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‘We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use

Software goes on sale that replicates the distinctive analogue sounds of celebrated unit where Doctor Who theme was created

More rhythm, less algorithm: why Deezer’s boss is vowing to put users in control of their music

Alexis Lanternier, chief executive of the French streaming service, says it can compete with bigger rivals by rewarding the real musicians its subscribers want to support

‘Everyone knows the Centrelink song’: how we learned to love – and remix – hold music

It’s been called the ‘sound of purgatory’ but Opus 1 has enjoyed a new life in performance art, in a beer commercial and now on TikTok

The Guardian view on AI and copyright law: big tech must pay

Editorial: Elton John, Paul McCartney and thousands of other artists have called for protection from data crawling. The government must listen

Richard Bleasdale obituary

Other lives: Software designer whose innovations transformed the live entertainment industry

Elton John backs Paul McCartney in criticising proposed overhaul to UK copyright system

The rock star called copyright ‘the absolute bedrock of artistic prosperity’, ahead of a vote on a bill granting AI companies easier access to musicians’ work

Paul McCartney says change in law over AI could ‘rip off’ artists

Former Beatles member says government should protect creative workers as consultation on copyright continues

‘A lot of chaos, quickly’: panic grips US music industry as ‘kingmaker’ TikTok faces ban

Labels and artists forced to rethink marketing strategies as viral hit-making app faces possible US shutdown on Sunday

TikToking on heaven’s door: Bob Dylan joins social media app as US ban looms

Songwriter, 83, signs up to TikTok with platform facing Sunday deadline to sell US operation

Michael Adex: the entrepreneur aiming to inspire black-founded tech startups

Manchester-raised entertainment mogul is ambassador for scheme helping businesses in creative industries succeed

Older music has been getting a second life on TikTok, data shows

Despite newer artists having viral moments, app users also enjoyed old school acts including Bronski Beat and Sade

Wednesday briefing: Celebrity lookalike contests, brat everything and 36 more things to leave behind in 2024

In today’s newsletter: Laddy Instagram food accounts? Estate agent video tours? Glicked? Farewell, 2024, and thanks for nothing

Amazon push may help Tom Grennan beat Wham! to UK Christmas No 1

Grennan’s It Can’t Be Christmas is one of many Amazon-exclusive singles in recent festive chart races

‘It’s game over for facts’: how vibes came to rule everything from pop to politics

From voters picking up ‘bad vibes’ to the Brat girl summer, vague instincts now make the world go round. Does this represent a crisis of seriousness or has it always been feelings that make us human?

Snap out of it: Manchester club joins growing trend to ban phone cameras

Nightclub director says they ‘really want the music and experience to be at the forefront’, following in the footsteps of Berlin’s club scene

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  • I’m trying to pick the best party tunes since 1966. Why are all the real bangers from 1989?
  • ‘Everyone is equal in this space’: the cosmic world of neurodivergent-friendly club night Robyn’s Rocket
  • Sonny Rollins, colossus of jazz saxophone, dies aged 95
  • Ozzy Osbourne AI avatar will be ‘so tasteful’, Jack Osbourne says after fan backlash
  • ‘Bowie compared us to T Rex. Couldn’t get any better’: the Mekons on how they made Where Were You?
  • Dennis Locorriere obituary
  • Tuner review – Leo Woodall and Dustin Hoffman in sweet harmony in safe-cracking thriller
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Food orders and phone bills: Jimi Hendrix memorabilia to go on display in London
  • ‘The knickers that get thrown are bigger now!’: Barry Manilow on fans, love, coming out – and turning 82
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • The Guardian view on 100 years after Miles Davis’s birth: why he still shapes modern music
  • Bruce Springsteen is a model for how celebrities should resist Trump
  • ‘Growing up, you couldn’t play Bon Jovi – that’s what our parents listened to’: Bebe Rexha’s honest playlist
  • From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment
  • Nine Sixteenths review – what Janet Jackson’s ‘Nipplegate’ scandal really exposed
  • Relief all round as Bad Bunny brings back regular-length shorts
  • Post your questions for Sister Sledge’s Kathy Sledge
  • Tosca review – Puccini’s high-octane bloodbath bonanza makes for a shocking festival kick-off
  • ‘We’ve got 25 to 30% already shot’: sequel to Michael Jackson biopic on way, says studio
  • Add to playlist: the virtuoso prog-metal-folk of Brazil’s Papangu and the week’s best new tracks
  • Dido and Aeneas review – close your eyes and this was a tremendous performance
  • Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection
  • Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
  • Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller
  • Trash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectability
  • Or, the Whale album review – Caroline Shaw and Andrew Yee collaboration offers intimacy and joy
  • Spotify and Universal Music agree deal to let subscribers create AI remixes
  • Scottish singer-songwriter Jacob Alon wins big at Ivor Novello awards

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