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The Guardian view on critics: thin-skinned artists beware

Editorial: US rapper Lizzo took to social media when angered by an unflattering review. But the wisdom of crowds hasn’t altered the need for independent, expert advice

Bachelorettes, Bibles and Amazon: is Nashville the perfect model for a second-tier city?

No longer simply the country music capital of the world, the city is expanding rapidly – but its unique culture is feeling the strain

Myspace’s music purge is the latest careless cultural loss we’ll regret

Bob Dylan’s first acting role was wiped because it took up space. What might we mourn from 50m songs deleted from Myspace?

Band together: why musicians must strike a collective chord to survive

Red Bull Music Academy is closing, alternative culture outlets are retrenching – and big tech prefers pop. Experimental musicians need to stick together

Body shock: Suspiria’s Damien Jalet unleashes his headless dancers

The horror-film choreographer’s new show, Vessel, weaves spells with writhing limbs, menacing ritual figures and a cauldron of gloop. He explains its origins

Elon Musk: entrepreneur, investor … rapper?

In his latest bid to wrong-foot people, the Tesla CEO has released a novelty pop song about a dead gorilla called RIP Harambe

‘Be urself’: meet the teens creating a generation gap in music

Instead of radio or the music press, today’s teens are discovering songs in the background of YouTube videos – creating a new breed of superstars unknown to adults

Streaming accounts for more than half UK record label income

Revenue from Spotify, Amazon and Apple rises as CD sales continue to fall

The debate: should Spotify ban R Kelly and Michael Jackson?

Kelly and Jackson stand accused of child sexual abuse – prompting a fierce debate about whether streaming platforms should remove their music. Two Guardian columnists talk it over

Can AI become conscious? Bach, Escher and Gödel’s ‘strange loops’ may have the answer

In 1979, a cult book by Douglas Hofstadter explored consciousness via a mathematical idea found in art and music. Now, in the AI revolution, that concept could solve a vital question

Go with the flow: the mesmerising moves of Russell Maliphant

With a dance version of Dickens’s A Christmas Carol, a collaboration with Greek composer Vangelis and his touring show Silent Lines, the questing choreographer is busier than ever

How Taylor Swift showed us the scary future of facial recognition

Surveillance at concerts is just the beginning, as fears grow around an unregulated, billion-dollar industry

How the Guardian Voice Lab created a sonic identity

Earcons can make your voice app stand out from the crowd, so why not go the extra mile?

How did Apple’s AirPods go from mockery to millennial status symbol?

Back in 2016, Apple’s wireless earbuds were ridiculed by the tech industry. Now, thousands of memes later, the tables have turned

Balancing quality and performance: audio advice for voice apps

Tips on compression and the best audio formats for spoken word apps from Guardian Voice Lab

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← Older posts
Newer posts →
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary

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