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You wanted a hit? LCD Soundsystem’s 20 best songs – ranked!

With Daft Punk Is Playing at My House turning 20 and a new album being worked on, we select the dance-rock musos’ finest tracks

Laneway festival review – Charli xcx headlines a euphoric festival for the masses

Brisbane Showgrounds, then touring AustraliaAs other events collapse, the rapturous young crowds turning out for the 20th Laneway proves that there is still a huge appetite in Australia for the festival experience

Floating Points review – an unclassifiable triumph

On the first of a three-night London residency, British dance producer Sam Shepherd conjures up a transcendent set that’s equal parts body-jacking rave and harp-laced, retina-melting art show

Rose Gray: Louder, Please review – escapist dance-pop fizzes with inventiveness

The London musician’s assured debut runs the gamut from aggressive jungle to uplifting house, toggling between hedonism and introspection

‘Professionals’ to some, ‘a shambles’ to others: can the UK’s biggest nightclub stay open?

Drumsheds can host as many as 15,000 people in a former Ikea and is lauded by many – but following a licensing review, there are concerns it’s too big to function

‘We were strapped to this babbling circus’: Scissor Sisters on their reunion, rightwing reactionaries – and riotous origins

Jake Shears, Del Marquis and Babydaddy are reuniting as a trio to celebrate 20 years since their debut album. They talk electroclash, Elton John and connecting with the UK’s ‘weird’ energy

Barcelona electro-punk duo Dame Area: ‘Seeing other women playing weird stuff made me want to try’

Blending noise and techno, the pair are determined to make dance music more than a ‘functional, metronomic thing’ – and to never play the same set twice

French flirting, flute fusion and love flowin’ free: the best old music we discovered this year

A little crate-digging can yield buried treasure – as our music writers found this year when they discovered everything from Taiwanese pop star to Cher’s disco era

DJ Alfredo, icon of Ibiza’s dance music scene, dies aged 71

DJ whose anything-goes spirit had a huge influence on British club culture had suffered a stroke in 2021

Clubbing has changed dramatically in the past 25 years: is the party over, or just getting started?

When the millennium dawned Britain’s nightlife was as strong as it had ever been. Now, 25 years later the situation is very different – but not all change has been bad, DJs and promoters say

From Charli xcx to Chat Pile: Guardian readers’ favourite albums of 2024

Tyler, the Creator’s ‘pure vocal power’, Jamie xx’s ‘sheer genius’ and Ashe’s ‘beautiful storytelling’ – our readers pick out the new music that has most impressed them this year

The 50 best albums of 2024: No 1 – Charli xcx: Brat (and Brat and It’s Completely Different But Also Still Brat)

Smart, funny, moving and full of big tunes, the in-your-face masterpiece was the right album at the right time, striking a cultural nerve and defining a change in mindset

You and I are gonna live forever: why 2024’s pop was all about sharing the moment

Pop may be full of solo artists and individually tailored streams, but the Eras tour, Brat summer and Oasis reunion showed we still long to be part of a crowd

Aphex Twin: Music from the Merch Desk (2016-2023) review – Santa’s sack overspills with AFX bounty

Compiling the highly sought-after limited vinyl releases sold at recent festival sets, this surprise 38-track release filled with bangers and beauty is a trove for fans

‘Like Depeche Mode, but evil’: the sweaty, sexual music of 80s EBM

As documented in a new book, electronic body music swept Belgium and Germany as its artists strove to make something entirely new – but their militaristic look became controversial

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  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

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