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Bubble Love: Bubble Love review – Ross From Friends’ high-energy pop-club side project

Producer Felix Weatherall adopts another guise, swapping lo-fi analogue for a disorienting burst of alternative dance music

Lennie De Ice, British producer who pioneered sound of jungle, has died

No cause of death given for artist whose track We Are IE had a huge impact on the breakbeat-driven, bass-focused sound of jungle, drum’n’bass and dubstep

‘Blokes who would normally fight would get off their boxes and dance’: Sanctuary, the club that made Milton Keynes massive

It eventually got turned into an Ikea, but for over a decade this warehouse unit galvanised hard dance, grime and more. At a big reunion, former ravers recall the magic

‘God Save the King makes me sick’: Bobby Gillespie’s honest playlist

The Primal Scream man is resolutely unromantic and really dislikes the royals, but what does he put on at a party when ‘everyone’s had a few’?

‘There was a catalogue of errors – but once we opened, we were on fire’: how we made Fabric nightclub

‘We wanted to bring the underground to a bigger audience. We had Bono in the DJ booth once. No one recognised him. In that dark space, he was completely free’

Auntie Flo: In My Dreams (I’m a Bird and I’m Free) review – joyous ride through Kenyan and Goan heritage

Brian d’Souza’s genre-crossing curiosity takes him from propulsive disco to nursery-rhyme melodies and Tiësto-worthy trance

‘By 8pm it is time to head home’: whatever happened to the big night out?

This week, the chief executive of a major bar group suggested 3pm is the new 9pm. Why have we stopped drinking and dancing the night away on a Friday and Saturday night?

BBC Sound of 2025 longlist tips established artists including Chappell Roan and Confidence Man

Following a change in eligibility criteria, nominees for the broadcaster’s annual award also include Kneecap, Barry Can’t Swim and Mercury prize winners English Teacher and Ezra Collective

Jungle, funk and 14th-century Arabic astronomers: piano virtuoso Pat Thomas on his journey through jazz

He started out playing a cardboard piano, but became a key figure in the improv scene. Now at 64, the musician is having a moment with his danceable quartet [Ahmed]

‘There was three of them waiting, like: play this track or else’: DJ EZ, the reality-bending maestro of the decks

The staunch champion of garage is one of the UK’s most talented musicians, manipulating tracks at lightning speed. In a rare interview he discusses neurodiversity, being teetotal – and the truth about his fees

‘I’m often the only woman in the room’: the female music managers changing the industry’s tune

With women now comprising 38% of its 1,500-strong membership, the Music Manager’s Forum typifies the changing face of the industry

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

‘Bad boy come again!’ The life, death and resurrection of jungle MC Stevie Hyper D

His ultra-fast rapping ruled 90s raves and influenced garage and grime, but he died young and fell into obscurity. The makers of a new documentary revisit his brilliance

Hyper: The Stevie Hyper D Story review – massively entertaining portrait of legendary MC

Even those unfamiliar with 90s drum’n’bass will feel invited in and educated by an impeccably crafted account of this charismatic and vibrant pioneer

‘Leave your ego at the door’: from Thriller to Sinatra, Quincy Jones collaborators tell the stories behind his songs

Whether hashing out Beat It over the phone or jamming with Snoop Dogg, artists who worked alongside Jones recall his skill, kindness and lust for life

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  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
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  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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