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‘I’m an old bastard looking back’: the bizarre renaissance of piano-jammer Bruce Hornsby

The AOR jazzer behind smash hit The Way It Is veered off into the avant garde. But he’s having sudden mainstream acclaim. ‘Well,’ he says as he releases yet another album, ‘it’s nicer than being ignored’

Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’

The Swedish musician decided to pursue motherhood alone, and found it came with a surprising sexual awakening – a story she lays out on her new album, her first in eight years

Add to playlist: the coffee-shop pop of Gianna and the week’s best new tracks

With her acoustic guitars and trip-hoppy beats, the London musician recalls a particular era of polished 00s boho-pop, from Nelly Furtado to Corinne Bailey Rae

‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold

After a nine-year come-up, the self-described ‘worst girl in America’ is having a breakthrough

Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey

Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project

Dash Crofts of Summer Breeze rock duo Seals and Crofts dies aged 85

Crofts helped define the sound of yacht rock with the pair’s 1970s hits such as Summer Breeze and Diamond Girl

Paul McCartney announces 18th solo album, The Boys of Dungeon Lane, promising introspection and revelation

The new album draws from the musician’s early childhood memories of growing up in Liverpool and his relationship with Lennon, with musical styles that span his entire career

Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be

This nostalgic new single suggests a convincing mature style, without the unnecessary straining for relevance that marred some recent solo releases

You saw me standin’ alone: songs about the moon – ranked!

As the Artemis II crew prepare for the first moon mission since 1972, we select the best songs about our lunar neighbour, from Ella Fitzgerald’s romance to Gil Scott-Heron’s social commentary

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Duffy to tell story of her kidnapping and rape ordeal in new Disney+ documentary

Promising ‘unprecedented access’, the programme will recount the singer’s story, including full details of the harrowing attacks that drove her into hiding for a decade

Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love

‘It shook the plaster off the ceiling’: Self Esteem and David Hare on reviving rock romp Teeth ’n’ Smiles

It lit up the 1970s with its nihilistic tale of a hippie band imploding in a trail of drugs, booze and violence. What can it tell us about the music business today? Writer David Hare and wild-child rocker Self Esteem plug in

‘The most stunningly awful wonderful record’: how the Shaggs became rock’s most divisive band

Often completely out of tune and rarely in time, the group of sisters forced to play together by their father gained an army of fans from Frank Zappa to Kurt Cobain. A new documentary celebrates their cult status

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

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← Older posts
  • ‘I’m an old bastard looking back’: the bizarre renaissance of piano-jammer Bruce Hornsby
  • Jayson Gillham announces tour with Palestinian-Jordanian musician ahead of MSO court case
  • Nicole and Natalie Appleton look back: ‘She was my home away from home during the craziness of All Saints’
  • LPO/Tan Dun review – a full battery of drums, dramatic inhalations and hints of Mongolian throat singing
  • ‘My mum bought me Hardcore Ecstasy when I was seven – it’s a great compilation’: Nick Grimshaw’s honest playlist
  • Fill that Glasto-shaped hole! The 40 best UK festivals you can still book
  • The Chappell Roan security incident raises a bigger question: what do celebrities owe their fans?
  • Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘How can a TV show make you feel such emotions?’ The Bluey composer shares the trick to music that ‘hits you in the feels’
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • UK music industry figures call for more black talent in executive roles
  • Add to playlist: the coffee-shop pop of Gianna and the week’s best new tracks
  • Billy Bragg calls for big turnout at London march against far right
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • ‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey
  • Mendelssohn: Symphonies and Oratorios album review – Andris Nelsons’ prodigious talent on full display
  • No New York by Adele Bertei review – a vivid, vibrant, musical coming of age
  • ‘A broken heart can turn somebody into a bad Casanova’: breakout R&B star Leon Thomas on defiance, D’Angelo and his ‘doggie’ persona
  • Olivia Dean leads the way with three wins at 2026 Mobo awards
  • Dash Crofts of Summer Breeze rock duo Seals and Crofts dies aged 85
  • Anne-Sophie Mutter: East Meets West album review – diverse, bold and brand new
  • Paul McCartney announces 18th solo album, The Boys of Dungeon Lane, promising introspection and revelation
  • Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be
  • Rigoletto review – strong revival of Mears’s violent take, with Elder revelatory in the pit
  • You saw me standin’ alone: songs about the moon – ranked!
  • Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla
  • ‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on

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