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‘We eat and drink risk’: higher costs bring curtain down on more UK music festivals

Plans for new event at the Secret Garden Party site and Womad Glasgow are dashed, but others remain optimistic

Jessie J’s triumphant return puts lucrative Chinese market in spotlight

Other western acts have attempted to crack country’s music scene since singer’s breakout success in 2018

20 ways Taylor Swift remade pop culture in her image

It has been 20 years since Swift released her debut single, setting in motion a career so extraordinary, it permanently redefined the concept of pop stardom. This is how she did it

More than a quarter of UK musicians lost all EU work since 2021, report finds

Average tour earnings down 45%, with nearly three-fifths of musicians saying touring in Europe is no longer viable

Music industry risks excluding working-class talent, says Tinie Tempah

Singer Skye Newman also highlights how becoming a performer is becoming inaccessible to those without money

Blind UK pop producer to take legal action over alleged lack of support at work after surgery

Disability rights campaigner Robin Millar reveals he is taking owners of music business he founded to a tribunal

‘This keeps the dream alive’: the bands sleeping at venues to make touring work

A new UK scheme is encouraging venues to provide accommodation for touring acts. But what if someone hurls a TV through a window?

‘Build it and they will come’: the hopes new life for former lido will revive Weston-super-Mare

Council has voted to lease the Tropicana to entertainment company Live Nation which plans to turn abandoned space into events venue

‘Major labels are trying to scoop up everything’: the chaotic future for indie music companies – and why vinyl isn’t working

As stalwarts Sub Pop and Rough Trade celebrate big anniversaries, insiders speak candidly about the challenges they face. Can streaming ever ensure their survival?

‘It will never cover what’s authentic’: African music industry weighs up AI risks and rewards

Delegates at event in Cape Verde highlight opportunities from tech while stressing AI is no replacement for talent

Indie music has been invaded by fake fans and cynical viral campaigns​. Here’s how deep it all goes

Companies such as Chaotic Good are confecting social media buzz to promote Geese, Oklou and other indie darlings. Industry insiders reveal how widespread the practice is – even if no-one is sure it actually works

‘It’ll be in my Guardian obituary’: David Balfe on inspiring Blur’s Country House and tripping on Top of the Pops

He was the burned-out bigwig who moved to a very big house. Now back with his first music for decades, he talks about signing the Proclaimers, being punched by Julian Cope – and his Scott Walker inspired trio

Universal Music, home to Taylor Swift and Drake, receives €55bn takeover offer

Bill Ackman’s Pershing Square claims world’s biggest music company has suffered because of delay of US listing

US senators rebuke Ticketmaster for raising fees after hidden charge crackdown: ‘Bait and switch’

Richard Blumenthal says Ticketmaster acts like it has ‘get-out-of-jail-free card’ as records show company upping fees to avoid losses

US man pleads guilty to defrauding music streamers out of millions using AI

Michael Smith, 52, charged after flooding platforms with thousands of AI songs and boosting them with bots

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  • Juan Atkins obituary
  • Australians are streaming more music than ever – but homegrown songs are being skipped
  • Whispers in the Woods review – paddling in the moonlight in tender study of human-animal interaction
  • Lessons in Harmony by Jonathan Coe review – what can music tell us about national identity?
  • Paul McCartney becomes a billionaire and world’s third richest musician
  • ‘A three-minute history of England written in the tour bus toilet’: how Tenpole Tudor made Swords of a Thousand Men
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • ‘I didn’t dance until I was 45’: how Jorge Drexler went from repressed doctor to rump-shaking Oscar-winner
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • ‘My dad said Great Balls of Fire was pagan music – and threw it out of the window’: Leo Sayer’s honest playlist
  • ‘Free grand piano’: the scam playing on music lovers’ heartstrings
  • Willie Nelson: ‘I drank too much, I smoked too much. I took too many pills’
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Richard Lloyd, founding member and guitarist of punk band Television, dies aged 75
  • Amy Winehouse inspired me to quit a soul-crushing job
  • From Wild Horse Nine to Kings of Leon: your complete entertainment guide for the week ahead
  • Eurovision’s Asia experiment gets under way in flamboyant Bangkok
  • Eurovision is heading to Asia: here’s what to expect
  • Macklemore says that nine US arenas turned down his Free Palestine tour
  • David Staff obituary
  • Herbert Blomstedt obituary
  • Clem Cattini obituary
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Post your questions for folk music legend Judy Collins
  • ‘I went into a deep, deep hole’: Wynonna Judd on overcoming family tragedy and putting a lifetime of love and pain into her new album
  • The week’s best new tracks and the act you need to know: crowd-pleasing anticapitalist rockers Sans Froid
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album

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