wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘We’re on TikTok? What’s TikTok?’ The forgotten bands going supersonic thanks to gen Z

Ageing acts that can’t even get radio time are going viral – and finding themselves playing arenas or even soundtracking Ukrainian resistance. But how do you follow up a hit no one can explain?

Spotify announces CFO to leave, days after he cashed in $9.3m in shares

Paul Vogel moved to sell stock as shares soared after it was revealed 1,500 jobs would be cut

Maria Callas’s hologram concert: ersatz simulacrum of a dead diva is weird and depressing

The legendary soprano was celebrated for her emotional connection. This moribund gimmick intended to bring her back – but in fact took her further away

James Blunt: One Brit Wonder review – soldier-turned-singer’s brilliant Twitter game

The witty singer’s superb comeback is a delight to behold in this entertaining fly-on-the-wall documentary

Spotify cuts more than 1,500 jobs amid rising costs

Music streaming service axes 17% of workforce in latest round of redundancies at big tech companies

Spotify Wrapped is creepy, meaningless – and shows just how much data big tech has on you

The annual summary of your listening habits has become a phenomenon – but aside from being a marketing wheeze, Wrapped doesn’t always reflect what we truly love

‘Almost like election night’: behind the scenes of Spotify Wrapped

The internet is abuzz with the results of this year’s rundown, with Taylor Swift coming out on top as 2023’s most streamed artist

‘Putting a number on art’: musicians nervous as Spotify announces royalty changes

Streaming giant says tweaks will bring more revenue to artists and away from fraudsters, but some musicians are worried about further creeping change

Spotify to phase out service in Uruguay following new copyright bill requiring ‘fair and equitable remuneration’

The streaming platform claimed that it already pays nearly 70% of every dollar to labels and publishers and had contributed to a 20% growth in Uruguay’s music industry in 2022

Neil Young boycotts X over antisemitic Elon Musk tweet

Singer-songwriter joins chorus of disapproval over Musk’s agreement with tweet that accused Jewish communities of ‘dialectical hatred against whites’

John Legend and Sia among singers to trial AI versions of voices with YouTube

Google-owned video platform opens up Dream Track experiment to produce 30-second soundtracks

‘It was a way to share your musical experiences’: why cassette tapes flourished, and still endure

Two new books explore the history of the tape and how it helped spread hip-hop, thrash metal and experimental music around the world one mixtape at a time

YouTube to offer option to flag AI-generated songs that mimic artists’ voices

Record companies will be able to request removal of content that mimics an artist’s ‘unique singing or rapping’

Kavi: the 10 funniest things I have ever seen (on the internet)

The hyperpop musician shares the various phrases, minutiae and Twitter arguments tattooed on his brain. It’s delightfully stupid

Music publishers sue Amazon-backed AI company over song lyrics

The music publishers’ lawsuit appears to be the first copyright case over AI’s use of song lyrics

Post navigation

← Older posts
Newer posts →
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

Contact www.wrongmog.com   Terms of Use