Despite his humble persona, the highest-selling country artist of all time has the vocal firepower and heavyweight hits to deliver two hours of crowd-pleasin’ pyrotechnics
The singer-songwriter and Water from Your Eyes guitarist was unstoppably prolific, despite a growing dependence on substances. Now sober, he reflects on his new album and the songs that helped him turn his life round
Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form
The South African singer reflects on love’s highs and lows on her second album, nimbly flipping between moods but with her voice always holding attention
Versions of Amy Winehouse and hundreds of other musicians are generating millions for beleaguered UK venues. But what is the emotional toll for the imitators, and are they pushing out original artists?
How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity
As they release their first album in 16 years, the Vini Reilly-fronted band answer your questions on sandpaper record sleeves, having Harry Styles as a fan and inventing a new style of guitar music
With her roots stretching from the Catholic church to riot grrrl, the US singer-songwriter explains how sobriety and self-analysis powered her classic new Waxahatchee-produced album
Miles Phillips’ hit has been viewed 1.5m times and played on the radio. The seven-year-old was inspired after feeding birds and realising one ‘main bird stood out’
Olivia Rodrigo, Noah Kahan and Morgan Wallen have all dealt with audience effluence in recent weeks – but that’s only one part of a fearsome subculture that has built up around fandom, endurance and ‘getting barrier’
The late songwriter released around 50 records, writing gay love songs and effortless folk songs from folk’s fringes. Fans including Bill Callahan explain his singular brilliance
Ten years after Adore sparked a major-label bidding war, the Gold Coast singer’s fourth album ditches the pop production and the drums – and delivers the best work of her career