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Paul McCartney joins music industry protest against AI with silent track

Former Beatle and artists including Sam Fender, Kate Bush and Hans Zimmer record silent LP Is This What We Want

Big content is taking on AI – but it’s far from the David v Goliath tale they’d have you believe

Deals between media conglomerates and tech companies serve both sets of interests, while leaving artists by the wayside, says video essayist, writer and researcher Alexander Avila

AI slop tops Billboard and Spotify charts as synthetic music spreads

Hits include country songs and a Dutch anti-refugee anthem, both entirely made without human composition

ChatGPT violated copyright law by ‘learning’ from song lyrics, German court rules

OpenAI ordered to pay undisclosed damages for training its language models on artists’ work without permission

Spotify partnering with multinational music companies to develop ‘responsible’ AI products

Market-leading music streamer collaborating with the Sony, Universal and Warner music groups to create new AI features

‘Death to Spotify’: the DIY movement to get artists and fans to quit the music app

Musicians have long criticized the streaming service’s paltry payouts, but a new wave of boycotts is emerging

‘I’m a composer. Am I staring extinction in the face?’: classical music and AI

Technology is radically reshaping how we make music. As I dug deeper into this for a radio 3 documentary I began to wonder if creative organisations are right to be so upbeat about AI. Are we riding the wave or will the wave destroy us?

‘Let’s learn from that history’: opera looks to luddites for how to deal with AI

New work by Ben Crick and Kamal Kaan suggests we could benefit from knowing more about the ‘machine-wreckers’

Spotify removes 75m spam tracks in past year as AI increases ability to make fake music

Streamer to crack down on AI-generated spam by introducing filter to identify fraudulent uploads

Adviser to UK minister claimed AI firms would never have to compensate creatives

Exclusive: Kirsty Innes made statement in now-deleted post on X seven months before taking up role as Liz Kendall aide

Massive Attack remove music from Spotify to protest against CEO Daniel Ek’s investment in AI military

The band cited a ‘moral and ethical burden’ placed on artists by revenue from their work ultimately funding lethal technologies

Who buys an MP3 player in 2025? Why music streaming doesn’t always cut it

Nostalgic tech; autumn garden hacks; and what to wear when it rains

Tinseltown takeover: how Harry Potter fanfic has evolved into Hollywood’s hottest property

What once seemed a pretty fringe subculture of hobbyists riffing on stories that got them privately hot is now bringing mainstream cinema to a rolling boil

MP3 players are making a comeback – I tested 15 to find the best

Ditch the subscriptions and algorithms of the music streamers with our pick of the best modern digital audio players

Can’t pay, won’t pay: impoverished streaming services are driving viewers back to piracy

As subscription costs rise and choice diminishes on legal sites, film and TV fans are turning to VPNs and illicit streamers, with Sweden – home of both Spotify and The Pirate Bay – leading the way

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  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • ‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails
  • Neil Young files second lawsuit against Trump for unauthorised use of Rockin’ in the Free World at rallies
  • ‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • Jay-Z picks headliner for 2027 Super Bowl half-time show … Jay-Z
  • John Anderson obituary
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • ‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season
  • I used to think I had impeccable taste in music. My kids taught me to stop being a snob
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • ‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season

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