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Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’

The physicist, BBC presenter and author on snowflakes, art v science and the time Paul McCartney quizzed him about one of Saturn’s moons

‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify

Fraudulent music streams have long been a scourge for the industry, but experts say generative AI has supercharged it

The Rite of Spring / Mirror review – techie Stravinsky and digital doppelgangers from Alexander Whitley

Visual spectacle overwhelms the human drama in the choreographer’s tech-heavy double bill

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Drake and livestreamer Adin Ross accused of using online casino money to artificially inflate streams in class action case

US class action alleges Stake’s anonymised design enabled rapper to fund automated streams on music platforms

‘Music needs a human component to be of any value’: Guardian readers on the growing use of AI in music

AI promises to have far-reaching effects in music-making. While some welcome it as a compositional tool, many have deep concerns. Here are some of your responses

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

Boost for artists in AI copyright battle as only 3% back UK active opt-out plan

Liz Kendall faces pressure from campaigners as she tells parliament there is no clear consensus on issue

Musicians must embrace ‘unstoppable force’ of AI, Eurythmics’ Dave Stewart urges

Producer says creatives need to own their intellectual property so they can license it to generative AI platforms

Warner Music signs deal with AI song generator Suno after settling lawsuit

Music company representing Coldplay and Ed Sheeran had sued tech platform alleging mass copyright infringement Business live – latest updates

Tech should help us be creative. AI rips our creativity away

AI-generated songs are topping Spotify charts. This isn’t about the ‘democratization’ of art – it’s about scale

Xania Monet’s music is the stuff of nightmares. Thankfully her AI ‘clankers’ will be limited to this cultural moment

While a robot pop star may be novelty now, young people are maturing with a scorn for generic digital products

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  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Big Baby review – a screenwriter’s nightmares become reality in a meta-horror misfire
  • ‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails
  • Neil Young files second lawsuit against Trump for unauthorised use of Rockin’ in the Free World at rallies
  • ‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!
  • ‘Lost’ 1978 David Bowie tour film to play arenas in 2027, remastered by Moonage Daydream director Brett Morgen
  • Jay-Z picks headliner for 2027 Super Bowl half-time show … Jay-Z
  • John Anderson obituary
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • ‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season
  • I used to think I had impeccable taste in music. My kids taught me to stop being a snob
  • ‘Vicarious wish-fulfillment’: why That Thing You Do! is my feelgood movie
  • ‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • ‘Nothing worked for me until I was clean and sober’: Ashley Walters on acting, directing – and turning his life around
  • Trump rallies for Mike Rogers – and Nicki Minaj’s derriere – in Michigan
  • Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models
  • Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’
  • Readers reply: will there ever again be a band as big as the Beatles or the Stones?
  • Martina Arroyo obituary
  • ‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup
  • ‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist
  • Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’
  • Lime bike jousts? Why youth culture is embracing the medieval era
  • ‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition
  • From Wildwood to John Legend: your complete entertainment guide to the week ahead
  • Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season

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