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John Legend and Sia among singers to trial AI versions of voices with YouTube

Google-owned video platform opens up Dream Track experiment to produce 30-second soundtracks

‘It was a way to share your musical experiences’: why cassette tapes flourished, and still endure

Two new books explore the history of the tape and how it helped spread hip-hop, thrash metal and experimental music around the world one mixtape at a time

YouTube to offer option to flag AI-generated songs that mimic artists’ voices

Record companies will be able to request removal of content that mimics an artist’s ‘unique singing or rapping’

Kavi: the 10 funniest things I have ever seen (on the internet)

The hyperpop musician shares the various phrases, minutiae and Twitter arguments tattooed on his brain. It’s delightfully stupid

Music publishers sue Amazon-backed AI company over song lyrics

The music publishers’ lawsuit appears to be the first copyright case over AI’s use of song lyrics

SXSW Sydney explained: how will the Austin festival work in Australia – and who is it for?

The music, screen and tech worlds will converge for the festival’s first staging outside the US – but tickets are pricey for an event that’s hard to get a handle on

From hate speech to AI music: the YouTube chief trying to leap tech’s biggest hurdles

Alison Lomax, London chief of the video platform, says it is committed to embracing artificial intelligence – but ‘responsibly’

‘Dancing femininely is the most metal thing’: the young women turning Slipknot into feminist anthems

With videos that are part thirst trap, part protest, gen Z is changing the image of the nu metal fan

People’s behaviour at music gigs is getting worse. I have three rules to solve that

Live shows should allow for self-expression, catharsis and abandon. It’s the boorishness and selfishness that need to stop, says music writer Simon Price

Welcome to ‘the robot soundscape’: Australia’s music industry braces for the rise of music AI

The spectre of intelligent technologies is looming over Australian artists, and dominating the chatter at Brisbane’s Bigsound music conference

Lost in a crowd: why phone signal is still so scarce at UK music festivals

Big events place a strain on networks but when 6G arrives, many of today’s problems will evaporate

‘The night is literally in my hands’: what it’s like to attend an acid house rave – in virtual reality

Using VR and haptic vests to transport users to a sweaty club in 1980s Britain, In Pursuit of Repetitive Beats is so realistic that you might need a lie down afterwards

Google and Universal Music working on licensing voices for AI-generated songs

Early stage talks are expected to include a potential tool fans could use to make AI-generated songs

Elon Musk reinstates Kanye West’s Twitter account after ban

Social media platform rebranded as X lifts ban on rapper-producer imposed after swastika tweet

Spotify increases premium price plans as streaming services feel strain

Change comes after streaming giant attempts to boost margins with job cuts and restructure of podcasting unit

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  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Celine Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • ‘I’m trying to figure out where I’m supposed to be’: singer Momo Boyd on making space for herself

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