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‘I flew to Luxembourg to see the gig there instead!’: music fans on how they cope with high UK ticket prices

As increasing prices and fees make gig-going difficult, readers voice their frustration – and suggest alternatives

The Guardian view on live music: a scheme to spread the sound around deserves support

Editorial: More gigs would be a good thing, and a voluntary £1 levy for grassroots venues could help

There’s a £1 idea that could save small music venues. Is Live Nation holding it back?

Artists including Coldplay and Katy Perry have got behind a plan to fund small venues from big gigs – but owners say that without Live Nation on board, it could fail

‘Why are all these twentysomethings at a Killing Heidi show?’ How nostalgia tours took over Australian music

The band are among a wave of artists hitting the road this year to celebrate landmark albums. It reflects deeper trends in the Australian music landscape, where new artists are struggling to cut through

Isle of Wight festival increases profits despite fall in attendance

Festival made £3.4m profit in 2024, generating £2.6m dividend for its parent company, part of Live Nation

Beyond regional doubt: why more acts are touring the UK’s far-flung venues – and why it’s worth making the effort

With touring costs rising and venues closing, many acts are only playing big city dates. But as the Beatles and Led Zep showed in the past, more scenic routes can pay off

Spotify removes 75m spam tracks in past year as AI increases ability to make fake music

Streamer to crack down on AI-generated spam by introducing filter to identify fraudulent uploads

Guitar ‘smashed up’ by Liam Gallagher on night Oasis split up goes to auction

Red Gibson ES-355, damaged on night of 2009 Rock en Seine fight, being sold alongside acoustic used in Wonderwall

Dua Lipa denies ‘categorically false’ report that she fired her agent over anti-Kneecap stance

The pop star and her talent agency say reports that she sacked David Levy for allegedly signing a letter urging Glastonbury to drop the pro-Palestine Irish rap group from lineup are untrue

Resale ‘subterfuge’: Viagogo sent fan his tickets along with a stranger’s passport

Experiences of booking for big London gigs underscore the opaque practices of some online platforms

Taylor Swift’s Eras tour helps fuel UK consumer spending on live music to record £6.7bn high

Report from Live shows spending £2bn higher than before Covid-19 shutdowns, although grassroots venues are still closing at an increasing rate

Non-profit collective plans festival to help grassroots live music circuit

Members to co-own event that organisers say will cut costs by up to 40% after 78 independent festivals closed last year

Thursday briefing: How Taylor Swift, the ​ultimate pop ​star, ​turned ​her story into our own

In today’s newsletter: ​Her songs have soundtracked first loves, heartbreaks and coming-of-age moments for millions,​ and fostered a rare kind of intimacy between artist and audience

Obsession, blackmail and Instagram: inside Lurker, the year’s most compelling thriller

The Talented Mr Ripley gets an upgrade in a buzzy and biting film about a desperate outsider who infiltrates the inner circle of a singer on the rise

StubHub allowed prolific tout to list 300 tickets for sold-out Lewis Capaldi show

Expert says ‘reason to suspect industrial-scale criminality’ as TGCES lists 306 Sheffield tickets for up to £248 each

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  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist
  • ‘Free grand piano’: the scam playing on music lovers’ heartstrings
  • Willie Nelson: ‘I drank too much, I smoked too much. I took too many pills’
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Richard Lloyd, founding member and guitarist of punk band Television, dies aged 75
  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
  • Eurovision’s Asia experiment gets under way in flamboyant Bangkok
  • Eurovision is heading to Asia: here’s what to expect
  • Macklemore says that nine US arenas turned down his Free Palestine tour
  • David Staff obituary
  • Herbert Blomstedt obituary
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Post your questions for folk music legend Judy Collins
  • ‘I went into a deep, deep hole’: Wynonna Judd on overcoming family tragedy and putting a lifetime of love and pain into her new album
  • The week’s best new tracks and the act you need to know: crowd-pleasing anticapitalist rockers Sans Froid
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • ‘It’s a new world. It’s a little fascistic. And it needs a different response’: U2 on 50 years together – and why Bono can’t work with Trump
  • K-pop group NewJeans’s contract omitted rights to ‘sleep and free choice’ – report
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Is that an explosion, an implosion or an orgasm? Pixies bass-player Emma Richardson’s realm-leaping life in painting
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • Full of life and catching feelings: Christine and the Queens’ greatest songs – ranked!
  • ‘By the time the abuse ended, I was 16, and a husk’: how Johnny Daukes survived his childhood – and fought back

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