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Spotify used to seem like a necessary evil for musicians. Now it just seems evil

I am removing my music from Spotify because I don’t want my songs – some written with survivors of conflict – to enrich people who fund weapons

Khruangbin, again? I quit Spotify for a month to escape samey algorithms – this is what I learned

After being served the same artists again and again, my tastes were narrowing – so I tried vinyl, iPods and radio to see if I could rediscover the joy of finding new music

Tech CEO caught with company’s HR head on Coldplay kiss cam resigns

Andy Byron leaves startup Astronomer after he and Kristin Cabot were placed on leave over Jumbotron incident

An AI-generated band got 1m plays on Spotify. Now music insiders say listeners should be warned

The Velvet Sundown released two albums before admitting their music, images and backstory were created by AI

Up to 70% of streams of AI-generated music on Deezer are fraudulent, says report

According to the French streaming platform’s analysis, fraudsters use bots to listen to AI-generated music and take the royalties

BBC and Sky bosses criticise plans to let AI firms use copyrighted material

Media corporations call for opt-in rule and say companies must set up licensing deals before accessing creative works

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

The one change that worked: I’ve ditched streaming for CDs – and fallen in love with music all over again

The lure of a limitless digital jukebox was great, but as the algorithm increasingly served up music I didn’t enjoy, I’ve taken back control of my listening

Elton John calls UK government ‘absolute losers’ over AI copyright plans

Songwriter says he thinks it is a ‘criminal offence’ to let tech firms use protected work without permission

Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’

The actor, who was speaking on The Louis Theroux Podcast, also cast new light on his meeting with former Syrian president Bashar al-Assad, and had harsh comments on both Donald Trump and Elon Musk

Ministers reconsider changes to UK copyright law ahead of vote

Exclusive: Proposals to introduce opt-out system of copyright rules no longer preferred option amid criticism from creative industries

Ministers to amend data bill amid artists’ concerns over AI and copyright

Exclusive: Government will promise to carry out an economic impact assessment of its proposals

‘I did things I cringe at’: Alex Warren, rough-sleeper, viral prankster and now No 1 pop sensation

He slept in cars, found notoriety on social media and could be pop’s next superstar. The singer of Ordinary, the longest-running No 1 of the year, talks about his journey to breakout success

My petty gripe: we need nature, not Nickelback – please put on your headphones

I get that the noise in your head is so unbearable it must be drowned out by Mambo No 5. I just don’t think it should be inflicted on the rest of us

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  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • ‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails
  • Neil Young files second lawsuit against Trump for unauthorised use of Rockin’ in the Free World at rallies
  • ‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • Jay-Z picks headliner for 2027 Super Bowl half-time show … Jay-Z
  • John Anderson obituary
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • ‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season
  • I used to think I had impeccable taste in music. My kids taught me to stop being a snob
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • ‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season

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