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Game changer: the Commodore 64 concert

Video game music played by an orchestra is not new, but 8-Bit Symphony, a celebration of music from pioneering C64 composers, took many years of work

Taylor Swift at the Amazon Prime Day concert was our terrible future, now

As smooth, immoveable faces of the oncoming social collapse-cum-takeover by a megacorp go, you could do worse than pick Swift

Mother Earth’s Plantasia: the cult album you should play to your plants

It was made by an easy-listening songwriter and given away free with mattresses. Now thanks to YouTube’s algorithm, Mort Garson’s Plantasia has become an underground hit

‘Don’t get fired’: Beyoncé choose-your-own-adventure game takes over Twitter

A viral thread has found a new use for the platform: playing out a day as the star’s assistant, from breakfast to FaceTiming her kids

Robot rhythms: the startups using AI to shake up the music business

When you think of great songwriting teams, music and artificial intelligence aren’t an obvious mix, but a number of startups are bringing smart tech into the studio

Laurie Anderson: ‘It’s a great time to be creating new realities’

The avant-garde pioneer’s virtual-reality installation To the Moon is coming to Manchester international festival

Radiohead release hours of hacked MiniDiscs to benefit Extinction Rebellion

Thom Yorke describes hours of recordings from OK Computer sessions as ‘not v interesting’, while climate activists thank the band for ‘unprecedented support’

Farewell then, iTunes, and thanks for saving the music industry from itself

Apple’s announcement that it is to close the software is a reminder of its role in reconciling music and the internet

Apple expected to close iTunes after 18 years

Tim Cook will announce separate apps for music, TV and podcasts, according to reports

Muse review – dizzying rock spectacle for the machine age

Neon robots, isolation-suit acrobats, 23rd-century cops … the glam sci-fi fantasists throw the lot at their extravagantly dystopian stadium romp

‘It’s ghost slavery’: the troubling world of pop holograms

Dead stars from Whitney Houston to Maria Callas are going on tour again. As Miley Cyrus explores the issue in a new Black Mirror, we uncover the greatest identity crisis in music today

Oversharing: how Napster nearly killed the music industry

Twenty years ago, the idea of free music was so compelling that up to 80m users downloaded Napster and broke the law. The aftershocks are still being felt today

Back to life, back to virtual reality as music stars return to stage as holograms

As a Whitney Houston 3D tour is announced, the race is on to make hi-tech concerts just like the real thing

Holly Herndon: Proto review – dystopia averted! AI and IRL in pop harmony

Herndon’s own AI, Spawn, augments her group’s flesh-and-blood vocals to challenge our fears that machines will take over

Spotify reaches 100m paying subscribers worldwide

Streaming service boosted by better-than-expected performance in US and Canada

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← Older posts
Newer posts →
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary

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