wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

‘The worst AI-generated artwork we’ve seen’: Queensland Symphony Orchestra’s Facebook ad fail

A ‘poorly considered’ use of AI has resulted in a perplexing number of fingers – and a large amount of mockery

The music industry’s over-reliance on TikTok shows how lazy it has become

​Universal’s decision to remove its artists from ​T​ikTok ​h​as destabilised both companies – and lays bare how record labels have become reliant on random virality

Tech bros need to realise deepfake porn ruins lives – and the law has to catch up

Taylor Swift is just one of countless victims of deepfake videos. Firms feeding off this abuse should pay for the harm they cause

Everyone Knows That: can you identify the lost 80s hit baffling the internet?

Entire online communities have developed around naming this 17-second snippet of catchy pop – and three years after it was uploaded no one has solved the mystery

Danish man on trial over alleged £500k music streaming fraud

Aarhus court hears he may have profited from artificially generated playbacks, in case thought to be first of its kind

Jazz composer Maria Schneider: ‘David Bowie cracked me – maybe not in a good way’

The US musician has won star admirers and seven Grammys across three decades of lyrical and angry work – but you can’t stream it. She explains her fight against big tech, and her dismay at other artists’ apathy

Fungi: Web of Life review – Björk and Merlin Sheldrake guide trippy mushroom doc

Beginner’s guide to the wrap-your-brain-around-them facts of mycological science boosts the wonder with 3D time-lapse photography

Spotify swings to loss as it adds 200,000 audiobooks to paid service

Job cuts add to costs for streaming service but it gains 10m premium subscribers in fourth quarter

‘I’ll probably be OK, right?’ Musicians and users concerned as Universal music taken off TikTok

Contractual dispute between Universal Music Group and social media giant results in removal of thousands of songs, and loss of marketing clout for musicians

Universal Music Group threatens to pull song catalog from TikTok in furious open letter

UMG said it will remove all songs from TikTok after it accused the social media platform of trying to ‘bully’ them into ‘a bad deal’ over music rights fees

Taylor Swift deepfake pornography sparks renewed calls for US legislation

Fake but convincing explicit images of pop singer were viewed tens of millions of times on X and Telegram, prompting outcry from US politicians

On my radar: Margo Price’s cultural highlights

The US country star on learning a new instrument at 40, her favourite place to eat in Nashville and an app she’s happy to have send her to sleep

‘It can only be good’: Elvis tribute acts embrace the hologram Presley

Acts gathering in Birmingham for Elvis championships welcome forthcoming hi-tech concert experience

AI Elvis not the first hologram star to shake his moves on stage

From Abba to Tupac Shakur, more and more deceased or ageing stars are being brought back to their former glory thanks to AI

So, Spotify knows how many hours I spent listening to Taylor Swift. But only I know why

Every tech company from Monzo to my bank is crunching my data. All the results tell us is how dull it is to reduce human experience to numbers, says journalist Elle Hunt

Post navigation

← Older posts
Newer posts →
  • Last Night of the Proms review – star turns, good-natured flag waving and a rich Rule, Britannia!
  • Our guide to Hermeto Pascoal in clips
  • ‘The Ziggy Stardust suit sparked my adolescent awakening’: Moby, Goldie, Natalie Merchant and more delve inside Bowie’s archives
  • Sinfonia of London – weapons-grade energy and contagious dynamism
  • ‘There was something special happening’: how a Tyneside bingo hall became a mecca for ravers
  • Brazilian musician identified as victim of 1976 killing by Argentina military
  • ‘I’m in my sod-it era’: Sophie Ellis-Bextor on speaking up, suing the tabloids and finding power in perimenopause
  • Josh Pyke: ‘I turned around and throat-punched the guy – and the whole gig stopped’
  • ‘America, are we dating?’: Oasis finally wins over the US with triumphant tour
  • Best UK universities for music – league table
  • My cultural awakening: a Bastille show helped me get over my crippling Covid-era anxiety
  • You haven’t felt the power of heavy metal until you’ve seen a room of grown men cry
  • From Spinal Tap II to Ed Sheeran : your complete entertainment guide to the week ahead
  • Rick Davies obituary
  • Spinal Tap eat your heart out: the Pretty Things drummer Viv Prince forged the blueprint for rock’n’roll hijinks
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Add to playlist: the DIY no wave dub of Devon Rexi and the week’s best new tracks
  • Self Esteem to star as raging rock star in revival of David Hare’s Teeth ’n’ Smiles
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • MP3 players are making a comeback – I tested 15 to find the best
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Radiohead condemn ‘exploitative’ touts and resale sites ahead of tour
  • ‘Addiction teaches you a lot’: breakout pop star Lola Young on sex, substances and self-loathing
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • And if your head explodes: Pink Floyd’s 20 best songs – ranked!
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Bangor Cathedral choir suspended after singing ‘inappropriate’ hymn
  • ‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera

Contact www.wrongmog.com   Terms of Use