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‘Feels bigger than herself’: the importance of Taylor Swift’s latest victory

World’s most famous pop star has finally bought back rights to her master recordings, a win for her but also a potentially major win for the industry

Taylor Swift buys back the rights to the master recordings of her first six albums

After her former label sold her catalogue in 2019, Swift embarked on her lucrative album rerecording project – but now owns the originals for the first time

‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi

It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists

Tough times loom for night-time economy as young Britons opt to go out (and go home) early

Mitchells & Butlers pubco boss says home delivery boom and social media have changed attitudes to going out late

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

‘None of this should have worked’: David Adjmi on how Led Zeppelin sparked Broadway smash Stereophonic

The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler

Oasis fans to shell out more than £1bn on reunion tour, study shows

Average spend of £766 includes tickets, accommodation, £75 on food and drink, £60 on merchandise plus travel and new outfits

From early setbacks to a storming Springsteen show: Co-op Live, a year on

CEO of company behind arena in Manchester says he’s ‘proud of the bet we made’ as report details economic impact

‘Everything we built – gone’: how the wildfires decimated LA’s music scene

January’s blazes in California have devastated the livelihoods of performers, technicians and other music industry pros. They reveal what they lost – and how they’re rebuilding

Spotify running again after users around world report problems

Audio streaming app confirms service restored following more than five hours of disruption

‘One minute it’s “would you like to listen to Galaxie 500?”, the next humanity’s enslaved’: can anyone escape Spotify?

As a new book skewers Spotify’s effect on music, two Guardian music writers spent a week assessing the limits of living with and without it

UK watchdog backs plan for cap on price of resale tickets in blow to touts

CMA stance moves Britain step closer to outright ban on ticket touts ripping off fans

Neil Young rejects dynamic pricing for concert tickets, credits the Cure’s Robert Smith for decision

Young’s forthcoming Love Earth tour will not use Ticketmaster’s ‘platinum’ ticketing scheme – described by Smith as ‘a greedy scam’

Spotify is trumpeting big paydays for artists – but only a tiny fraction of them are actually thriving

The company’s latest Loud & Clear report – a relatively transparent look into a closed-off industry – shows just how skewed financial success is in music

High suicide rates show music industry ‘profoundly dangerous’, researchers say

Calls for more support as study finds musicians in England and US have among highest rates of suicide

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  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist
  • ‘Free grand piano’: the scam playing on music lovers’ heartstrings
  • Willie Nelson: ‘I drank too much, I smoked too much. I took too many pills’
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Richard Lloyd, founding member and guitarist of punk band Television, dies aged 75
  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
  • Eurovision’s Asia experiment gets under way in flamboyant Bangkok
  • Eurovision is heading to Asia: here’s what to expect
  • Macklemore says that nine US arenas turned down his Free Palestine tour
  • David Staff obituary
  • Herbert Blomstedt obituary
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Post your questions for folk music legend Judy Collins
  • ‘I went into a deep, deep hole’: Wynonna Judd on overcoming family tragedy and putting a lifetime of love and pain into her new album
  • The week’s best new tracks and the act you need to know: crowd-pleasing anticapitalist rockers Sans Froid
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • ‘It’s a new world. It’s a little fascistic. And it needs a different response’: U2 on 50 years together – and why Bono can’t work with Trump
  • K-pop group NewJeans’s contract omitted rights to ‘sleep and free choice’ – report
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Is that an explosion, an implosion or an orgasm? Pixies bass-player Emma Richardson’s realm-leaping life in painting
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • Full of life and catching feelings: Christine and the Queens’ greatest songs – ranked!
  • ‘By the time the abuse ended, I was 16, and a husk’: how Johnny Daukes survived his childhood – and fought back

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