After her former label sold her catalogue in 2019, Swift embarked on her lucrative album rerecording project – but now owns the originals for the first time
It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists
The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron
The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler
January’s blazes in California have devastated the livelihoods of performers, technicians and other music industry pros. They reveal what they lost – and how they’re rebuilding
The company’s latest Loud & Clear report – a relatively transparent look into a closed-off industry – shows just how skewed financial success is in music