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Khruangbin, again? I quit Spotify for a month to escape samey algorithms – this is what I learned

After being served the same artists again and again, my tastes were narrowing – so I tried vinyl, iPods and radio to see if I could rediscover the joy of finding new music

Tech CEO caught with company’s HR head on Coldplay kiss cam resigns

Andy Byron leaves startup Astronomer after he and Kristin Cabot were placed on leave over Jumbotron incident

An AI-generated band got 1m plays on Spotify. Now music insiders say listeners should be warned

The Velvet Sundown released two albums before admitting their music, images and backstory were created by AI

Up to 70% of streams of AI-generated music on Deezer are fraudulent, says report

According to the French streaming platform’s analysis, fraudsters use bots to listen to AI-generated music and take the royalties

BBC and Sky bosses criticise plans to let AI firms use copyrighted material

Media corporations call for opt-in rule and say companies must set up licensing deals before accessing creative works

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

The one change that worked: I’ve ditched streaming for CDs – and fallen in love with music all over again

The lure of a limitless digital jukebox was great, but as the algorithm increasingly served up music I didn’t enjoy, I’ve taken back control of my listening

Elton John calls UK government ‘absolute losers’ over AI copyright plans

Songwriter says he thinks it is a ‘criminal offence’ to let tech firms use protected work without permission

Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’

The actor, who was speaking on The Louis Theroux Podcast, also cast new light on his meeting with former Syrian president Bashar al-Assad, and had harsh comments on both Donald Trump and Elon Musk

Ministers reconsider changes to UK copyright law ahead of vote

Exclusive: Proposals to introduce opt-out system of copyright rules no longer preferred option amid criticism from creative industries

Ministers to amend data bill amid artists’ concerns over AI and copyright

Exclusive: Government will promise to carry out an economic impact assessment of its proposals

‘I did things I cringe at’: Alex Warren, rough-sleeper, viral prankster and now No 1 pop sensation

He slept in cars, found notoriety on social media and could be pop’s next superstar. The singer of Ordinary, the longest-running No 1 of the year, talks about his journey to breakout success

My petty gripe: we need nature, not Nickelback – please put on your headphones

I get that the noise in your head is so unbearable it must be drowned out by Mambo No 5. I just don’t think it should be inflicted on the rest of us

Views of TikTok posts with electronic music outgrow those using indie

Videos tagged #ElectronicMusic attracted more than 13bn views worldwide last year, an increase of 45% on 2023

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← Older posts
  • ‘It destroyed me’: two more men accuse Christian rock star Michael Tait of sexual assault
  • Ozzy Osbourne’s funeral procession to pass through Birmingham city centre
  • Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side
  • Four alternatives to Spotify: swapping is easier than you think
  • ‘It touched a lot of hearts’: Patrick Watson on Covid hit and Spotify record-breaker Je te laisserai des mots
  • Tell us: have you seen live music with your family recently?
  • BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner
  • Malcolm-Jamal Warner obituary
  • Five burning questions from Triple J’s Australian Hottest 100, a ‘rare and precious thing’
  • ‘They’re rowdy. They’re vibing. I rip my shirt off’: the exploding career of Hanumankind, India’s hottest rapper
  • Diana McVeagh obituary
  • Piano virtuoso Alexander Gavrylyuk: ‘It is unfortunate to see music as a competition. It is a uniting force’
  • The Traitors Prom review – iconic show’s greatest hits turn the melodrama up to 11
  • Rare original proof of David Bailey’s 1965 Box of Pin-Ups discovered
  • Music venues subject to noise complaints to get ‘greater protection’
  • Marcia Hines: ‘The strangest thing I’ve done for love? Believe the lie’
  • Does a song conjure painful memories? Try to rehabilitate it, say scientists
  • Triple J Hottest 100: Never Tear Us Apart by INXS voted best Australian song ever
  • Oasis ticket scam: ‘My Instagram was hijacked for a £1,400 fraud’
  • The Fantastic Four: First Steps to Chief of War: your complete entertainment guide to the week ahead
  • King Gizzard and the Lizard Wizard join Spotify exodus over arms industry link
  • Meg Washington: ‘Why make art at all? What’s the point? Sometimes I feel like the violinist on the Titanic’
  • Michael Harper obituary
  • Kesha review – a triumphant and electric return for pop’s comeback kid
  • Dame Cleo Laine obituary
  • Westside Cowboy’s ramshackle Americana – plus the week’s best new tracks
  • Cleo Laine, Britain’s most successful jazz singer, dies aged 97
  • Editrix: The Big E review – experimental trio speak their own ferocious musical language
  • Anthony Braxton: Quartet (England) 1985 review – recovered cassettes capture foursome in fantastic flux
  • ‘He spoke up for me when I was in prison’: Anthrax, Lamb of God, Rick Wakeman and more share memories of Ozzy Osbourne

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