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Friday singer Rebecca Black gets candid about teenage struggle: ‘I was afraid of the world’

The singer, who faced vicious online bullying after her 2011 song went viral, confronts her struggle in anniversary post

Mark Zuckerberg: being popular is so over. It’s about winning now

Facebook’s CEO says, ominously, that he will be making unpopular decisions because he believes them to be right

MIA launches crowdfunding drive to avoid platforms that ‘sell data to Cambridge Analytica’

The musician has promised music and videos to her Patreon supporters, and the possibility of recipes and dating advice

Elon Musk’s new EDM single reviewed – ‘Bringing erectile dysfunction to the masses!’

The Tesla and SpaceX CEO has dropped Don’t Doubt Ur Vibe on Soundcloud – a wannabe dancefloor banger that somehow manages to doubt its own vibe

Hatsune Miku review – hologram star fires up crowdsourced power pop

The virtual Vocaloid singer gives online devotees a non-stop real-world rave and a chance to light their glowsticks

Musical notes: Justin Bieber’s TikTok-friendly Yummy is too eager to go viral

The Guardian’s new monthly column gathers all the ideas, trends and other musical flotsam that slips through the cultural net. Share your own thoughts on the month in music, and we’ll feature some next month

Mystery of Rolling Stones tracks posted briefly on YouTube

Vintage recordings may have been published in attempt to extend copyright protection

Chopped and screwed? How studio leaks are creating a new DIY rap music

Making new songs from a favourite rapper’s offcuts has delighted fans and angered artists. But is it so very far from hip-hop’s roots?

Tune-free pop and the new Katie Hopkins: our 2020 celebrity predictions

What does our crystal ball say the new year will bring for celebs? Sex tapes, terrible singing and off-the-cuff sofa jokes that ignite the far right. Sounds great!

The Guardian view on Taylor Swift’s fight for her rights: empowering a new generation of artists

Editorial: In 2019, the American singer has helped change the balance of power between creators and the music industry

Competition watchdog investigates Viagogo over £3bn StubHub takeover

CMA is inviting comments about impact of ticket sales company’s purchase of rival

The 20 best gadgets of 2019

From a brilliant e-bike to a robot unicorn… the year’s top devices

Spotify Wrapped: users alarmed by their own listening habits

Streaming service gave subscribers a look back at their entire decade of music consumption

Selfies, influencers and a Twitter president: the decade of the social media celebrity

From Gyneth Paltrow to Trump, today’s stars speak directly to their fans. But are they really controlling their message?

My changemaker of the decade, by Amal Clooney, Solange Knowles, Caitlyn Jenner and more

Who had the biggest impact on the decade? Some of its top players nominate the person they most admire

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← Older posts
Newer posts →
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary

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