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Ticket touts’ worst nightmare has finally come true in the UK

Government has officially announced ban on reselling for profit, described by minister as ‘no-brainer’

Musicians losing out on millions due to wrongly allocated UK royalties, new research finds

Regarding music played in UK nightclubs, more than £5.7m each year is allegedly allocated by performing rights societies to the wrong artists

Reselling tickets for profit to be outlawed in UK government crackdown

Touts, and ordinary consumers, will no longer be able to charge anything more than price at which they bought ticket

Paul McCartney joins music industry protest against AI with silent track

Former Beatle and artists including Sam Fender, Kate Bush and Hans Zimmer record silent LP Is This What We Want

British music stars urge Starmer to tackle ‘pernicious’ ticket tout websites

Radiohead, Dua Lipa and Coldplay among dozens of artists calling for cap on resale prices to stop exploitation of fans

British music industry adds record £8bn to UK economy, according to UK Music

Taylor Swift’s Eras tour among the big events driving spending, as British artists perform well overseas and job numbers rise

‘I can see a world where Spotify doesn’t exist’: will a new generation of music streaming companies succeed?

Nimble, open-minded outfits such as Nina Protocol, Cantilever and Subvert are looking to bring more money to artists, and a richer experience for listeners

Sam Fender donates his £25,000 Mercury prize winnings to Music Venue Trust charity

Chart-topping singer-songwriter adds to his previous support of charity that works on behalf of small UK venues

‘Young audiences are less scared of it’: why London jazz clubs are expanding and thriving against the odds

As the Jazz Cafe and Ronnie Scott’s expand, and Blue Note eyes its arrival, proprietors say there’s an energy in the scene – but financial pressures remain

‘I flew to Luxembourg to see the gig there instead!’: music fans on how they cope with high UK ticket prices

As increasing prices and fees make gig-going difficult, readers voice their frustration – and suggest alternatives

The Guardian view on live music: a scheme to spread the sound around deserves support

Editorial: More gigs would be a good thing, and a voluntary £1 levy for grassroots venues could help

There’s a £1 idea that could save small music venues. Is Live Nation holding it back?

Artists including Coldplay and Katy Perry have got behind a plan to fund small venues from big gigs – but owners say that without Live Nation on board, it could fail

‘Why are all these twentysomethings at a Killing Heidi show?’ How nostalgia tours took over Australian music

The band are among a wave of artists hitting the road this year to celebrate landmark albums. It reflects deeper trends in the Australian music landscape, where new artists are struggling to cut through

Isle of Wight festival increases profits despite fall in attendance

Festival made £3.4m profit in 2024, generating £2.6m dividend for its parent company, part of Live Nation

Beyond regional doubt: why more acts are touring the UK’s far-flung venues – and why it’s worth making the effort

With touring costs rising and venues closing, many acts are only playing big city dates. But as the Beatles and Led Zep showed in the past, more scenic routes can pay off

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  • Spotify to distinguish AI artists from real people – and stop recommending them
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly
  • ‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • ‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • William Orbit obituary
  • My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
  • Taylor Swift songs removed from Trump and White House’s social media posts
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Super Furry Animals’ foray into football is not part of Big Music’s money grab
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • ‘Chris Martin seems nice – but Coldplay make me feel carsick!’: Lucy Beaumont’s honest playlist
  • The hill I will die on: Remove those earphones – you’re blocking out the music of humanity
  • A Beautiful Noise: The Neil Diamond Musical review – finally, a jukebox musical that really works
  • ‘She’s the voice of a really particular moment’: how Phoebe Bridgers became her generation’s defining songwriter
  • Is it OK to talk about Ariana Grande’s body? There is no right answer
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • From The Shards to Phoebe Bridgers: the week in rave reviews
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Prince to Madonna, Blur to Beth Orton: William Orbit’s 12 greatest recordings
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • William Orbit, pop producer for Madonna, All Saints and more, dies aged 69
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Add to playlist: the anxiety-ridden sugar rush of Tiffany Day and the week’s best new tracks
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair

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