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Spotify running again after users around world report problems

Audio streaming app confirms service restored following more than five hours of disruption

‘One minute it’s “would you like to listen to Galaxie 500?”, the next humanity’s enslaved’: can anyone escape Spotify?

As a new book skewers Spotify’s effect on music, two Guardian music writers spent a week assessing the limits of living with and without it

Katy Perry, Jeff Bezos’ fiancee Lauren Sanchez and four others arrive back on Earth after space flight – as it happened

Pop star kisses ground after landing and all-female crew describes feelings of joy, camaraderie and connection to our planet post space flight

The composer still making music four years after his death – thanks to an artificial brain

In Australia, a team of artists and scientists have resurrected the US composer Alvin Lucier. It raises a storm of questions about AI and authorship – and it’s also incredibly beautiful

Which celebrities are lying about their height? This website’s done the research

On Celebheights.com, thousands of users measure the statures of the rich and famous. The methods are scientific and the debates are fiery

On my radar: George the Poet’s cultural highlights

The author and podcast host on a favourite restaurant, adventures in scholastic research for his PhD and the second series of Squid Game

Daveed Diggs’ sci-fi rap trio Clipping: ‘We are at war all the time. It’s one of the great tricks of capitalism’

Diggs’ harrowing music is a world away from his Hollywood films and a Tony-winning run in Hamilton. But his band’s world-building – setting resource wars in imagined cyberpunk clubs – is no less dramatic

UK ministers consider changing AI plans to protect creative industries

Exclusive: partial climbdown over use of work protected by copyright considered after intense lobbying by top artists

Kate Bush and Damon Albarn among 1,000 artists on silent AI protest album

Recordings of empty studios represent impact on musicians of UK’s plans to let AI train on their work without permission

EU accused of leaving ‘devastating’ copyright loophole in AI Act

Architect of copyright law says EU is ‘supporting big tech instead of protecting European creative ideas’

‘We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use

Software goes on sale that replicates the distinctive analogue sounds of celebrated unit where Doctor Who theme was created

More rhythm, less algorithm: why Deezer’s boss is vowing to put users in control of their music

Alexis Lanternier, chief executive of the French streaming service, says it can compete with bigger rivals by rewarding the real musicians its subscribers want to support

‘Everyone knows the Centrelink song’: how we learned to love – and remix – hold music

It’s been called the ‘sound of purgatory’ but Opus 1 has enjoyed a new life in performance art, in a beer commercial and now on TikTok

The Guardian view on AI and copyright law: big tech must pay

Editorial: Elton John, Paul McCartney and thousands of other artists have called for protection from data crawling. The government must listen

Richard Bleasdale obituary

Other lives: Software designer whose innovations transformed the live entertainment industry

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← Older posts
Newer posts →
  • ‘A succession of bad paintings’: Stanley Donwood and Radiohead’s Thom Yorke – review
  • Tom Lehrer obituary
  • ‘He wrote five songs about washing dishes!’ The lost Woody Guthrie gems rescued by AI
  • ‘I’m hoping to be the world’s youngest dirty old man’: the wit of Tom Lehrer, by those who knew him
  • ‘I knew it would happen for Bruce’: David Sancious on walking away from Springsteen’s E Street Band
  • ‘It destroyed me’: two more men accuse Christian rock star Michael Tait of sexual assault
  • Ozzy Osbourne’s funeral procession to pass through Birmingham city centre
  • Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side
  • Four alternatives to Spotify: swapping is easier than you think
  • ‘It touched a lot of hearts’: Patrick Watson on Covid hit and Spotify record-breaker Je te laisserai des mots
  • Tell us: have you seen live music with your family recently?
  • BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner
  • Malcolm-Jamal Warner obituary
  • Five burning questions from Triple J’s Australian Hottest 100, a ‘rare and precious thing’
  • ‘They’re rowdy. They’re vibing. I rip my shirt off’: the exploding career of Hanumankind, India’s hottest rapper
  • Diana McVeagh obituary
  • Piano virtuoso Alexander Gavrylyuk: ‘It is unfortunate to see music as a competition. It is a uniting force’
  • The Traitors Prom review – iconic show’s greatest hits turn the melodrama up to 11
  • Rare original proof of David Bailey’s 1965 Box of Pin-Ups discovered
  • Music venues subject to noise complaints to get ‘greater protection’
  • Marcia Hines: ‘The strangest thing I’ve done for love? Believe the lie’
  • Does a song conjure painful memories? Try to rehabilitate it, say scientists
  • Triple J Hottest 100: Never Tear Us Apart by INXS voted best Australian song ever
  • Oasis ticket scam: ‘My Instagram was hijacked for a £1,400 fraud’
  • The Fantastic Four: First Steps to Chief of War: your complete entertainment guide to the week ahead
  • King Gizzard and the Lizard Wizard join Spotify exodus over arms industry link
  • Meg Washington: ‘Why make art at all? What’s the point? Sometimes I feel like the violinist on the Titanic’
  • Michael Harper obituary
  • Kesha review – a triumphant and electric return for pop’s comeback kid
  • Dame Cleo Laine obituary

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