wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

On the right track: the record label reaching out to Cameroon’s street talent

Born in Douala prison and hailed for helping young people stay out of trouble, the success of Jail Time Records has persuaded Burkina Faso to let the label branch out there

‘Feels bigger than herself’: the importance of Taylor Swift’s latest victory

World’s most famous pop star has finally bought back rights to her master recordings, a win for her but also a potentially major win for the industry

Taylor Swift buys back the rights to the master recordings of her first six albums

After her former label sold her catalogue in 2019, Swift embarked on her lucrative album rerecording project – but now owns the originals for the first time

‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi

It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists

Tough times loom for night-time economy as young Britons opt to go out (and go home) early

Mitchells & Butlers pubco boss says home delivery boom and social media have changed attitudes to going out late

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

‘None of this should have worked’: David Adjmi on how Led Zeppelin sparked Broadway smash Stereophonic

The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler

Oasis fans to shell out more than £1bn on reunion tour, study shows

Average spend of £766 includes tickets, accommodation, £75 on food and drink, £60 on merchandise plus travel and new outfits

From early setbacks to a storming Springsteen show: Co-op Live, a year on

CEO of company behind arena in Manchester says he’s ‘proud of the bet we made’ as report details economic impact

‘Everything we built – gone’: how the wildfires decimated LA’s music scene

January’s blazes in California have devastated the livelihoods of performers, technicians and other music industry pros. They reveal what they lost – and how they’re rebuilding

Spotify running again after users around world report problems

Audio streaming app confirms service restored following more than five hours of disruption

‘One minute it’s “would you like to listen to Galaxie 500?”, the next humanity’s enslaved’: can anyone escape Spotify?

As a new book skewers Spotify’s effect on music, two Guardian music writers spent a week assessing the limits of living with and without it

UK watchdog backs plan for cap on price of resale tickets in blow to touts

CMA stance moves Britain step closer to outright ban on ticket touts ripping off fans

Neil Young rejects dynamic pricing for concert tickets, credits the Cure’s Robert Smith for decision

Young’s forthcoming Love Earth tour will not use Ticketmaster’s ‘platinum’ ticketing scheme – described by Smith as ‘a greedy scam’

Post navigation

← Older posts
Newer posts →
  • The Chappell Roan security incident raises a bigger question: what do celebrities owe their fans?
  • Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘How can a TV show make you feel such emotions?’ The Bluey composer shares the trick to music that ‘hits you in the feels’
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • UK music industry figures call for more black talent in executive roles
  • Add to playlist: the coffee-shop pop of Gianna and the week’s best new tracks
  • Billy Bragg calls for big turnout at London march against far right
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • ‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey
  • Mendelssohn: Symphonies and Oratorios album review – Andris Nelsons’ prodigious talent on full display
  • No New York by Adele Bertei review – a vivid, vibrant, musical coming of age
  • ‘A broken heart can turn somebody into a bad Casanova’: breakout R&B star Leon Thomas on defiance, D’Angelo and his ‘doggie’ persona
  • Olivia Dean leads the way with three wins at 2026 Mobo awards
  • Dash Crofts of Summer Breeze rock duo Seals and Crofts dies aged 85
  • Anne-Sophie Mutter: East Meets West album review – diverse, bold and brand new
  • Paul McCartney announces 18th solo album, The Boys of Dungeon Lane, promising introspection and revelation
  • Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be
  • Rigoletto review – strong revival of Mears’s violent take, with Elder revelatory in the pit
  • You saw me standin’ alone: songs about the moon – ranked!
  • Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla
  • ‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on
  • ‘Even Beyoncé is still learning’: 10 expert tips on how to become more musical
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • Country star Ty Herndon: ‘The drugs could be forgiven. Being gay definitely could not’
  • Teeth ’n’ Smiles review – Self Esteem makes a mesmeric rock star but the drama doesn’t dazzle
  • Duffy to tell story of her kidnapping and rape ordeal in new Disney+ documentary
  • ‘I was shunned, laughed at and underdogged’: Jane McDonald on her wild ride from clubland to cruises to country

Contact www.wrongmog.com   Terms of Use