From burning bogs to boutique bonanzas: how did Britain become a nation of festival obsessives?
  • In the Belly of the Beast review – biblical events showcase Sun King’s favoured composer
  • Garth Brooks review – swooning fans turn out for British Summer Time’s hottest ticket
  • Bad Bunny review – dynamic Latin superstar hosts thrilling party
  • ‘I’ve only been addicted to two things – funk and praise’: Eddie Marsan’s honest playlist
  • I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never be the same again
  • Fatboy Slim says he felt paralysed at prospect of DJing sober after rehab
  • Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year
  • The Guide #249: As Glastonbury has a fallow year, here’s why more much-loved culture should down tools
  • From Supergirl to Muse: your complete entertainment guide to the week ahead
  • Madonna & Graham review – it’s ‘gay heaven’ when Kylie arrives
  • Grab your Stetsons! How country music is taking over the UK
  • Meriel Dickinson obituary
  • Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover
  • Initiation stones, buried recordings, and Ringo Starr’s drumkit: inside the visionary world of reggae master Lee ‘Scratch’ Perry
  • Add to playlist: the doomy predictions of incendiary metallers Burner and the week’s best new tracks
  • Radio 2 DJ Trevor Nelson taking break from broadcasting over health issues
  • The Surge review – a wild and haunting wake for Sinéad O’Connor
  • Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor
  • Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory
  • Downtown Boys: Public Luxury review – a joyful blast of bilingual political punk

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