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Spotify and Universal Music agree deal to let subscribers create AI remixes

Licensing agreement will allow listeners to use AI to create content on streaming platform for first time

John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder

Molière Ex Machina: AI used to create ‘new work’ by beloved French playwright

Comedy debuts at Versailles featuring dialogue, music, costumes and scenery created with help of AI tool Le Chat

Taylor Swift files trademarks for voice and image amid concern over AI misuse

The singer’s company filed three applications on Friday after Matthew McConaughey launched similar strategy

Man used AI to make false statements to shut down London nightclub, police say

Heaven club neighbour admits offences under Licensing Act, as Met says fictitious AI-generated complaints a growing issue

Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’

The physicist, BBC presenter and author on snowflakes, art v science and the time Paul McCartney quizzed him about one of Saturn’s moons

‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify

Fraudulent music streams have long been a scourge for the industry, but experts say generative AI has supercharged it

The Rite of Spring / Mirror review – techie Stravinsky and digital doppelgangers from Alexander Whitley

Visual spectacle overwhelms the human drama in the choreographer’s tech-heavy double bill

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Drake and livestreamer Adin Ross accused of using online casino money to artificially inflate streams in class action case

US class action alleges Stake’s anonymised design enabled rapper to fund automated streams on music platforms

‘Music needs a human component to be of any value’: Guardian readers on the growing use of AI in music

AI promises to have far-reaching effects in music-making. While some welcome it as a compositional tool, many have deep concerns. Here are some of your responses

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

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  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself
  • It felt as if the world had tired of rock music, yet Geese are the perfect soundtrack for this age of disquiet
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • ‘On the other side of pain there can be renewal’: Ezra Collective’s Femi Koleoso on reasons to hold on to hope
  • ‘When there’s joy, there’s room for hope’: Eberechi Eze, Leona Lewis, and Yinka Ilori in conversation with Ezra Collective
  • Tupac trial spotlights decades of US police failures in solving the case

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