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EU accused of leaving ‘devastating’ copyright loophole in AI Act

Architect of copyright law says EU is ‘supporting big tech instead of protecting European creative ideas’

‘We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use

Software goes on sale that replicates the distinctive analogue sounds of celebrated unit where Doctor Who theme was created

More rhythm, less algorithm: why Deezer’s boss is vowing to put users in control of their music

Alexis Lanternier, chief executive of the French streaming service, says it can compete with bigger rivals by rewarding the real musicians its subscribers want to support

‘Everyone knows the Centrelink song’: how we learned to love – and remix – hold music

It’s been called the ‘sound of purgatory’ but Opus 1 has enjoyed a new life in performance art, in a beer commercial and now on TikTok

The Guardian view on AI and copyright law: big tech must pay

Editorial: Elton John, Paul McCartney and thousands of other artists have called for protection from data crawling. The government must listen

Richard Bleasdale obituary

Other lives: Software designer whose innovations transformed the live entertainment industry

Elton John backs Paul McCartney in criticising proposed overhaul to UK copyright system

The rock star called copyright ‘the absolute bedrock of artistic prosperity’, ahead of a vote on a bill granting AI companies easier access to musicians’ work

Paul McCartney says change in law over AI could ‘rip off’ artists

Former Beatles member says government should protect creative workers as consultation on copyright continues

‘A lot of chaos, quickly’: panic grips US music industry as ‘kingmaker’ TikTok faces ban

Labels and artists forced to rethink marketing strategies as viral hit-making app faces possible US shutdown on Sunday

TikToking on heaven’s door: Bob Dylan joins social media app as US ban looms

Songwriter, 83, signs up to TikTok with platform facing Sunday deadline to sell US operation

Michael Adex: the entrepreneur aiming to inspire black-founded tech startups

Manchester-raised entertainment mogul is ambassador for scheme helping businesses in creative industries succeed

Older music has been getting a second life on TikTok, data shows

Despite newer artists having viral moments, app users also enjoyed old school acts including Bronski Beat and Sade

Wednesday briefing: Celebrity lookalike contests, brat everything and 36 more things to leave behind in 2024

In today’s newsletter: Laddy Instagram food accounts? Estate agent video tours? Glicked? Farewell, 2024, and thanks for nothing

Amazon push may help Tom Grennan beat Wham! to UK Christmas No 1

Grennan’s It Can’t Be Christmas is one of many Amazon-exclusive singles in recent festive chart races

‘It’s game over for facts’: how vibes came to rule everything from pop to politics

From voters picking up ‘bad vibes’ to the Brat girl summer, vague instincts now make the world go round. Does this represent a crisis of seriousness or has it always been feelings that make us human?

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  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams

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