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Died Pretty’s Doughboy Hollow: can Australia’s most overlooked album finally find the audience it deserves?

Thirty-five years after release, the Australian classic is finally getting a vinyl reissue

Super Furry Animals review – stirring reunion showcases immaculate songcraft

The Welsh band with a weird edge mostly let their formidable music speak for itself, lent a transcendent power by frontman Gruff Rhys’s rich voice

Are Katseye transforming K-pop or making ‘skibidi toilet music’? Either way, fans will tearfully wait hours for a glimpse

Katseye blends US sensibilities with the hard-hitting choreography, branding and relentless perfectionism of Korean pop music – and ‘Eyekons’ can’t get enough

From Smashing Pumpkins to Ferris Bueller: new Australian indie video game Mixtape is a blast of nostalgia

In the game by Melbourne-based Beethoven and Dinosaur, you play as a teenage girl the night before moving to New York – drinking, skateboarding and getting into trouble, all soundtracked by 80s and 90s classics

Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …

The lyrics may argue the dancefloor is dead, but this funny, wilfully plasticky new single isn’t the total about-turn from Brat that fans expected

Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring

What Simon has lost in vocal power he has added in intimacy and authority – and this hushed performance makes for an arena concert like no other

Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze

​Essaying a broken heart, the New Yorker puts her voice front and centre for her most accessible work yet, though still with unexpected details – and a Schumann cover

‘We’re not Lady Gaga and Elton John’: unmasking Angine de Poitrine, the year’s buzziest, dottiest band

Their microtonal rock has been a huge viral hit – but are they really 333-year-old aliens inspired by Borneo monkeys? The Quebecois duo tell all

Flutes, freestyles and infectious fun: Lizzo’s greatest songs – ranked!

Ahead of her new album Bitch, we rate the best of a singer who expertly suffuses self-empowerment anthems with humour and party-starting energy

Post your questions for Beth Orton

Ahead of a new album in June, The Ground Above, the versatile singer-songwriter will answer your questions

Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs

Lyrics about naked owls and eating rocks might be irksome to some – but there’s no denying that the alt-rocker’s fifth album is beguiling, tightly written and richly melodic

‘The best gift Mom gave me was a peaceful death’: Linda Perry on cancer, abuse and her intense documentary

She hit the big time with 4 Non Blondes, then penned hits for everyone from Christina Aguilera to Courtney Love. But as an intimate new film about her life shows, she’s had to confront illness, family trauma and an identity crisis

Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history

The ambition of 2025 album Lux is scaled up even bigger by the Catalan megastar, delivered with operatic vocals and en pointe ballet moves as well as funny asides and glasses of wine

Burna Boy, Wizkid, Tyla and more took African pop global. So why don’t they tour Africa itself?

Due to many obstacles – from security to air fares – local fans lose out as African artists tour overseas instead. But as western corporations invest, there are more worries besides

Iron Maiden: Burning Ambition review – on-brand fan pleaser is a metal hymn of praise

Watchable, uncritical doc tells the story of the massive rise, slight fall, then further massive rise of the veteran rockers

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← Older posts
  • Dua Lipa sues Samsung for $15m over use of her image on TV boxes
  • Died Pretty’s Doughboy Hollow: can Australia’s most overlooked album finally find the audience it deserves?
  • Super Furry Animals review – stirring reunion showcases immaculate songcraft
  • ‘I will sing at the drop of a hat’: Jeff Goldblum’s honest playlist
  • From The Sheep Detectives to Rivals: your complete entertainment guide to the week ahead
  • Darkness Visible: Âme x Lawrence Power review – violist and guests reimagine the concert for the digital age
  • Are Katseye transforming K-pop or making ‘skibidi toilet music’? Either way, fans will tearfully wait hours for a glimpse
  • From Smashing Pumpkins to Ferris Bueller: new Australian indie video game Mixtape is a blast of nostalgia
  • Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
  • Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
  • Add to playlist: the magnetic, uncanny songwriting of Frances Chang and the week’s best new tracks
  • Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights
  • Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze
  • Helen Charlston: A Poet’s Love album review – original and absorbing
  • ‘We’re not Lady Gaga and Elton John’: unmasking Angine de Poitrine, the year’s buzziest, dottiest band
  • Billie Eilish – Hit Me Hard and Soft: The Tour review – style trumps substance in James Cameron’s 3D oddity
  • Rapper Kodak Black due in court in Florida on felony drug charge
  • Flutes, freestyles and infectious fun: Lizzo’s greatest songs – ranked!
  • Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance
  • Post your questions for Beth Orton
  • Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs
  • ‘The best gift Mom gave me was a peaceful death’: Linda Perry on cancer, abuse and her intense documentary
  • Shostakovich’s First at 100 – how prodigious genius sounded before Stalin set about silencing it
  • From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics
  • Peter Grimes review – beauty and terror in Warner’s topical staging
  • Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history
  • Burna Boy, Wizkid, Tyla and more took African pop global. So why don’t they tour Africa itself?
  • Iron Maiden: Burning Ambition review – on-brand fan pleaser is a metal hymn of praise
  • ‘In times like this, it pays to be Italian’: Mind Enterprises, the Campari-necking Italo disco revivalists who became a meme
  • ‘It kicks ass’: Rolling Stones launch new album at star-studded New York event

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