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Las Vegas lights up with dome billed as world’s largest video screen

The Sphere’s fully programmable LED screen houses concert venue built to host tens of thousands of people

‘TikTok is age-agnostic’: how Kylie and Fleetwood Mac found new young fans

Musicians, some well into their 70s, are engaging with the platform to discover gen Z just value a good tune

‘Don’t stop us now’: tribute acts protest against Facebook ban

A Freddie Mercury act is among the performers protesting as a Meta ban on impersonators threatens their careers

Paul McCartney says there’s nothing artificial in new Beatles song made using AI

Musician clarifies how artificial intelligence was applied to vocals by John Lennon, amid anxiety over how the technology will affect music

Music publishers sue Twitter for $250m citing Elon Musk’s copyright stance

Sony Music Group and Universal are among 17 publishers pursuing legal challenge against company

Benny, Björn and Frida drop in for first anniversary of London’s Abba Voyage

Show in which youthful digital avatars of the group perform on stage has sold more than 1.3m tickets

Grimes invites people to use her voice in AI songs

Canadian singer says she likes the ideas of ‘killing copyright’, as music industry scrambles to catch up with implications of AI-generated tracks

We soon won’t tell the difference between AI and human music – so can pop survive?

AI music is going mainstream with high profile fakes of Drake, the Weeknd and Kanye West – but the tech will be used in more profound, insidious and even poetic ways

‘We got bored waiting for Oasis to re-form’: AIsis, the band fronted by an AI Liam Gallagher

A new album – full of Oasis-esque anthems – imagines what might have been if the band’s classic lineup had continued making music. So, we ask its human co-creators, what’s the story?

Streaming sites urged not to let AI use music to clone pop stars

Record label Universal urges Spotify and Apple Music to stop copycats scraping song data

‘ChatGPT said I did not exist’: how artists and writers are fighting back against AI

From lawsuits to IT hacks, the creative industries are deploying a range of tactics to protect their jobs and original work from automation

‘More meaningful connections’: will Spotify’s updates mean a proper payday for artists?

The biggest ever update to Spotify’s app is set to bring artists and fans closer together. But given the platform’s longstanding lean-back experience, has the horse already bolted?

Metallica buy vinyl factory as format outsells CDs for first time in US since 1987

The thrash metallers have secured their own supply of the high-value format, which is enjoying a 16th consecutive year of growth, ahead of the release of a new album

Streams are made of this: will digital platforms change our musical memories?

So many of our most precious memories are anchored in particular songs. But does the easy availability of every song spell the end of that? Jude Rogers and her young son compare music notes

Last night AI DJ saved my life? Testing Spotify’s virtual radio host

A male voice offers ‘commentary’ as the service curates a stream of songs I’ve heard before. Do I really need this?

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  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary

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