wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts
Newer posts →

Anger is an energy! Stars and writers on the songs that define punk spirit

As Patti Smith’s debut single turns 50, punk musicians and music writers pick the songs that define the genre’s resistance, rebellion and refusal

‘Dance music should bring people together’: Amsterdam tries to reclaim its night culture

High costs, property prices and stifling regulations have, along with Covid, damaged the city’s vibrant club scene

The mysterious world of Two Shell: ‘Our pranks don’t mean we’re not sincere’

They promised us an in-person interview – then sent along two decoys. So who are the enigmatic musicians who make it so hard for fans to hear their thrillingly alien music?

‘We tried to get Mariah Carey … and found out she costs $1m’: the songs musicians chose for their first dance

Does Charlie Simpson regret choosing Sigur Rós? Did Chesney Hawkes play ‘that’ song? And who picked an eight-minute jam by LCD Soundsystem? Musicians on the songs they chose for their wedding dance, for better or for worse

Underworld: Strawberry Hotel review – sweet bangers and sad laments

The techno giants’ 11th album finds them ranging from cut-up dancefloor fillers to gentle experimentation

‘Young women from the ghetto were taken advantage of’: the power and pain of R&B’s ‘new jill swing’ era

The female counterpart to new jack swing, which exploded in the late 80s by fusing hip-hop, pop and R&B, was thrilling – but held back by sexism, racism and dodgy contracts

The Blessed Madonna: Godspeed review – a sprawling dancefloor odyssey

Featuring Kylie Minogue, Jacob Lusk and more, the American producer and DJ’s solo debut offers something for everyone

Confidence Man: 3AM (La La La) review – joyous escape into the gen X club era

The electro-pop band’s third album is a playful, energetic trip down memory lane, transporting us to Happy Mondays-era Hacienda, vintage New Order and the KLF

Kelly Lee Owens: Dreamstate review – dancefloor transcendence by a true pop shapeshifter

The Welsh producer’s latest handbrake turn takes her from dark-hued ambience to hypnotic euphoria on her poppiest record to date

‘Music, friendship, opportunity, freedom’: the rise in clubs and gigs for neurodivergent people

Autistic people and those with ADHD can feel stressed at regular gigs, prompting a wave of carefully tailored new events. But can they cater to incredibly diverse needs?

Rüfüs Du Sol, Dom Dolla, Flume, Fisher: inside Australian dance music’s global boom

With Grammy wins, Coachella sets and sold-out tours, Australia’s electronic artists have won millions of worldwide fans. Is it dumb luck – or is there something in the water?

No Bounds review – from clubs to chapels, this Sheffield fest is dizzyingly daring

It was always somewhere to let rip until dawn, but seven editions in, No Bounds lives up to its name by expanding across cathedrals, castles and more

‘We were cheeky outlaws getting away with it’: the total euphoria of Liverpool’s 90s club scene

From abandoned factories to snooker halls, pre-superclub promoters dodged police to put on some of the UK’s wildest nights. Former ravers recall how they supercharged the city

Charli xcx: Brat and It’s Completely Different But Also Still Brat review – her lime-green imperial phase is unstoppable

(Atlantic)Big-name guests abound on a thrilling remix album that takes a glimpse into celebrity’s heart of darkness but makes it transcendently fun and cool

‘Look at this. We are back’: the impossible return of French touch titans Cassius

Five years after Philippe Zdar fell to his death from a Paris building, Boombass has brought back Cassius – having received his old musical partner’s blessing in a ‘beautiful’ dream

Post navigation

← Older posts
Newer posts →
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’
  • Their orchestra is not a sacred object but a tool for struggle – Paris’s musicians join the frontline
  • Stephen Kovacevich – a pianist who risked oblivion to know what it’s like out on the edge
  • ‘I knead the audience, like a baker!’ House music legend Peven Everett on life after cancer and vanquishing the ‘Disco Sucks’ movement
  • ‘Dear Charlie’: letter revealing move to snare future Rolling Stones drummer up for auction
  • Jay-Z is the perfect Super Bowl shill for a league of billionaires
  • Peter Asher: Everywhere Man review – music-biz face from Beatles-buddy pop act to superstar producer
  • The Babydoll phenomenon: how Jamie Miller’s song got the world dancing – and put Wales back on top
  • ‘We did everything wrong!’ The tragedy of the hit-free band behind Blondie’s Hanging on the Telephone
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • ‘How on earth is this man not sweating?’ The director who spent 10 years painstakingly remastering Bowie’s ‘greatest filmed performance’

Contact www.wrongmog.com   Terms of Use