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‘It’s not my pain. There’s a responsibility in that’: Thea Gilmore on writing songs from anonymous confessional voicemails

After tiring of writing about herself, the British singer-songwriter asked the public to share stories to inspire her music – and they responded in their thousands

‘A dog would get treated better than a drag queen in Hollywood’: Alaska on prejudice and leading Oh, Mary!

The RuPaul’s Drag Race alum on queer visibility, politics and starring in Cole Escola’s smash comedy

Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

3Arena, DublinSeveral unannounced guests feature on the first European date of the rapper’s sold-out benefit tour, including video messages from Mark Ruffalo and Cynthia Nixon

‘My death was reported in Rolling Stone’: how the Zombies made Time of the Season

‘A year after we broke up, we heard that two bands had started touring the US as the Zombies. One group said they were the originals but with a new singer – because I’d been killed in a car crash’

I used to think I had impeccable taste in music. My kids taught me to stop being a snob

Music may not define them in the way it defined many of my generation, but my children still know a good tune when they hear one

‘I don’t give a damn what people think any more!’ Jimmy Webb on his wild days – and writing hits for Dolly, Glen and Frank

From Wichita Lineman to MacArthur Park, he penned masterpieces. As the great hit-maker resurrects his lost songs, he recalls writing for giants – and the night Richard Harris stripped off and disappeared

Anthropic sued for allegedly using 274 Elvis Presley songs to train AI models

Authentic Brands Group says AI company infringed on rights of songs by the King such as Can’t Help Falling in Love

Natasha Bedingfield looks back: ‘I had hits in the US that weren’t released in England. It was like being banished’

The singer-songwriter on her unconventional education, her brother Daniel, and her quest to write a classic like Purple Rain

Readers reply: will there ever again be a band as big as the Beatles or the Stones?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

‘I’d rather live through something publicly than escape it privately’: Jack Antonoff on survivor’s guilt and still singing love songs after his breakup

Whether he’s playing the role of soul-baring artist or starry producer, the Bleachers frontman strives to keep his integrity intact. He weighs in on Ed Sheeran, his love of working on ‘high-stakes’ albums and why he’s standing by the songs about his marriage

‘I’m not someone who has sex to music. I like uncomfortable silence’: Katherine Ryan’s honest playlist

The comedian unashamedly loves the Spice Girls’ Wannabe and cries to Boyz II Men, but which novelty song changed her life?

Sam Fender tells fans high ticket prices for Proper Massive tour are ‘getting changed’

Fender criticises stadium pricing, calling it ‘bollocks’ and says it ‘won’t be happening’ on his tour

‘Unlike anything we’ve experienced’: fans swarm San Francisco for BTS star’s art exhibition

K-pop star RM gave a boost to the previously struggling SFMOMA with an exhibition of over 100 pieces from his collection

Add to playlist: the gloriously boisterous grime-metal of Native James and the week’s best new tracks

Filtering alt influences and eskibeats through a distinctly Black British point of view, the Ipswich rapper’s scorched-earth rage sounds like a lot of fun

With albums under threat, Raye’s Mercury win is a triumph for grand statements

Her winning album has its longueurs, but there’s something heartening about its risk-taking – and the Mercury prize needs big bold records like this to stay relevant

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  • Meeting Elvis was ‘my biggest day with the Beatles’, says road manager’s book
  • ‘They said we incited riots’: explosive punks Bad Brains on drugs, self-destruction and recording from jail
  • Teenage violinist wins BBC Young Musician 2026, after first all-female final
  • Rosalind Ashford obituary
  • Odette on a later-in-life autism diagnosis: ‘It completely revolutionised the way that I exist’
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • ‘It seems weird for an MC – but lyrics have never been a thing for me’: De La Soul’s honest playlist
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • The best theatre to stream this month: the Gisèle Pelicot trial becomes an all-star play that ‘just floors you’
  • From Wicker to Zelda: Ocarina of Time: your complete entertainment guide to the week ahead
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Jaguar Jonze: ‘I am more fragile and vulnerable now. But at the same time, I am so much stronger’
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • ‘Ceilidh renaissance’ lures gen Z offline in search of real-life joy
  • The week’s best new tracks and the act you need to know: Dutch squat-punks Bombstrap’s uncompromising racket
  • Oh to Believe in Another World review – William Kentridge’s amazing animated ballet of black comic pain
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • ‘Ignorance towards immigration is horrible. It’s not British’: Skepta on his long-awaited return – and his anger at the racist right
  • Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song
  • Dónal Lunny obituary
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • ​‘He buckled. I could hear his bass ringing out …’ The luminous rise and tragic end of US alt heroes Morphine
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • ‘Algorithms make everything predictable’: why the CD is making a comeback
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • Mega mega mega, going back to Romford! How an outer London suburb became a metropolis for 90s dance music
  • Pop prodigy Underscores: ‘I don’t think Gen Z is a loveless generation’

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