Fans love them, even local councils try to attract them, but immense park and stadium shows don’t always break even – and many bands don’t want to risk images of empty seats
Musical history is littered with cases like the failed $100m suit against the singer, and they risk stifling pop music, says music journalist Simon Price
Those delivering paternalistic lectures to Sabrina Carpenter, Addison Rae and Sydney Sweeney would do well to revisit recent history, says writer Jennifer Jasmine White
Born in Douala prison and hailed for helping young people stay out of trouble, the success of Jail Time Records has persuaded Burkina Faso to let the label branch out there
It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists
The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler
The company’s latest Loud & Clear report – a relatively transparent look into a closed-off industry – shows just how skewed financial success is in music