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Milli Vanilli’s Fab Morvan on his lip-syncing downfall and Grammys comeback: ‘The truth will set you free’

Three decades after having his Grammy rescinded as part of the notorious duo, he is a nominee once more, for the audiobook of his unflinching memoir. ‘I had to tell my story,’ he says

‘It’s a hospitality-wide problem’: night-time traders react to business rates relief plan

Gyms, pharmacies, restaurants, cafes and convenience store owners question why only pubs and live music venues should get help in England

Wednesday briefing: ​Can we afford to be optimistic about grassroots music venues?

In today’s newsletter: ​M​usic spaces are welcoming bigger crowds again, ​b​ut the industry remain​s fragile as rising costs and shrinking local circuits threaten the next generation of talent

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Music executive LA Reid settles sexual assault lawsuit on day civil trial was due to begin

The former Arista Records chief executive had faced allegations that he derailed the career of former employee Drew Dixon after she rejected his advances

Ten years after his death, is David Bowie’s musical legacy at risk of fading from view?

From the V&A to the Stranger Things finale, the pop icon still looms large – but with lower streaming figures than his peers, how many new listeners are discovering his music?

Oasis reunion and Taylor Swift vinyls fuel boom year for UK music industry

BPI figures show music lovers listened to equivalent of 210.3m albums by UK artists in 2025 in 11th consecutive year of growth

CDs return to Christmas shopping lists as gen Z embrace ‘retro renaissance’

Demand for CD players rises 74% this year amid deluxe releases from artists such as Taylor Swift and Pink Floyd

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

‘We are truly doomed’: King Gizzard and the Lizard Wizard despair at AI clone appearing on Spotify

Australian psych-rockers, who removed their music from Spotify in protest against the streaming service, lament the appearance of AI band King Lizard Wizard

London’s O2 Arena announces funding for UK grassroots gig venues

The 20,000-capacity venue will feed revenue back into smaller venues to ‘nurture the next generation of breakthrough artists’

Musicians must embrace ‘unstoppable force’ of AI, Eurythmics’ Dave Stewart urges

Producer says creatives need to own their intellectual property so they can license it to generative AI platforms

Estate of Johnny Cash suing Coca-Cola for using tribute act in advert

The company is being sued under the new Elvis act, which protects a person’s voice from exploitation without consent

Warner Music signs deal with AI song generator Suno after settling lawsuit

Music company representing Coldplay and Ed Sheeran had sued tech platform alleging mass copyright infringement Business live – latest updates

Being a famous singer raises risk of early death, researchers say

Lead singers in bands fare better than solo artists, but fame – rather than lifestyle or job itself – seems to be major factor

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  • Spotify to distinguish AI artists from real people – and stop recommending them
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly
  • ‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • ‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • William Orbit obituary
  • My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
  • Taylor Swift songs removed from Trump and White House’s social media posts
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Super Furry Animals’ foray into football is not part of Big Music’s money grab
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • ‘Chris Martin seems nice – but Coldplay make me feel carsick!’: Lucy Beaumont’s honest playlist
  • The hill I will die on: Remove those earphones – you’re blocking out the music of humanity
  • A Beautiful Noise: The Neil Diamond Musical review – finally, a jukebox musical that really works
  • ‘She’s the voice of a really particular moment’: how Phoebe Bridgers became her generation’s defining songwriter
  • Is it OK to talk about Ariana Grande’s body? There is no right answer
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • From The Shards to Phoebe Bridgers: the week in rave reviews
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Prince to Madonna, Blur to Beth Orton: William Orbit’s 12 greatest recordings
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • William Orbit, pop producer for Madonna, All Saints and more, dies aged 69
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Add to playlist: the anxiety-ridden sugar rush of Tiffany Day and the week’s best new tracks
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair

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