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Waterbaby: Memory Be a Blade review – stellar singer-songwriter pieces post-breakup life back together

The Stockholm musician’s debut album is a fascinating character study with improvised lyrics and a light, pretty sound that belies its emotional depth

‘The beast inside me wants to move!’ The smart, slapstick world of Audrey Hobert, the Steve Martin of pop

She co-wrote Gracie Abrams’ hit album then struck out solo, winning a fervent cult for her funny, wordy songs. As her tour hits the UK, she explains why imperfection is so important in pop

Mitski review – pop meets performance art in a masterful spectacle

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow

Bright and beautiful? The man causing millennial rapture with his school hymn singalongs

Primary School Bangers caused a sensation on TikTok, then at Glastonbury, and now it’s gone nationwide. Is it harmless nostalgia – or a symptom of an increasingly conservative culture?

10cc review – 70s legends reprise a dazzling string of pop classics

Fifty years since the band fractured with the departure of Godley and Creme, songs from Donna to I’m Not in Love are in prime condition on what is billed as ‘another bloody greatest hits tour’

‘Fame is the worst thing for us as human beings’: Naomi Scott on scream queens, Disney princesses and finding her own voice

After major roles in horror hit Smile 2 and the live-action Aladdin, the actor is returning to her first love: music. She talks faith, fame and why singing is more freeing than cinema

Can you watch without wincing? Seven times Australian politicians burst into song

Tim Wilson’s take on a Billy Joel classic has triggered cheers and jeers in parliament. We look back at some unforgettable ‘performances’

‘At first, she couldn’t come off the oxygen long enough’: the film that gives Marianne Faithfull one final thrilling performance

In new docu-drama Broken English, the much misunderstood singer looks back at all her past selves – and gives a performance that moves her audience to tears. Its makers relive an extraordinary shoot

Harry Styles on Liam Payne’s death: ‘It’s so difficult to lose a friend who is so like you in so many ways’

The musician reflected on the death of his former One Direction bandmate in an interview with Zane Lowe to promote his new album

‘I owe Iron Maiden my English A-level!’ The great literature our writers discovered through pop music

Ahead of World Book Day on Thursday, Guardian music writers pick out the musicians whose literary references illuminated them – from Adam Ant on Joe Orton to the National on Grace Paley

Harry Styles: Kiss All the Time. Disco, Occasionally review – nice all the time. Good, occasionally

The music on Styles’s new album is muted, subtle and pleasant – but from the title downwards, he has a real problem with words

From David Bowie to Fleetwood Mac and Eric Clapton, Mike Vernon’s ear was invaluable to British pop and blues

The musician, producer and label head, who has died aged 81, turned his boyhood passion for blues into a hugely impactful career

David Byrne review – in life during wartime, this show will restore your faith in humanity

Byrne again reimagines the possibilities of the live gig, creating a vision of egalitarianism backed by elastic bass and polyrhythms

Lily Allen review – pop star makes much-anticipated comeback – but where is the West End Girl?

Allen isn’t in the first act of her own show, only coming on after 45 minutes of a string ensemble to stiffly deliver her acclaimed album in full

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← Older posts
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  • Woman arrested for allegedly stalking Fleetwood Mac’s Lindsey Buckingham
  • Karol G at Coachella review – electrifying set destined for festival’s hall of fame
  • Bollywood classics, rave bangers and Michael Stipe duets: 10 of Asha Bhosle’s greatest recordings
  • Dido and Aeneas review – young Welsh talent shines bright in Purcell
  • Britney Spears enters rehab after March DUI arrest
  • ‘A cauldron of people with their tops off!’ Goldie, Estelle, Courtney Pine, Flo and more pick great moments in Black British music
  • Titaníque review – delightfully campy Céline Dion musical shows bigger isn’t always better
  • Massive Attack frontman Robert Del Naja among 500 arrested at Palestine Action protest
  • Justin Bieber at Coachella review – pop’s troubled prince mostly hits right notes in low-energy set
  • Afrika Bambaataa obituary
  • National Youth Orchestra/ Chauhan: Collide review – surging energy and remarkable intensity
  • Mike Westbrook obituary
  • Indian music legend Asha Bhosle dies aged 92
  • Salome review – righteous fury and dynamic clarity give Regents Opera its head
  • New documentary reveals boyband 98 Degrees had age-of-consent manual while touring in 90s
  • ‘A house of cards’: how did Wireless festival get it so wrong on Kanye West?
  • The Last Ship review – Sting’s sincere but cloying musical stars the man himself – and Shaggy
  • The xx at Coachella review – indie trio reunites for spellbinding, rangy set
  • Brian Cox: ‘We don’t know how powerful AI is going to become – it’s both exciting and potentially a problem’
  • Sabrina Carpenter at Coachella review – madcap maximalism from pop savant
  • ‘The party was chilled until police sent in the riot squad’: when a Dorset free rave turned violent
  • ‘It has your name on it, but I don’t think it’s you’: how AI is impersonating musicians on Spotify
  • From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

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