Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project
Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way
From jazz in Rotterdam and hip-hop in Paris to brass bands on the beach in Blackpool, the Guardian’s music editor chooses the best European festivals that can be reached by rail
The cellist reunites with guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara for five stunning tracks that are boundary-pushing yet populist
With his gangster image, Colón ruffled the feathers of the musical establishment, but thrilled millions of fans as he displayed the raw rhythmic possibility of salsa
Grant Gee’s film thoroughly inhabits the creative and personal torment experienced by the American pianist – with a terrific supporting Bill Pullman turn
The genre-hopping bass virtuoso has backed Ariana Grande and Herbie Hancock, appeared in Star Wars and become a dedicated boxer. Ahead of his fifth album, Stephen Bruner explains his polymath mindset
Live on stage the Oscar-winning composer’s score is disorientating, ecstatic and strange. Its star, Amanda Seyfried’s pure voice is the anchor in a brief but absorbing set
The composer’s first unaccompanied album turns extended harp technique into music of intimacy, restraint and conviction – inspired by the women who shaped her world
Ahead of the centenary of Davis’s birth, musicians including Terence Blanchard and John Scofield analyse his brilliance: from his soft phrasing and spiritual feel to his raspy cussing and leather outfits