wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

Winter Olympics 2026 opening ceremony review – disco-dancing opera masters upstage Mariah Carey

Carey was the big draw at Milan’s San Siro, but she was outweighed by pop-classical artists – and a sizeable dollop of kitsch

‘We stole the Super Bowl audience’: how In Living Color pulled off the greatest heist in US TV history

Turning Point USA is plotting its own half-time broadcast in defiance of Bad Bunny – but one of TV’s Blackest shows already perfected the alt-cast in 1992

Add to playlist: the bizarro punk of Dutch upstarts Grote Geelstaart and the week’s best new tracks

Dressed in Sunday school apparel and singing exclusively in Dutch, this unorthodox five-piece embrace clinical chaos

‘Tickets have become status symbols’: from Harry Styles to Taylor Swift, why is live music bigger and more expensive than ever?

Styles is playing a record 12 nights at Wembley Stadium and 30 at Madison Square Garden, as demand for big artists soars – and audience expectation along with it

The Goldberg Variations album review – Yunchan Lim untangles Bach’s complex web of threads

The 21-year-old pianist gives a fine, muscular account of the Goldbergs, with touches of playfulness, in this live recording from Carnegie Hall

The Cardigans’ Nina Persson: ‘Ozzy said our Black Sabbath cover was the creepiest thing he’d ever heard’

The Swedish band’s frontwoman answers your questions on ‘sweet and curious’ Tom Jones, being changed by cancer and whether the Cardigans will ever make new music

May-a: ‘I was not in a good place – no one’s in a good place when they get a neck tattoo’

She’s just 24, but Maya Cumming has won the Hottest 100, survived LA, played with Cyndi Lauper – and is only now releasing her first album, which ‘was driven by spite’

‘Charisma is a form of psychosis’: inspiring Eric Clapton, having kids at 70 … the irreverent life of post-punk puppeteer Ted Milton

He crossed paths with William Burroughs, Terry Gilliam and Spitting Image while whipping up almighty grooves with his band Blurt. Now 82, he’s back on tour – and bracing for a warts-and-all documentary made by his many children

Mark of Cain singer comes out as trans ‘to finally live as myself’

Josie Scott, who has played in the Australian heavy metal band with her brother Kim for 40 years, writes to fans: ‘I’ve decided to embrace, rather than endure, who I am’

The Grammys riled Donald Trump – but the big winners were chosen for their music, not politics

The president called the ceremony ‘garbage’, but in reality it was a celebration of artists whose commercial success was matched by boundary-pushing boldness

Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys

From the Cure winning their first Grammys to a posthumous award for Chick Corea, it was a night of heartening wins and robust politics

Grammys 2026: the nominations in all the major categories

With big numbers for Kendrick Lamar, Lady Gaga, Bad Bunny and more, check out the nominated artists this year

Milli Vanilli’s Fab Morvan on his lip-syncing downfall and Grammys comeback: ‘The truth will set you free’

Three decades after having his Grammy rescinded as part of the notorious duo, he is a nominee once more, for the audiobook of his unflinching memoir. ‘I had to tell my story,’ he says

What could bring down extortionate ticket prices? Perhaps stars like Harry Styles taking a stand

The knock-on effect on the rest of the industry is immense. There are many factors at play, but the ones with the power here are the big artists, says music journalist and author Simon Price

‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars

As the film’s megahit song Golden looks likely to sweep everything in awards season, its singer Ejae explains why she’s ready to step out from behind her animated alter ego

Post navigation

← Older posts
  • Rapper Lil Jon confirms son is dead after police find body in pond near Atlanta
  • Winter Olympics 2026 opening ceremony review – disco-dancing opera masters upstage Mariah Carey
  • Taylor Swift casts ‘insanely charismatic and lovable’ Graham Norton in music video
  • Max Richter: the composer who crosses the invisible divide between ‘high’ and ‘low’ music
  • Classical Mixtape: A Live Takeover review – one queue after another mars orchestral jamboree
  • How anti-ICE pin badges became the essential red carpet accessory
  • Elton John accuses Daily Mail publisher of ‘abhorrent’ invasion of privacy
  • Rhiannon Giddens and Francesco Turrisi review – big, generous, provocative music-making on a small stage
  • In an era of frictionless digital experiences, there’s something magical about obsolete technology
  • ‘We stole the Super Bowl audience’: how In Living Color pulled off the greatest heist in US TV history
  • Nicki Minaj has lurched to the right. Why are her fans defending her?
  • Add to playlist: the bizarro punk of Dutch upstarts Grote Geelstaart and the week’s best new tracks
  • Danny L Harle: Cerulean review – an earnest homage to early 00s bangers or a poor imitation?
  • ‘It’s gonna be a huge party’: Bad Bunny set for Super Bowl stage as Trump skips event
  • Fabiano Do Nascimento & Vittor Santos Orquestra: Vila review – imaginative mood music from a virtuoso
  • ‘Tickets have become status symbols’: from Harry Styles to Taylor Swift, why is live music bigger and more expensive than ever?
  • Amidst the Shades album review – Ruby Hughes’ captivating Dowland tribute is steeped in delicious melancholy
  • ‘Part of our biological toolkit’: newborn babies can anticipate rhythm in music, researchers find
  • David Furnish calls alleged phone hacks of him and Elton John ‘an abomination’
  • ‘One of the most stunning sights in the country’: your picks for UK town of culture
  • The Goldberg Variations album review – Yunchan Lim untangles Bach’s complex web of threads
  • The Cardigans’ Nina Persson: ‘Ozzy said our Black Sabbath cover was the creepiest thing he’d ever heard’
  • Mandy, Indiana: Urgh review – grimy, thrashing, purgative attack on injustice is the year’s first great album
  • Goofy! Pouty! Unvampy! With nine films on the go, can Charli xcx act?
  • ‘One moment it was a little blip. The next, our friends are dying’: the gay porn soundtrack composers lost to the Aids crisis
  • Make the orchestra great again? Not likely with JD Vance playing the cello
  • May-a: ‘I was not in a good place – no one’s in a good place when they get a neck tattoo’
  • Leonkoro Quartet review – vivid, intoxicating play from gleaming future stars
  • REM x Buster Keaton’s Sherlock Jr review – classic comedy gets new alt-rock soundtrack
  • David Allen obituary

Contact www.wrongmog.com   Terms of Use