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I’m no Ed Sheeran fan, but he’s right: when it comes to musical plagiarism, guilt is in the ear of the listener

Musical history is littered with cases like the failed $100m suit against the singer, and they risk stifling pop music, says music journalist Simon Price

When did ‘feminist critique’ of celebrities become nothing more than a snide telling-off?

Those delivering paternalistic lectures to Sabrina Carpenter, Addison Rae and Sydney Sweeney would do well to revisit recent history, says writer Jennifer Jasmine White

NDAs should be banned to curb music industry ‘culture of misogyny’, says new parliament report

The use of non-disclosure and confidentiality agreements to cover up abuse in music remains a ‘major concern’ for the women and equalities committee

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

On the right track: the record label reaching out to Cameroon’s street talent

Born in Douala prison and hailed for helping young people stay out of trouble, the success of Jail Time Records has persuaded Burkina Faso to let the label branch out there

‘Feels bigger than herself’: the importance of Taylor Swift’s latest victory

World’s most famous pop star has finally bought back rights to her master recordings, a win for her but also a potentially major win for the industry

Taylor Swift buys back the rights to the master recordings of her first six albums

After her former label sold her catalogue in 2019, Swift embarked on her lucrative album rerecording project – but now owns the originals for the first time

‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi

It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists

Tough times loom for night-time economy as young Britons opt to go out (and go home) early

Mitchells & Butlers pubco boss says home delivery boom and social media have changed attitudes to going out late

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

‘None of this should have worked’: David Adjmi on how Led Zeppelin sparked Broadway smash Stereophonic

The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler

Oasis fans to shell out more than £1bn on reunion tour, study shows

Average spend of £766 includes tickets, accommodation, £75 on food and drink, £60 on merchandise plus travel and new outfits

From early setbacks to a storming Springsteen show: Co-op Live, a year on

CEO of company behind arena in Manchester says he’s ‘proud of the bet we made’ as report details economic impact

‘Everything we built – gone’: how the wildfires decimated LA’s music scene

January’s blazes in California have devastated the livelihoods of performers, technicians and other music industry pros. They reveal what they lost – and how they’re rebuilding

Spotify running again after users around world report problems

Audio streaming app confirms service restored following more than five hours of disruption

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  • Add to playlist: the defiant queer dancehall of Destin Conrad and the week’s best new tracks
  • Post your questions for the Pogues
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • U2 announce new album Carnaval de Luz, featuring final recording by Dolly Parton
  • Rick Wakeman performs piano concert to 150 rescued moon bears in Vietnam
  • Julia Jacklin: The Gem review – tender, emotional storytelling of hope and hopelessness
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • George Bush, murder and nautical infidelity: the Chicks’ 20 greatest songs – ranked!
  • Tell us: do you enjoy listening to music on CDs?
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Pete Byrne, frontman of British new wave band Naked Eyes, dies aged 74
  • Post your questions for Zach Braff
  • Dance Monkey v the NRL: did Tones and I really turn down $90,000 a minute because she hates her own song?
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Justin Bieber performs surprise acoustic gig in beleaguered Los Angeles park
  • Michael Kiwanuka says he faces ‘long, tough journey’ to recovery from stroke
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • The living dead: we can watch ‘Janis Joplin’ perform or reunite the Beatles, but who are the real winners here?
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • ‘It’s about being loudly visible’: Ahadadream, the British-Pakistani dance star defanging racist slurs
  • Dolly Parton estate in feud with nephew over alleged ‘warfare’ threats
  • Angry Anderson dies aged 79: Rose Tattoo frontman was a ferocious rock’n’roll singer and youth advocate
  • From 50p gold hot pants to Paul Smith suits: how Kylie Minogue became one of pop’s ultimate chameleons
  • Choosin’ Texas unseats All I Want for Christmas as longest-running No 1 song on Billboard Hot 100
  • Charlotte Church accuses Ed Sheeran of ‘choosing capitalism over doing the right thing’
  • Fancy a pint … at Lidl? The bizarre battle over Northern Ireland’s stifled nightlife
  • The truth about Sean Combs: ‘No is not a stopping point for him’
  • ‘Good music is good music, and most music is not!’ As he hits 90, master minimalist Steve Reich looks back
  • Britain loves its underdogs. We should be celebrating our Eurovision flops, not investigating them

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