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The Rite of Spring / Mirror review – techie Stravinsky and digital doppelgangers from Alexander Whitley

Visual spectacle overwhelms the human drama in the choreographer’s tech-heavy double bill

Iranians embrace anthem by AI singer created by UK-based, Iran-born artist

‘I did it for the people,’ says Farbod Mehr, of song drawing lyrics from the work of revolutionary 20th-century poet Aref Qazvini

In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Drake and livestreamer Adin Ross accused of using online casino money to artificially inflate streams in class action case

US class action alleges Stake’s anonymised design enabled rapper to fund automated streams on music platforms

‘Music needs a human component to be of any value’: Guardian readers on the growing use of AI in music

AI promises to have far-reaching effects in music-making. While some welcome it as a compositional tool, many have deep concerns. Here are some of your responses

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

Boost for artists in AI copyright battle as only 3% back UK active opt-out plan

Liz Kendall faces pressure from campaigners as she tells parliament there is no clear consensus on issue

Musicians must embrace ‘unstoppable force’ of AI, Eurythmics’ Dave Stewart urges

Producer says creatives need to own their intellectual property so they can license it to generative AI platforms

Warner Music signs deal with AI song generator Suno after settling lawsuit

Music company representing Coldplay and Ed Sheeran had sued tech platform alleging mass copyright infringement Business live – latest updates

Tech should help us be creative. AI rips our creativity away

AI-generated songs are topping Spotify charts. This isn’t about the ‘democratization’ of art – it’s about scale

Xania Monet’s music is the stuff of nightmares. Thankfully her AI ‘clankers’ will be limited to this cultural moment

While a robot pop star may be novelty now, young people are maturing with a scorn for generic digital products

Paul McCartney joins music industry protest against AI with silent track

Former Beatle and artists including Sam Fender, Kate Bush and Hans Zimmer record silent LP Is This What We Want

Big content is taking on AI – but it’s far from the David v Goliath tale they’d have you believe

Deals between media conglomerates and tech companies serve both sets of interests, while leaving artists by the wayside, says video essayist, writer and researcher Alexander Avila

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  • Wireless festival cancelled after Kanye West banned from entering UK
  • Universal Music, home to Taylor Swift and Drake, receives €55bn takeover offer
  • Rapper Offset hospitalised after being shot outside Florida casino
  • Legendary Disney composer Alan Menken on winning Oscars, Razzies and his ‘filthy’ rock musical
  • ‘I thought I’d finish the album then die’: how Angelo De Augustine came back from a medical nightmare
  • UK Jewish groups threaten protests if Kanye West’s Wireless shows go ahead
  • Harry Styles announces jazz, pop, indie and electronic artists for his Meltdown festival
  • Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run
  • ‘I couldn’t see, breathe or sing. I blacked out twice’: why are so many metal bands wearing masks?
  • Some might pay: Noel Gallagher guitar used to write Oasis’s second album to be auctioned
  • Wireless festival promoter stands by decision to have Kanye West perform
  • UK minister says Kanye West should not perform at Wireless festival
  • The yidaki, a 16th-century double bass and a South American flute: finding Australia’s oldest playable musical instrument
  • Keith Altham obituary
  • ‘I over-articulated to stop my braces sticking to my lips’: how Five Star made Rain Or Shine
  • ‘It was a way of processing violences I’ve survived’: how iconoclastic musician Arca beat burnout with frenzied painting
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘Barbara Windsor smacked our bottoms!’ Pet Shop Boys on showstopping visuals, horrified bosses – and snubbing the queen
  • Diageo and Pepsi drop Wireless sponsorship amid criticism of Kanye West booking
  • ‘It’s dark in here – you can cry’: Mitski hosts intimate residency at LA high school
  • James review – special band still filling arenas with anthems of warmth and humanity
  • ‘I was getting down with a guy and he decided to put on One Love. It was creepy’: Duncan James from Blue’s honest playlist
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Post your questions for DJ Shadow
  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings
  • Martha Argerich and Dong-Hyek Lim review – legendary pianist and mentee create musical magic
  • Add to playlist: the endlessly inventive, radiant indie rock of Friko and the week’s best new tracks
  • Ex-Turnstile guitarist charged with attempted second-degree murder of frontman’s father

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