Daniel Melingo is one of the quirky celebrities of the Buenos Aires tango scene. He's a singer and actor with a gruff voice and a stage persona that veers between Charlie Chaplin and Tom Waits. But he's also an impressive multi-instrumentalist who plays guitar, keyboards and clarinet, and has set out to provide new and often experimental settings for Argentina's most celebrated dance style. As ever, he sings about his city's lowlife, and uses the persona of a linyera (a vagabond) as the starting point for his unusual and sophisticated songs. The opener, La Cancion De Linyera, is a jaunty tango driven on by the bandoneon concertina, but elsewhere he adds bluesy guitar lines and jazzy trombone, and includes a charming, crooned treatment of a song by the great Chilean singer Violeta Parra, and his own setting of a Lorca poem. Sadly, no translation of the lyrics is provided.
Melingo: Linyera review – Buenos Aires star’s inventive take on tango
Daniel Melingo sets out to provide new and often experimental settings for Argentina's most celebrated dance style, writes Robin Denselow