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‘He was the Steve Jobs of audio’: how Rupert Neve changed the sound of music

The late audio engineer revolutionised recording with an innovative EQ design, his innovations used by everyone from the Queen to Dave Grohl

PRS for Music backs down on livestream licence fee plan

Flat fee will no longer apply to events generating less than £500, and rights organisation also commits to discounting rates for larger events

YouTube says music artists’ income could fall if it must pay more for streams

Platform claims proposed legislation could be so difficult to adhere to that it may have to block music content

Ladies and Gentleman, the Fabulous Stains: teenage Diane Lane and Laura Dern rock punk

This long-buried gem from 1982 about a teen-girl punk band subverts the great rock’n’roll swindle of the Sex Pistols

Not just for drunken sailors: how sea shanties took over TikTok

Once the preserve of salty old sea dogs, the folk songs are the latest craze on the social media site. But is it wholesome fun, or a sign lockdown has broken us?

Covid has pushed pop culture into nostalgia. It’s time for something new

Hopefully this crisis marks the high tide of the tendency endlessly to remake, remodel and recycle the past, says music and technology writer Mark Sinker

UK lockdowns fuel record year for home entertainment spending

Netflix, Prime and Disney+ surge 38% to £2.9bn in 2020, with Frozen 2 the biggest selling video

The Guardian view on music streaming: money, money, money

Editorial: Classic tracks by groups such as Blondie are fuelling an online music boom. But emerging artists need a bigger slice of the profits

Can a trippy VR film bring classical music to a new generation?

Venezuelan conductor Gustavo Dudamel opens virtual reality film Symphony in Madrid

Nile Rodgers asks record labels to be clearer about streaming incomes

Chic guitarist tells committee Sony and Universal not doing enough for artists

Bad Bunny is most streamed artist of 2020 on Spotify

Puerto Rican vocalist earns more than 8.3bn streams, with the Weeknd’s Blinding Lights the year’s most streamed song

Guy Garvey says music fans should pay more for streaming services

Elbow frontman says system is not sustainable and bands are struggling to sustain careers

Economics of streaming are ‘threatening future of music’, says Elbow’s Guy Garvey

Musicians from Radiohead, Gomez and Elbow tell MPs that the industry must reform and be made fairer

Nadine Shah: ‘I can’t pay the rent on unfair music streaming revenues’

MPs told streaming has revived music industry’s fortunes but not helped artists

Streaming platforms aren’t helping musicians – and things are only getting worse

Spotify has announced it’s cutting royalties in exchange for an algorithm boost. It’s the latest in a series of moves damaging an industry already on its knees

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  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Tony Gatlif obituary
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • Big hits, massive ballads and titanic emotions: Céline Dion’s greatest songs – ranked!
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • The 2026 Proms: tell us about your favourite concerts
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Forget vinyl v digital debates, this kind of musical ‘authenticity’ brings real rewards
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
  • Yuja review – portrait of star pianist who is intellectually curious and deeply musically attuned
  • Tame Impala frontman announces he will no longer sign autographs due to ‘aggressive’ collectors
  • ‘Would they fight or hug?’ The Oasis comeback film’s makers on shooting fans, vicars, police – and the Gallaghers
  • Glastonbury tickets break £400 for first time as on-sale date is announced
  • The rise of hairy young women: ‘I know people who dye their armpit hair, so it stands out more’
  • Richard Alston’s dance illuminated the music, let you delight in the moment – and stole my heart
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • ‘Cantona’s a Kwengletarian!’ Inside the maximalist, magical mentality of rising London Irish rapper Kibo
  • Richard Alston, trailblazer and guiding light of British dance, dies aged 77
  • Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
  • Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
  • ‘She’ll outdo herself’: Céline Dion fans camp out for glimpse of star before sold-out Paris comeback
  • Bugs’ Jordan Brunoli is 30 and may have weeks to live – but the band are making the most of their time together
  • ‘The more famous I got, the bigger my beehive got’: how Mari Wilson made Just What I Always Wanted
  • Oasis recordings up for auction despite band’s objections
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • Radiohead announce 2027 tour with shows in Australia and Japan
  • ‘Will I screw this up?’ How I played timpani for the Philharmonia Orchestra – with no experience
  • Craig Douglas obituary

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