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Benny, Björn and Frida drop in for first anniversary of London’s Abba Voyage

Show in which youthful digital avatars of the group perform on stage has sold more than 1.3m tickets

Grimes invites people to use her voice in AI songs

Canadian singer says she likes the ideas of ‘killing copyright’, as music industry scrambles to catch up with implications of AI-generated tracks

We soon won’t tell the difference between AI and human music – so can pop survive?

AI music is going mainstream with high profile fakes of Drake, the Weeknd and Kanye West – but the tech will be used in more profound, insidious and even poetic ways

‘We got bored waiting for Oasis to re-form’: AIsis, the band fronted by an AI Liam Gallagher

A new album – full of Oasis-esque anthems – imagines what might have been if the band’s classic lineup had continued making music. So, we ask its human co-creators, what’s the story?

Streaming sites urged not to let AI use music to clone pop stars

Record label Universal urges Spotify and Apple Music to stop copycats scraping song data

‘ChatGPT said I did not exist’: how artists and writers are fighting back against AI

From lawsuits to IT hacks, the creative industries are deploying a range of tactics to protect their jobs and original work from automation

‘More meaningful connections’: will Spotify’s updates mean a proper payday for artists?

The biggest ever update to Spotify’s app is set to bring artists and fans closer together. But given the platform’s longstanding lean-back experience, has the horse already bolted?

Metallica buy vinyl factory as format outsells CDs for first time in US since 1987

The thrash metallers have secured their own supply of the high-value format, which is enjoying a 16th consecutive year of growth, ahead of the release of a new album

Streams are made of this: will digital platforms change our musical memories?

So many of our most precious memories are anchored in particular songs. But does the easy availability of every song spell the end of that? Jude Rogers and her young son compare music notes

Last night AI DJ saved my life? Testing Spotify’s virtual radio host

A male voice offers ‘commentary’ as the service curates a stream of songs I’ve heard before. Do I really need this?

Kinks-shamed: Dave Davies asks Elon Musk to stop flagging band-related tweets

Guitarist pleads with Twitter owner after one of his tweets carried a sensitive content warning

Three things with Myf Warhurst: ‘It lived in some wealthy person’s mansion for a hundred years’

In our weekly interview about objects, the longtime ABC host tells us about her party-starter piano, and the retro record player she lost to a housemate

Are bands dead? How solo stars took over the charts

Pop was once all about four guys and their instruments. Now that gang mentality has been blown away by tech-savvy individuals

The Guardian view on AI in art: a challenge that must be met

Editorial: Despite Nick Cave’s broadside against computer-generated lyrics, they’re here to stay. Artists need to be educated and protected

‘This song sucks’: Nick Cave responds to ChatGPT song written in style of Nick Cave

Singer-songwriter dissects lyrics produced by popular chatbot, saying it is ‘a grotesque mockery of what it is to be human’

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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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