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In an era of frictionless digital experiences, there’s something magical about obsolete technology

DVDs and CDs signalled the beginning of the end for physical media but now have pride of place among technologies that are forgotten but not quite gone

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

Is this man the future of music – or its executioner? AI evangelist Mikey Shulman says he’s making pop, not slop

Worth a staggering $2.45bn, Suno is an AI music company that can create a track with just a few prompts. Why is its CEO happy to see it called ‘the Ozempic of the music industry’?

Drake and livestreamer Adin Ross accused of using online casino money to artificially inflate streams in class action case

US class action alleges Stake’s anonymised design enabled rapper to fund automated streams on music platforms

‘Music needs a human component to be of any value’: Guardian readers on the growing use of AI in music

AI promises to have far-reaching effects in music-making. While some welcome it as a compositional tool, many have deep concerns. Here are some of your responses

Musicians are deeply concerned about AI. So why are the major labels embracing it?

Companies such as Udio, Suno and Klay will let you use AI to make new music based on existing artists’ work. It could mean more royalties – but many are worried

Boost for artists in AI copyright battle as only 3% back UK active opt-out plan

Liz Kendall faces pressure from campaigners as she tells parliament there is no clear consensus on issue

Musicians must embrace ‘unstoppable force’ of AI, Eurythmics’ Dave Stewart urges

Producer says creatives need to own their intellectual property so they can license it to generative AI platforms

Warner Music signs deal with AI song generator Suno after settling lawsuit

Music company representing Coldplay and Ed Sheeran had sued tech platform alleging mass copyright infringement Business live – latest updates

Tech should help us be creative. AI rips our creativity away

AI-generated songs are topping Spotify charts. This isn’t about the ‘democratization’ of art – it’s about scale

Xania Monet’s music is the stuff of nightmares. Thankfully her AI ‘clankers’ will be limited to this cultural moment

While a robot pop star may be novelty now, young people are maturing with a scorn for generic digital products

Paul McCartney joins music industry protest against AI with silent track

Former Beatle and artists including Sam Fender, Kate Bush and Hans Zimmer record silent LP Is This What We Want

Big content is taking on AI – but it’s far from the David v Goliath tale they’d have you believe

Deals between media conglomerates and tech companies serve both sets of interests, while leaving artists by the wayside, says video essayist, writer and researcher Alexander Avila

AI slop tops Billboard and Spotify charts as synthetic music spreads

Hits include country songs and a Dutch anti-refugee anthem, both entirely made without human composition

ChatGPT violated copyright law by ‘learning’ from song lyrics, German court rules

OpenAI ordered to pay undisclosed damages for training its language models on artists’ work without permission

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← Older posts
  • Harry Styles to curate Meltdown festival at London’s Southbank Centre – and play an intimate gig
  • The hill I will die on: ‘Being a DJ’ isn’t a proper job
  • ‘I love you twenty-sixty times’: how lyrics written by a three-year-old became tear-inducing viral hits
  • Gillian Welch and David Rawlings review – phenomenal duo put on an exquisite show
  • Trump gets the Monroe doctrine wrong. He should take a page from Bad Bunny
  • BBCSO/ Rustioni/ Davóne Tines review – Black-tinged Anthem spins US nationhood
  • ‘Baby Shark isn’t something you should enjoy as an adult’: Steph McGovern’s honest playlist
  • The Minneapolis brass band bringing joy amid grief: ‘When people see us playing, it gives them hope’
  • ‘Stabbed in the Face soundtracked an incredibly joyous time’: the weirdest songs we find romantic
  • The Guide #330: From Oasis to Bowie, your stories of seeing pre-stardom acts
  • From Wuthering Heights to Mario Tennis Fever: your complete entertainment guide to the week ahead
  • A Prayer for the Dying review – pestilent western feels like a short stretched too long
  • Ebo Taylor obituary
  • Everybody Digs Bill Evans review – absorbing delve into the tumultuous world of the great jazz man
  • Bad Bunny gets first solo UK Top 10 hits thanks to Super Bowl boost
  • Deftones review – alt-metal veterans sound exceptionally fresh 38 years on
  • The Great Wave review – Hokusai opera sounds and looks beautiful but skimps on drama
  • Charli xcx: Wuthering Heights review – atonal, amorous anthems that more than stand apart from the film
  • Deborah Cheetham Fraillon: ‘Composer by necessity, soprano by diligence and lesbian by practice’
  • Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph
  • ‘I didn’t know who I was’: Tom Misch on burnout, becoming a barista and returning to music
  • Post your questions for Flying Lotus
  • Add to playlist: the genre-busting, buttery falsetto of Natanya and the week’s best new tracks
  • Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious
  • Joshua Chuquimia Crampton: Anata review – an ear-splitting haze that heals as it hurts
  • Ensemble Intercontemporain: Unsuk Chin album review – rich and strange music of kaleidoscopic colours
  • ‘Choosing happy is a hell of a process’: Thundercat on funk, lost friends and being fired by Snoop Dogg (possibly)
  • Handel: Sosarme album review – Marco Angioloni makes the case for this little-known work
  • From Brontë to Ballard, Orwell to Okri: the best songs inspired by literature – ranked!
  • LPO/Benjamin review – music of crystalline clarity and hedonistic pleasure

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