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Lizzo: Bitch review – a spirited star who just can’t rediscover her groove

After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind

‘A kick in the bollocks for Australian music’: how band rooms and live venues became a dying breed

Changing tastes and rising rents are to blame, says owner of the latest Sydney rehearsal studio to shutter

‘I don’t listen to indie music any more’: Ed O’Brien’s honest playlist

The Radiohead guitarist once serenaded a girl with the Smiths and thinks George Michael was a genius. But what is his favourite football song?

Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd

Even slight hand gestures elicit screams from his rapturous fans, at a show that brings politics to the party – and ends with a cameo from his father

‘The story of Hong Kong is the sound of it’: the cross-cultural joy of the city’s Cantopop music

Emma-Lee Moss, AKA singer-songwriter Emmy the Great, has written a memoir rooted in her love of Hong Kong’s east-meets-west pop. She picks her favourite tracks

Sabrina Carpenter granted restraining order against alleged stalker: ‘disturbing violation of safety’

Pop star says the man, 31, tried to force his way into her LA home last month and insisted she was expecting him

‘All the girls were in there for shit that is pretty normal’: the show reinventing Girl, Interrupted for a new generation

Susanna Kaysen’s cult memoir sparked a wave of novels about young women in crisis. After 10 years in the making, Juliana Canfield and King Princess bring it to the stage

Tonight the Music Seems So Loud by Sathnam Sanghera review – a heartbreaking portrait of George Michael

This affecting exploration of the troubled genius’s impact is packed with anecdote, sharp analysis and social context

Taylor Swift announces new single for Toy Story 5 soundtrack

I Knew It, I Knew You is written with longtime collaborator Jack Antonoff and marks a return to Swift’s country roots

‘People get confused, think it’s called Where Did You Go?’ How the Bluetones made Slight Return

‘We didn’t have a washing machine, so I was in the launderette when our manager rang and said: “You’ve gone in at No 2”’

Matt Corby: ‘I still have bad dreams about this one gig’

The Australian musician opens up about his love of Nina Simone, his secret talent, and the most memorable interaction he has had with fans

Take That review – stadium redux of Circus tour has maximal razzle-dazzle

Elephants, clowns, aerialists hanging by their hair … the Big Top concept doesn’t let up at this hugely enjoyable outing for a boy band with hits to spare

If CMAT is an affront to the male gaze and Olivia Rodrigo is indulging it, how exactly should women dress?

The loud online hate aimed at two pop stars with polar-opposite styles suggests a shrinking realm of acceptability in which women can exist. That is, you suspect, the point

Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

The daughter of Foo Fighters’ Dave does a serviceable line in 90s throwback sounds, though the nostalgia is too reverent

CMAT shares ‘deep sadness’ over body-shaming after BBC Radio 1 Big Weekend performance

The Irish singer-songwriter says her rise has been increasingly ‘tarnished by the fact that I would be allowed to enjoy it so much more if I was thin’

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  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • ‘So healing’: can singing Miley Cyrus with strangers cure our spiritual malaise?
  • Is the most popular song played on Australian radio stations the product of generative AI?
  • Eat, sleep, rave … make peace! DJ Yousuke Yukimatsu’s mission to change the world with topless raves
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • ‘Unchained Melody makes me want to live out my Swayze fantasies’: Gary Jarman’s honest playlist
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé
  • Casual by Chappell Roan helped me ditch dead-end relationships
  • From Moana to Suki Waterhouse: your complete entertainment guide to the week ahead
  • Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’
  • Rapper Pitbull and fans set ‘bald cap’ Guinness World Record at London show
  • ‘Take that, Marti Pellow!’ Sam Fender and Olivia Dean’s Rein Me In beats Wet Wet Wet’s UK chart record
  • Bon Jovi review – rockers make a surprisingly poignant return to the stage
  • The Guide #251: From Oasis to Harry Styles, music is mad for football merch
  • Add to playlist: the fluid club deconstructions of Stolen Velour, Floco and Aria SL and the week’s best new tracks
  • Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse
  • Wild Gods: The Glorious Abysmal review – truly fascinating songs born of tweed-beating and psychedelic trips
  • ‘Being a billionaire is so tacky!’ Musical firebrand Lido Pimienta on exploitation, class struggle – and going ‘Enya mode’
  • Mahler: Songs of Youth and Awakening album review – exuberance and intensity from fine cast of singers
  • Beatles’ early mentor Lord Woodbine to feature in new BBC drama
  • ‘It says you are a Harry Styles fan’: how ties became a secret language for concert-goers
  • Oasis reunion helps draw record 25m ‘music tourists’ to UK concerts
  • Pianist Jayson Gillham loses discrimination case against Melbourne Symphony Orchestra over Gaza comments
  • ‘Music was my first desire’: Anthony Hopkins releases single
  • ‘We’ve had moments of devastating pain’: jazz icons Ezra Collective on their new album – and why we can’t rely on the government
  • ‘Ramones had leather jackets when they got spat on. We didn’t!’ David Byrne on touring with Talking Heads and taking advice from Lou Reed
  • Sueye Park: Goldmark and Sibelius album review – Korean violinist’s silvery tone is ideal for Goldmark rarity
  • Brian Potter, British songwriter behind hits for Glen Campbell, Take That and more, dies aged 87
  • Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its own ridiculousness
  • Bonnie Tyler obituary

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