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‘I can gauge John’s reaction: that’s good, stick that in’: Paul McCartney on how old bandmates – and Oasis – inspired his nostalgic new album

At 83, McCartney is looking back for his 18th solo LP, to formative flirtations, family singalongs, even his own birth – and the febrile times that mirror our own. It’s given him ‘every hope that we’ll get through’

Olivia Rodrigo responds to babydoll dress criticism: ‘It shows how we normalize pedophilia in our culture’

The pop singer said that suggestions that a recent outfit was ‘childlike’ were rooted in sexist attitudes toward women

‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power

One of disco’s biggest stars answers your questions, recalling tours with Rick James, inspiration for Destiny’s Child and what she wished she asked Michael Jackson

Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

Ozzy Osbourne AI avatar will be ‘so tasteful’, Jack Osbourne says after fan backlash

Lifesize avatar of former Black Sabbath frontman will be created by tech companies Hyperreal and Proto Hologram

‘Bowie compared us to T Rex. Couldn’t get any better’: the Mekons on how they made Where Were You?

‘It’s about loneliness, really. It was the total opposite of that “It’s Friday night, let’s have sex” macho mentality that was in most rock music at the time’

Dennis Locorriere obituary

Lead vocalist of Dr Hook, the group that had a US and UK Top 10 hit with Sylvia’s Mother in 1972

Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody

After three unlikely Top 10 albums in the 90s, the trio are back – and on the basis of this rapid-fire set, you hope they’ll stick around

Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master’s finesse

‘Growing up, you couldn’t play Bon Jovi – that’s what our parents listened to’: Bebe Rexha’s honest playlist

The chart-topping star makes a strong case for Livin’ on a Prayer and opts for TLC at karaoke. But which song reminds her too much of her ex to listen to?

Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment

The Scottish electronic duo remain hugely influential – but their new album’s interrogation of religion is dubious, and the drum programming is worse still

Post your questions for Sister Sledge’s Kathy Sledge

The voice of some of Sister Sledge’s biggest hits is touring again, and will take on your questions

Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection

Moving seamlessly through extravagant choreography between bubblegum–rap and darker, rockier material, the singer is always in full command

Trash hits! Why a wave of hedonistic, feral female pop stars are rejecting respectability

Sleazy female electro-pop – from throbbing drum’n’bass to hyperactive EDM – is reflecting the economic reality for many in the US, with its rock-star energy and rap-influenced vocals

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  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • ‘So healing’: can singing Miley Cyrus with strangers cure our spiritual malaise?
  • Is the most popular song played on Australian radio stations the product of generative AI?
  • Eat, sleep, rave … make peace! DJ Yousuke Yukimatsu’s mission to change the world with topless raves
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • ‘Unchained Melody makes me want to live out my Swayze fantasies’: Gary Jarman’s honest playlist
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé
  • Casual by Chappell Roan helped me ditch dead-end relationships
  • From Moana to Suki Waterhouse: your complete entertainment guide to the week ahead
  • Lizzo answers her critics: ‘I’m a fat, black, happy girl – they were always going to try to tear me down’
  • Rapper Pitbull and fans set ‘bald cap’ Guinness World Record at London show
  • ‘Take that, Marti Pellow!’ Sam Fender and Olivia Dean’s Rein Me In beats Wet Wet Wet’s UK chart record
  • Bon Jovi review – rockers make a surprisingly poignant return to the stage
  • The Guide #251: From Oasis to Harry Styles, music is mad for football merch
  • Add to playlist: the fluid club deconstructions of Stolen Velour, Floco and Aria SL and the week’s best new tracks
  • Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse
  • Wild Gods: The Glorious Abysmal review – truly fascinating songs born of tweed-beating and psychedelic trips
  • ‘Being a billionaire is so tacky!’ Musical firebrand Lido Pimienta on exploitation, class struggle – and going ‘Enya mode’
  • Mahler: Songs of Youth and Awakening album review – exuberance and intensity from fine cast of singers
  • Beatles’ early mentor Lord Woodbine to feature in new BBC drama
  • ‘It says you are a Harry Styles fan’: how ties became a secret language for concert-goers
  • Oasis reunion helps draw record 25m ‘music tourists’ to UK concerts
  • Pianist Jayson Gillham loses discrimination case against Melbourne Symphony Orchestra over Gaza comments
  • ‘Music was my first desire’: Anthony Hopkins releases single
  • ‘We’ve had moments of devastating pain’: jazz icons Ezra Collective on their new album – and why we can’t rely on the government
  • ‘Ramones had leather jackets when they got spat on. We didn’t!’ David Byrne on touring with Talking Heads and taking advice from Lou Reed
  • Sueye Park: Goldmark and Sibelius album review – Korean violinist’s silvery tone is ideal for Goldmark rarity
  • Brian Potter, British songwriter behind hits for Glen Campbell, Take That and more, dies aged 87
  • Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its own ridiculousness
  • Bonnie Tyler obituary

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