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Dijon review – a dense and dramatic forest of futurist sound from Grammy-nominated R&B auteur

Nominated for producer of the year for his album Baby and work with Justin Bieber, the US musician’s passion and experimentalism shine in this daring performance

Add to playlist: the Regency-styled 80s synth-pop revivalism of Haute & Freddy and the week’s best new tracks

The LA-based pop duo are sending a jolt through TikTok with maximalist songs that emote wildly in every direction

Harry Styles: Aperture review – a joyous, quietly radical track made for hugging strangers on a dancefloor

Styles is wonderfully loose and unhurried on the lead single to his new album, taking a bold path away from the rest of today’s mainstream pop

‘Some artists thought it was too political’: can Jarvis, Damon, Olivia Rodrigo and Arctic Monkeys reboot the biggest charity album of the 90s?

Oasis, Macca and Radiohead made Help a smash for War Child in 1995. A new reboot packs comparable star power – and was partially produced from a hospital bed

Arctic Monkeys release first new song since 2022 to benefit War Child

Opening Night will appear on HELP(2), a charity compilation out in March which also features Olivia Rodrigo, Depeche Mode, Pulp and more

Liza Minnelli uses AI to release first new music in 13 years

Singing legend heralds ‘new tools in service of expression’, on compilation that also features an Art Garfunkel song using AI-generated piano backing

K-pop supergroup BTS set to trigger US economic boom with tour: ‘Every stop is going to see a boost’

As the band prepares to tour, economists say pent-up global demand could reshape how concerts boost city economies

Tenacious D will return: Jack Black and Kyle Gass ‘hashed it out’ after Trump joke controversy

The band went on hiatus after outrage over onstage joke in 2024, but Gass confirms the band will return, saying ‘It was hard. It is like a marriage’

Colin Hay ‘strenuously disapproves’ use of Down Under at March for Australia rallies

Former Men at Work frontman, who was born in Scotland and emigrated to Australia, tells anti-immigration protestors, ‘Go write your own song, leave mine alone’

Olivia Dean and Lola Young lead 2026 Brit award nominations

Singer-songwriters each receive five nominations at British music industry’s flagship awards – where Jarvis Cocker will return 30 years after Michael Jackson incident

Triple J’s Hottest 100: more than 2m votes have been cast – but who will win?

The radio station keeps its countdown tightly guarded – but there are a few predictions that can safely be made

‘Why was it me?’ Mon Rovîa​ on going from war-torn Liberia to US folk-pop stardom

Having just released his debut album, Bloodline, the singer discusses his fractured identity, survivor’s guilt and how he took solace in Mumford & Sons

Hilary Duff review – first gig in 18 years for former teen icon is euphoric, escapist fun

Despite never being a huge pop force after her years as Disney star Lizzie McGuire, fans come from Brazil and Saudi Arabia for Duff’s charming, self-deprecating return

Release the beast! How Iron Maiden and a naked Ralph Fiennes created the ultimate big-screen needle drop

The Number of the Beast lights up an unforgettable scene in 28 Years Later: The Bone Temple thanks to director Nia DaCosta expertly blending ‘craziness and romance’

Rob Hirst was a force of nature, a born showman who led Midnight Oil from the back

Phenomenal drummer and percussionist was an equally accomplished songwriter who embodied the band’s bloody-minded spirit

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  • ‘The bathrooms were rank, but we didn’t care’: how the grimy-but-great CBGB changed rock for ever
  • ‘Rest in power, Power’: Wu-Tang Clan collaborator Oliver ‘Power’ Grant dead at 52
  • Willie Colón obituary
  • Source close to Rolling Stones disputes Melania producer’s claim Mick Jagger ‘gave his blessing’ to use song
  • ‘We’re a pub friendship – with songs attached’: deadpan dazzlers Black Box Recorder return, thanks to Billie Eilish
  • The Taliban are burning musical instruments in the name of morality. It is an assault on all culture
  • Someone’s Knockin’ at the Door review – in search of Macca’s Mull of Kintyre hideaway
  • ‘People feel like they’re in on the joke’: the new wave of pseudo-biopics
  • Joe Benjamin obituary
  • Éliane Radigue, French composer and musique concrète legend, dies aged 94
  • Temple of boom! Why Taiwan’s religious sites are becoming unlikely rave venues
  • Amyl and the Sniffers embroiled in US legal battle after photographer countersues singer
  • BTS comeback show sells out immediately as 260,000 fans set to descend on Seoul
  • Brandi Carlile concert raises over $600,000 for families affected by ICE
  • Bath BachFest review – joyous and mesmerising music making
  • ‘Musicians drank too much and slept on my barn floor’: Andrew Bird on making cult album The Mysterious Production of Eggs
  • BBC Total Immersion: Icelandic Chill review – ambience, flowerpots and drones in varied day of new music
  • Willie Colón was an explosive energy source who took salsa into the stratosphere
  • ‘We watched 9/11 from the rooftop, blasting the music out’: how The Disintegration Loops became a requiem for the attacks
  • Wes McGhee obituary
  • Sacconi Quartet review – new Freya Waley-Cohen work reveals ensemble at their finest
  • ‘One of the legends’: Bad Bunny joins tributes to US salsa pioneer Willie Colón
  • ‘A reminder of how careless I was’: from cringe cartoons to cancelled rockstars, the tattoos fans regret
  • ‘What do I play at a party? Oasis’s Wonderwall goes down a storm’: Alex James’s honest playlist
  • From Good Luck, Have Fun, Don’t Die to Tracey Emin: your complete entertainment guide to the week ahead
  • Cas Smith obituary
  • Ken Peplowski obituary

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