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Add to playlist: Grumpy’s weirded-up country celebration of trans joy and the week’s best new tracks

Sometime Zach Bryan backing vocalist Heaven Schmitt started Grumpy as a solo project. It’s now a six-piece band, blending alt-country with jubilant solidarity

Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold

The 80-year-old continues his tireless output, delving into the past for inspiration to variable results – though two lengthy brand-new songs are real showstoppers

Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer

Unpredictable and utterly beguiling, the septuagenarian beloved by Harry Styles brings a hint of mischief to his innocently charming songs

Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo

The brilliantly strange band’s live show is a must-see spectacle powered by glorious noise and wild flair

The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock

Britain’s best indie-rockers hold fast to their defiantly old-school sound, slipping wry sideways looks at despair in among hooky melodies that always sound like a good time

Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly

The 78-year-old has astonishing range but gets bogged down in middling rock, though later delivers some gorgeous acoustic songs – and a slinky Marvin Gaye cover

Evanescence review – devastating power and range from one of rock’s great vocal talents

The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range

Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool

Despite the city’s backdrop of deprivation and racism, vibrant nightclubs and daring artists thrived – but after No 1 success for the Real Thing, why was the scene ignored?

‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers

The crowds wept and prayed, police used their song lyrics for briefings and a vicar gave a sermon about brotherly forgiveness. The directors of Don’t Look Back in Anger relive their wildest ride ever

Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads

Director Kirsty Bell alternates archival footage with tacky dramatised filler, but it’s the breadth of appreciation, from Keith Richards to Kiefer Sutherland that impresses

Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary

Capturing the band’s 2025 global comeback tour, this two-hour film reveals the tense first rehearsal with Liam, Noel being a big softie and the Gallaghers’ politics – just don’t expect any mention of ticket prices

Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together

With their bassist in palliative care for colorectal cancer, the group have a new album and two live shows to play. They reflect on friendship, facing terminal illness and ‘taking each day as it comes’

‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted

‘I was trying to bring back some glamour. The backcombed hair was like architecture really. It took more than 45 minutes to style’

Oasis recordings up for auction despite band’s objections

Guide price of archive documenting concerts, rehearsals, soundchecks and conversations between £1.2m and £1.6m

End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party

Hitting 20, this festival has grown into a warm, genre-hopping powerhouse where fringe experimental acts are greeted as warmly as the star headliners

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← Older posts
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  • Ileana Cotrubas obituary
  • Bruno Schrecker obituary
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • ‘It is insane’: the Australian organist playing 16 hours of back-to-back Bach – for the third time
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Add to playlist: Grumpy’s weirded-up country celebration of trans joy and the week’s best new tracks
  • Céline Dion sparks mass karaoke and power-ballad fever with return to stage in Paris
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • 100 years after John Coltrane’s birth, secret tapes are emerging. What can they tell us about jazz’s great rulebreaker?
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • ‘People think fame is a magic wand’: Jarvis Cocker on old songs, young fans and his granny’s verdict on Pulp
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’

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