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‘One minute it’s “would you like to listen to Galaxie 500?”, the next humanity’s enslaved’: can anyone escape Spotify?

As a new book skewers Spotify’s effect on music, two Guardian music writers spent a week assessing the limits of living with and without it

Katy Perry, Jeff Bezos’ fiancee Lauren Sanchez and four others arrive back on Earth after space flight – as it happened

Pop star kisses ground after landing and all-female crew describes feelings of joy, camaraderie and connection to our planet post space flight

The composer still making music four years after his death – thanks to an artificial brain

In Australia, a team of artists and scientists have resurrected the US composer Alvin Lucier. It raises a storm of questions about AI and authorship – and it’s also incredibly beautiful

Which celebrities are lying about their height? This website’s done the research

On Celebheights.com, thousands of users measure the statures of the rich and famous. The methods are scientific and the debates are fiery

On my radar: George the Poet’s cultural highlights

The author and podcast host on a favourite restaurant, adventures in scholastic research for his PhD and the second series of Squid Game

Daveed Diggs’ sci-fi rap trio Clipping: ‘We are at war all the time. It’s one of the great tricks of capitalism’

Diggs’ harrowing music is a world away from his Hollywood films and a Tony-winning run in Hamilton. But his band’s world-building – setting resource wars in imagined cyberpunk clubs – is no less dramatic

UK ministers consider changing AI plans to protect creative industries

Exclusive: partial climbdown over use of work protected by copyright considered after intense lobbying by top artists

Kate Bush and Damon Albarn among 1,000 artists on silent AI protest album

Recordings of empty studios represent impact on musicians of UK’s plans to let AI train on their work without permission

EU accused of leaving ‘devastating’ copyright loophole in AI Act

Architect of copyright law says EU is ‘supporting big tech instead of protecting European creative ideas’

‘We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use

Software goes on sale that replicates the distinctive analogue sounds of celebrated unit where Doctor Who theme was created

More rhythm, less algorithm: why Deezer’s boss is vowing to put users in control of their music

Alexis Lanternier, chief executive of the French streaming service, says it can compete with bigger rivals by rewarding the real musicians its subscribers want to support

‘Everyone knows the Centrelink song’: how we learned to love – and remix – hold music

It’s been called the ‘sound of purgatory’ but Opus 1 has enjoyed a new life in performance art, in a beer commercial and now on TikTok

The Guardian view on AI and copyright law: big tech must pay

Editorial: Elton John, Paul McCartney and thousands of other artists have called for protection from data crawling. The government must listen

Richard Bleasdale obituary

Other lives: Software designer whose innovations transformed the live entertainment industry

Elton John backs Paul McCartney in criticising proposed overhaul to UK copyright system

The rock star called copyright ‘the absolute bedrock of artistic prosperity’, ahead of a vote on a bill granting AI companies easier access to musicians’ work

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  • What does the dark side of the moon sound like? Nasa’s sonifications are helping us imagine
  • Suzi Quatro review – at 75, her signature scream is still thrilling
  • Charli xcx’s Brat movie marks the moment the mockumentary died
  • Wireless festival cancelled after Kanye West banned from entering UK
  • Universal Music, home to Taylor Swift and Drake, receives €55bn takeover offer
  • Rapper Offset hospitalised after being shot outside Florida casino
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • ‘I thought I’d finish the album then die’: how Angelo De Augustine came back from a medical nightmare
  • UK Jewish groups threaten protests if Kanye West’s Wireless shows go ahead
  • Harry Styles announces jazz, pop, indie and electronic artists for his Meltdown festival
  • Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run
  • ‘I couldn’t see, breathe or sing. I blacked out twice’: why are so many metal bands wearing masks?
  • Some might pay: Noel Gallagher guitar used to write Oasis’s second album to be auctioned
  • Wireless festival promoter stands by decision to have Kanye West perform
  • UK minister says Kanye West should not perform at Wireless festival
  • The yidaki, a 16th-century double bass and a South American flute: finding Australia’s oldest playable musical instrument
  • Keith Altham obituary
  • ‘I over-articulated to stop my braces sticking to my lips’: how Five Star made Rain Or Shine
  • ‘It was a way of processing violences I’ve survived’: how iconoclastic musician Arca beat burnout with frenzied painting
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘Barbara Windsor smacked our bottoms!’ Pet Shop Boys on showstopping visuals, horrified bosses – and snubbing the queen
  • Diageo and Pepsi drop Wireless sponsorship amid criticism of Kanye West booking
  • ‘It’s dark in here – you can cry’: Mitski hosts intimate residency at LA high school
  • James review – special band still filling arenas with anthems of warmth and humanity
  • ‘I was getting down with a guy and he decided to put on One Love. It was creepy’: Duncan James from Blue’s honest playlist
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Post your questions for DJ Shadow
  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings

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