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Who buys an MP3 player in 2025? Why music streaming doesn’t always cut it

Nostalgic tech; autumn garden hacks; and what to wear when it rains

Tinseltown takeover: how Harry Potter fanfic has evolved into Hollywood’s hottest property

What once seemed a pretty fringe subculture of hobbyists riffing on stories that got them privately hot is now bringing mainstream cinema to a rolling boil

MP3 players are making a comeback – I tested 15 to find the best

Ditch the subscriptions and algorithms of the music streamers with our pick of the best modern digital audio players

Can’t pay, won’t pay: impoverished streaming services are driving viewers back to piracy

As subscription costs rise and choice diminishes on legal sites, film and TV fans are turning to VPNs and illicit streamers, with Sweden – home of both Spotify and The Pirate Bay – leading the way

Spotify used to seem like a necessary evil for musicians. Now it just seems evil

I am removing my music from Spotify because I don’t want my songs – some written with survivors of conflict – to enrich people who fund weapons

Khruangbin, again? I quit Spotify for a month to escape samey algorithms – this is what I learned

After being served the same artists again and again, my tastes were narrowing – so I tried vinyl, iPods and radio to see if I could rediscover the joy of finding new music

Tech CEO caught with company’s HR head on Coldplay kiss cam resigns

Andy Byron leaves startup Astronomer after he and Kristin Cabot were placed on leave over Jumbotron incident

An AI-generated band got 1m plays on Spotify. Now music insiders say listeners should be warned

The Velvet Sundown released two albums before admitting their music, images and backstory were created by AI

Up to 70% of streams of AI-generated music on Deezer are fraudulent, says report

According to the French streaming platform’s analysis, fraudsters use bots to listen to AI-generated music and take the royalties

BBC and Sky bosses criticise plans to let AI firms use copyrighted material

Media corporations call for opt-in rule and say companies must set up licensing deals before accessing creative works

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

The one change that worked: I’ve ditched streaming for CDs – and fallen in love with music all over again

The lure of a limitless digital jukebox was great, but as the algorithm increasingly served up music I didn’t enjoy, I’ve taken back control of my listening

Elton John calls UK government ‘absolute losers’ over AI copyright plans

Songwriter says he thinks it is a ‘criminal offence’ to let tech firms use protected work without permission

Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’

The actor, who was speaking on The Louis Theroux Podcast, also cast new light on his meeting with former Syrian president Bashar al-Assad, and had harsh comments on both Donald Trump and Elon Musk

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  • I’m trying to pick the best party tunes since 1966. Why are all the real bangers from 1989?
  • ‘Everyone is equal in this space’: the cosmic world of neurodivergent-friendly club night Robyn’s Rocket
  • Sonny Rollins, colossus of jazz saxophone, dies aged 95
  • Ozzy Osbourne AI avatar will be ‘so tasteful’, Jack Osbourne says after fan backlash
  • ‘Bowie compared us to T Rex. Couldn’t get any better’: the Mekons on how they made Where Were You?
  • Dennis Locorriere obituary
  • Tuner review – Leo Woodall and Dustin Hoffman in sweet harmony in safe-cracking thriller
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Food orders and phone bills: Jimi Hendrix memorabilia to go on display in London
  • ‘The knickers that get thrown are bigger now!’: Barry Manilow on fans, love, coming out – and turning 82
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds
  • The Guardian view on 100 years after Miles Davis’s birth: why he still shapes modern music
  • Bruce Springsteen is a model for how celebrities should resist Trump
  • ‘Growing up, you couldn’t play Bon Jovi – that’s what our parents listened to’: Bebe Rexha’s honest playlist
  • From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead
  • Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment
  • Nine Sixteenths review – what Janet Jackson’s ‘Nipplegate’ scandal really exposed
  • Relief all round as Bad Bunny brings back regular-length shorts
  • Post your questions for Sister Sledge’s Kathy Sledge
  • Tosca review – Puccini’s high-octane bloodbath bonanza makes for a shocking festival kick-off
  • ‘We’ve got 25 to 30% already shot’: sequel to Michael Jackson biopic on way, says studio
  • Add to playlist: the virtuoso prog-metal-folk of Brazil’s Papangu and the week’s best new tracks
  • Dido and Aeneas review – close your eyes and this was a tremendous performance
  • Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection
  • Mabe Fratti and Bill Orcutt: Almost Waking review – cellist and guitarist unite for tender harmonies and torrid tangles
  • Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller
  • Trash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectability
  • Or, the Whale album review – Caroline Shaw and Andrew Yee collaboration offers intimacy and joy
  • Spotify and Universal Music agree deal to let subscribers create AI remixes
  • Scottish singer-songwriter Jacob Alon wins big at Ivor Novello awards

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