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SXSW Sydney explained: how will the Austin festival work in Australia – and who is it for?

The music, screen and tech worlds will converge for the festival’s first staging outside the US – but tickets are pricey for an event that’s hard to get a handle on

From hate speech to AI music: the YouTube chief trying to leap tech’s biggest hurdles

Alison Lomax, London chief of the video platform, says it is committed to embracing artificial intelligence – but ‘responsibly’

‘Dancing femininely is the most metal thing’: the young women turning Slipknot into feminist anthems

With videos that are part thirst trap, part protest, gen Z is changing the image of the nu metal fan

People’s behaviour at music gigs is getting worse. I have three rules to solve that

Live shows should allow for self-expression, catharsis and abandon. It’s the boorishness and selfishness that need to stop, says music writer Simon Price

Welcome to ‘the robot soundscape’: Australia’s music industry braces for the rise of music AI

The spectre of intelligent technologies is looming over Australian artists, and dominating the chatter at Brisbane’s Bigsound music conference

Lost in a crowd: why phone signal is still so scarce at UK music festivals

Big events place a strain on networks but when 6G arrives, many of today’s problems will evaporate

‘The night is literally in my hands’: what it’s like to attend an acid house rave – in virtual reality

Using VR and haptic vests to transport users to a sweaty club in 1980s Britain, In Pursuit of Repetitive Beats is so realistic that you might need a lie down afterwards

Google and Universal Music working on licensing voices for AI-generated songs

Early stage talks are expected to include a potential tool fans could use to make AI-generated songs

Elon Musk reinstates Kanye West’s Twitter account after ban

Social media platform rebranded as X lifts ban on rapper-producer imposed after swastika tweet

Spotify increases premium price plans as streaming services feel strain

Change comes after streaming giant attempts to boost margins with job cuts and restructure of podcasting unit

Las Vegas lights up with dome billed as world’s largest video screen

The Sphere’s fully programmable LED screen houses concert venue built to host tens of thousands of people

‘TikTok is age-agnostic’: how Kylie and Fleetwood Mac found new young fans

Musicians, some well into their 70s, are engaging with the platform to discover gen Z just value a good tune

‘Don’t stop us now’: tribute acts protest against Facebook ban

A Freddie Mercury act is among the performers protesting as a Meta ban on impersonators threatens their careers

Paul McCartney says there’s nothing artificial in new Beatles song made using AI

Musician clarifies how artificial intelligence was applied to vocals by John Lennon, amid anxiety over how the technology will affect music

Music publishers sue Twitter for $250m citing Elon Musk’s copyright stance

Sony Music Group and Universal are among 17 publishers pursuing legal challenge against company

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← Older posts
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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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