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Post your questions for Kristin Hersh, of Throwing Muses and more

The alt-rock icon is preparing to release her latest solo album Sugar on Blackstone, and will answer your questions about her five-decade career

Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty

Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis

‘I used to do acid on a Wednesday. I don’t have time for that now’: alt-pop star Steve Lacy on his struggles after huge hit Bad Habit

A Grammy nom at 17, a US No 1 ... then silence. With new album Oh Yeah? finally out after four years away, the genre-hopping artist explains the trauma and heartbreak that informed it

Hits don’t lie! Shakira’s 20 best songs, from World Cup anthems to megastar duets – ranked!

As the Colombian pop supremo prepares to perform at Sunday’s final, we rate her greatest work, including gossipy takedowns and lycanthropic lyrics

Nia Archives: Emotional Junglist review – breakbeats and heartbreak combined by a brilliant British one-off

On the Bradford-born producer’s self-assured second album, drum’n’bass rhythms power up angsty odes with shades of Arctic Monkeys, Kate Nash and myriad genres

‘A sublime, breezy confection’: writers on their 2026 songs of the summer

The annual rundown of Guardian writers picking their most played tracks of the season goes from club-ready pop to sunny tech house

Hit Machine review – slick music biz drama strikes too many false notes

Josh Radnor is a music executive whose life is upended by his wayward brother, in a play about masculinity, creativity, appropriation and trauma

Unheard David Bowie songs from 1965 to be released – including ones with Jimmy Page on guitar

Compilation entitled David Bowie: The Shel Talmy Recordings will be released in September, collating material from when he recorded as Davy Jones

James Taylor review – 70s legend’s golden baritone shines best when stripped bare

The AI-style backing videos are terrible and his accomplished band can be overly slick at times, but Taylor’s civility and grace cuts through it all

‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole

After the Guardian’s music critics chose their best of the half-year, we asked you for your picks – from Brian Jackson and Arlo Parks to Maya Hawke, Flea and more

Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar

Despite their goth-coded attempts at emotional turbulence, the saccharine songs of Abrams’ third album feel adolescent in their melodrama

Is the most popular song played on Australian radio stations the product of generative AI?

Josh Fawaz’s song, a cover of Like a Prayer, has raised questions about how generative AI is being used in music and whether it should be declared

‘We can find renewal despite the bullshit we navigate as Black women’: Kelela on stan armies and speaking up for Gaza

The genre-bending R&B artist’s new album finds fresh focus for her uncompromising vision, blending soul, sex and shoegaze

‘Unchained Melody makes me want to live out my Swayze fantasies’: Gary Jarman’s honest playlist

The Cribs man had a youthful Bee Gees obsession and loves one particular 80s power ballad. But which song does he say is too rude for his funeral?

Casual by Chappell Roan helped me ditch dead-end relationships

After years of one-sided commitment, revisiting her hit song Casual finally gave me a reality check

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← Older posts
  • The Odyssey to Gracie Abrams: your complete entertainment guide to the week ahead
  • First Night of the Proms review – 250th anniversary of US independence takes centre stage
  • Lauren Laverne reveals blood and bone marrow disorder diagnosis
  • Jill Scott review – joyous phones-free show is a taste of how all concerts should be
  • Hot tubs and £80 rosé: how the mud-soaked British festival got a luxury makeover
  • Post your questions for Kristin Hersh, of Throwing Muses and more
  • Amadigi di Gaula review – inflatables and appoggiaturas as Handel takes a trip to Love Island
  • Add to playlist: the nervy breakbeats and acid delirium of Silverwingkiller and the week’s best new tracks
  • Norma Winstone and NDR Radio Orchestra: A Timeless Place review – peerless vocalist at her very best
  • Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty
  • Robert Laidlow: Reality Eaters album review – wildly imaginative and intricate, but eminently approachable
  • ‘I used to do acid on a Wednesday. I don’t have time for that now’: alt-pop star Steve Lacy on his struggles after huge hit Bad Habit
  • Barry Dransfield obituary
  • La Liberazione di Ruggiero dall’Isola di Alcina review – 17th-century rarity is fun when it forgets to be earnest
  • Pergolesi: L’Olimpiade album review – pacy conducting and a fine cast animate baroque rarity
  • Hits don’t lie! Shakira’s 20 best songs, from World Cup anthems to megastar duets – ranked!
  • Nia Archives: Emotional Junglist review – breakbeats and heartbreak combined by a brilliant British one-off
  • ‘A sublime, breezy confection’: writers on their 2026 songs of the summer
  • R Kelly formally appeals to Donald Trump to commute his 31-year prison sentence
  • Hit Machine review – slick music biz drama strikes too many false notes
  • Unheard David Bowie songs from 1965 to be released – including ones with Jimmy Page on guitar
  • Karim Sulayman/Sean Shibe review – tenor and guitarist beguile in wide-ranging and joyful recital
  • From a forest to an all-star trio and the fires of hell – my pick of new music coming to the Proms this year
  • ‘More real than anything you’ll see scrolling’: the radical resurgence of UK fanzines, 50 years after punk
  • James Taylor review – 70s legend’s golden baritone shines best when stripped bare
  • US rapper Boosie seeks $300,000 refund after failed Trump pardon bid
  • What actually happens when your heart breaks? A hit play with classic breakup songs unpacks the ‘universal experience’
  • ‘Fun, propulsive, full of queer joy’: readers’ favourite albums of 2026 so far, from Muna to Raye and J Cole
  • System of a Down review – perverted pop and anti-war anger mixed into a metal melee
  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar

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