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Boost for artists in AI copyright battle as only 3% back UK active opt-out plan

Liz Kendall faces pressure from campaigners as she tells parliament there is no clear consensus on issue

Musicians must embrace ‘unstoppable force’ of AI, Eurythmics’ Dave Stewart urges

Producer says creatives need to own their intellectual property so they can license it to generative AI platforms

Warner Music signs deal with AI song generator Suno after settling lawsuit

Music company representing Coldplay and Ed Sheeran had sued tech platform alleging mass copyright infringement Business live – latest updates

Tech should help us be creative. AI rips our creativity away

AI-generated songs are topping Spotify charts. This isn’t about the ‘democratization’ of art – it’s about scale

Xania Monet’s music is the stuff of nightmares. Thankfully her AI ‘clankers’ will be limited to this cultural moment

While a robot pop star may be novelty now, young people are maturing with a scorn for generic digital products

Paul McCartney joins music industry protest against AI with silent track

Former Beatle and artists including Sam Fender, Kate Bush and Hans Zimmer record silent LP Is This What We Want

Big content is taking on AI – but it’s far from the David v Goliath tale they’d have you believe

Deals between media conglomerates and tech companies serve both sets of interests, while leaving artists by the wayside, says video essayist, writer and researcher Alexander Avila

AI slop tops Billboard and Spotify charts as synthetic music spreads

Hits include country songs and a Dutch anti-refugee anthem, both entirely made without human composition

ChatGPT violated copyright law by ‘learning’ from song lyrics, German court rules

OpenAI ordered to pay undisclosed damages for training its language models on artists’ work without permission

Spotify partnering with multinational music companies to develop ‘responsible’ AI products

Market-leading music streamer collaborating with the Sony, Universal and Warner music groups to create new AI features

‘Death to Spotify’: the DIY movement to get artists and fans to quit the music app

Musicians have long criticized the streaming service’s paltry payouts, but a new wave of boycotts is emerging

‘I’m a composer. Am I staring extinction in the face?’: classical music and AI

Technology is radically reshaping how we make music. As I dug deeper into this for a radio 3 documentary I began to wonder if creative organisations are right to be so upbeat about AI. Are we riding the wave or will the wave destroy us?

‘Let’s learn from that history’: opera looks to luddites for how to deal with AI

New work by Ben Crick and Kamal Kaan suggests we could benefit from knowing more about the ‘machine-wreckers’

Spotify removes 75m spam tracks in past year as AI increases ability to make fake music

Streamer to crack down on AI-generated spam by introducing filter to identify fraudulent uploads

Adviser to UK minister claimed AI firms would never have to compensate creatives

Exclusive: Kirsty Innes made statement in now-deleted post on X seven months before taking up role as Liz Kendall aide

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  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • ‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold on to hope
  • ‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective
  • Tupac trial spotlights decades of US police failures in solving the case

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