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‘This keeps the dream alive’: the bands sleeping at venues to make touring work

A new UK scheme is encouraging venues to provide accommodation for touring acts. But what if someone hurls a TV through a window?

‘Build it and they will come’: the hopes new life for former lido will revive Weston-super-Mare

Council has voted to lease the Tropicana to entertainment company Live Nation which plans to turn abandoned space into events venue

‘Major labels are trying to scoop up everything’: the chaotic future for indie music companies – and why vinyl isn’t working

As stalwarts Sub Pop and Rough Trade celebrate big anniversaries, insiders speak candidly about the challenges they face. Can streaming ever ensure their survival?

‘It will never cover what’s authentic’: African music industry weighs up AI risks and rewards

Delegates at event in Cape Verde highlight opportunities from tech while stressing AI is no replacement for talent

Indie music has been invaded by fake fans and cynical viral campaigns​. Here’s how deep it all goes

Companies such as Chaotic Good are confecting social media buzz to promote Geese, Oklou and other indie darlings. Industry insiders reveal how widespread the practice is – even if no-one is sure it actually works

‘It’ll be in my Guardian obituary’: David Balfe on inspiring Blur’s Country House and tripping on Top of the Pops

He was the burned-out bigwig who moved to a very big house. Now back with his first music for decades, he talks about signing the Proclaimers, being punched by Julian Cope – and his Scott Walker inspired trio

Universal Music, home to Taylor Swift and Drake, receives €55bn takeover offer

Bill Ackman’s Pershing Square claims world’s biggest music company has suffered because of delay of US listing

US senators rebuke Ticketmaster for raising fees after hidden charge crackdown: ‘Bait and switch’

Richard Blumenthal says Ticketmaster acts like it has ‘get-out-of-jail-free card’ as records show company upping fees to avoid losses

US man pleads guilty to defrauding music streamers out of millions using AI

Michael Smith, 52, charged after flooding platforms with thousands of AI songs and boosting them with bots

The Taylor Swift effect: US vinyl sales top $1bn for the first time since 1983

Swift leads the 2025 vinyl charts with 1.6m sales of The Life of a Showgirl while Sabrina Carpenter and Kendrick Lamar round out the top three

Britney Spears sells rights to music catalog for undisclosed sum, say reports

Music publisher Primary Wave said to have bought rights to pop star’s music, including Toxic and Baby One More Time

Reshona Landfair on her life after R Kelly: ‘I had to rebuild my entire self’

She was just 14 when she was groomed by the R&B star, and filmed in an explicit video. She tells the extraordinary story of how she survived

‘Tickets have become status symbols’: from Harry Styles to Taylor Swift, why is live music bigger and more expensive than ever?

Styles is playing a record 12 nights at Wembley Stadium and 30 at Madison Square Garden, as demand for big artists soars – and audience expectation along with it

Beijing condemns Dalai Lama’s Grammy win as ‘anti-China political manipulation’

Buddhist spiritual leader wins best audiobook and says he sees win ‘as a recognition of our shared universal responsibility’

UK hospitality firms demand more help with business rates amid questions over Heathrow discount

Airports identified as biggest winners of government’s £4.3bn support package with Heathrow alone taking £900m discount

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  • Spotify to distinguish AI artists from real people – and stop recommending them
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Joby Talbot’s Path of Miracles / György Kurtág’s Kafka Fragments review – Bristol Proms reach for the heavenly
  • ‘For this record, I took an edible and said, screw it’: jazz pianist Sullivan Fortner on confronting the trauma of Hurricane Katrina
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • ‘This is asking a lot of the buttocks’: my 23-hour Wagner marathon on a rock hard seat in a heatwave
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • William Orbit obituary
  • My Brilliant Career: inside Netflix’s horny, ‘bonkers’ take on an Australian classic the world is about to love
  • Taylor Swift songs removed from Trump and White House’s social media posts
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Super Furry Animals’ foray into football is not part of Big Music’s money grab
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • ‘Chris Martin seems nice – but Coldplay make me feel carsick!’: Lucy Beaumont’s honest playlist
  • The hill I will die on: Remove those earphones – you’re blocking out the music of humanity
  • A Beautiful Noise: The Neil Diamond Musical review – finally, a jukebox musical that really works
  • ‘She’s the voice of a really particular moment’: how Phoebe Bridgers became her generation’s defining songwriter
  • Is it OK to talk about Ariana Grande’s body? There is no right answer
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • From The Shards to Phoebe Bridgers: the week in rave reviews
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Prince to Madonna, Blur to Beth Orton: William Orbit’s 12 greatest recordings
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • William Orbit, pop producer for Madonna, All Saints and more, dies aged 69
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Add to playlist: the anxiety-ridden sugar rush of Tiffany Day and the week’s best new tracks
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair

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