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‘Out of your league’: Shakira song mocking ex Gerard Piqué breaks YouTube record

Video with DJ Bizarrap ridiculing footballer’s new relationship racks up 63m views in 24 hours

Enough with the year-in-review app alerts: here are the online habits I really want to track in 2023

Annual wraps remind me I’m tethered to my phone like a sad puppy. So give me a round-up from the app with the plainest of truths

Flutes, synths, a human voice – how should electric vehicles sound?

As Australia looks to the US and Europe on electric vehicle safety rules, carmakers are experimenting with sounds that will effectively warn pedestrians

Elton John quits Twitter over change that ‘allows misinformation to flourish’

Musician’s comments come after Elon Musk said he would grant ‘general amnesty’ for suspended accounts

‘My friends call me the BlackBerry queen!’ Meet the people clinging on to old tech – from faxes to VCRs

You can keep your iPhones, emails and streaming videos. Aren from London, Lisa from St Louis and Billy from Wigan are quite happy with old-fashioned alternatives. And there are plenty more where they came from

Instagram told to reinstate music video removed at request of Met police

Oversight board says removal of Secrets Not Safe by Chinx (OS) suggests ‘over-policing of certain communities’

Jeff Bezos vows to give away most of fortune – and hands Dolly Parton $100m

Amazon founder wants to donate much of $124bn wealth to causes such as climate crisis and world unity

Make it pop! Do we really need the Beatles to sound new?

Classic songs are now remastered to compete with contemporary pop on streaming services. But what do we lose when Yellow Submarine is ‘de-mixed’ for generation playlist?

TechScape: Kanye’s dark twisted social media fantasy

The artist now known as Ye wants to buy the ‘free-speech’ social network Parler after being banned from major sites. But hopes for a rightwing splinternet, where anything goes, is not so easy

Kanye West to buy rightwing social network Parler

Purchase by rapper, who changed name to Ye in 2021, expected to be completed by end of year

Mode festival review – ‘elevated’ dance music brings new life to Sydney’s Cockatoo Island

The former penal colony has been the sandstone-and-steel backdrop for art shows, concerts and festivals – but nothing quite like Mode

The Playlist review – stick with it for the brain-breakingly weird ending

Netflix tells the origin story of Spotify, but Daniel Ek – the most powerful man in music – is no Steve Jobs. Still, it’s worth watching for the jolting discomfort you’ll feel after the finale

No tune, no words, no dancing: why white noise is the music industry’s newest hit

The sounds of bonfires, waves and rainfall are helping us relax – and making millions

‘The work we do isn’t algorithmic’: A&R in the era of TikTok

In the digital age, marketability is just as important as music. Artist and repertoire reps from Warner, Ministry of Sound and Partisan explain how they discover music in 2022

Tell us about your best new music discovery in 2022

We would like to hear about your new music highlights of the year so far, and how you found them

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← Older posts
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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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