wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

Tech bros need to realise deepfake porn ruins lives – and the law has to catch up

Taylor Swift is just one of countless victims of deepfake videos. Firms feeding off this abuse should pay for the harm they cause

Everyone Knows That: can you identify the lost 80s hit baffling the internet?

Entire online communities have developed around naming this 17-second snippet of catchy pop – and three years after it was uploaded no one has solved the mystery

Danish man on trial over alleged £500k music streaming fraud

Aarhus court hears he may have profited from artificially generated playbacks, in case thought to be first of its kind

Jazz composer Maria Schneider: ‘David Bowie cracked me – maybe not in a good way’

The US musician has won star admirers and seven Grammys across three decades of lyrical and angry work – but you can’t stream it. She explains her fight against big tech, and her dismay at other artists’ apathy

Fungi: Web of Life review – Björk and Merlin Sheldrake guide trippy mushroom doc

Beginner’s guide to the wrap-your-brain-around-them facts of mycological science boosts the wonder with 3D time-lapse photography

Spotify swings to loss as it adds 200,000 audiobooks to paid service

Job cuts add to costs for streaming service but it gains 10m premium subscribers in fourth quarter

‘I’ll probably be OK, right?’ Musicians and users concerned as Universal music taken off TikTok

Contractual dispute between Universal Music Group and social media giant results in removal of thousands of songs, and loss of marketing clout for musicians

Universal Music Group threatens to pull song catalog from TikTok in furious open letter

UMG said it will remove all songs from TikTok after it accused the social media platform of trying to ‘bully’ them into ‘a bad deal’ over music rights fees

Taylor Swift deepfake pornography sparks renewed calls for US legislation

Fake but convincing explicit images of pop singer were viewed tens of millions of times on X and Telegram, prompting outcry from US politicians

On my radar: Margo Price’s cultural highlights

The US country star on learning a new instrument at 40, her favourite place to eat in Nashville and an app she’s happy to have send her to sleep

‘It can only be good’: Elvis tribute acts embrace the hologram Presley

Acts gathering in Birmingham for Elvis championships welcome forthcoming hi-tech concert experience

AI Elvis not the first hologram star to shake his moves on stage

From Abba to Tupac Shakur, more and more deceased or ageing stars are being brought back to their former glory thanks to AI

So, Spotify knows how many hours I spent listening to Taylor Swift. But only I know why

Every tech company from Monzo to my bank is crunching my data. All the results tell us is how dull it is to reduce human experience to numbers, says journalist Elle Hunt

Marvel, crypto, Tucker Carlson: eight of 2023’s most spectacular downfalls

Experts on tech, politics and culture weigh in on the year the hype faded and what could come next

Calum Newton: the 10 funniest things I have ever seen (on the internet)

The musician and comedian (AKA Candy Moore) tells us what’s calming his existential dread lately – including a classic Vine, a classic TikTok and two covers of stone-cold classics

Post navigation

← Older posts
Newer posts →
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

Contact www.wrongmog.com   Terms of Use