wrongmog

it's all about the music

Main menu

Skip to primary content
Skip to secondary content
  • Pop & Rock
  • UK
  • Books
  • Indie
  • Urban
  • Hip Hop
  • Rap
  • Electronic
  • Dance
  • Jazz
  • Classical
  • Industry
  • Culture
  • Tech

Post navigation

← Older posts

If CMAT is an affront to the male gaze and Olivia Rodrigo is indulging it, how exactly should women dress?

The loud online hate aimed at two pop stars with polar-opposite styles suggests a shrinking realm of acceptability in which women can exist. That is, you suspect, the point

Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

The daughter of Foo Fighters’ Dave does a serviceable line in 90s throwback sounds, though the nostalgia is too reverent

CMAT shares ‘deep sadness’ over body-shaming after BBC Radio 1 Big Weekend performance

The Irish singer-songwriter says her rise has been increasingly ‘tarnished by the fact that I would be allowed to enjoy it so much more if I was thin’

Olivia Rodrigo responds to babydoll dress criticism: ‘It shows how we normalize pedophilia in our culture’

The pop singer said that suggestions that a recent outfit was ‘childlike’ were rooted in sexist attitudes toward women

‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power

One of disco’s biggest stars answers your questions, recalling tours with Rick James, inspiration for Destiny’s Child and what she wished she asked Michael Jackson

Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot

The quintet add shoegaze, country and 50s rock’n’roll to their core indie-punk sound, resulting in songs that offset lyrical bleakness with gleeful, uplifting music

Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal

Irish writer-director John Carney brilliantly brings together Rudd’s washed up wedding-singer and Jonas’s insecure ex-boyband superstar

Ozzy Osbourne AI avatar will be ‘so tasteful’, Jack Osbourne says after fan backlash

Lifesize avatar of former Black Sabbath frontman will be created by tech companies Hyperreal and Proto Hologram

‘Bowie compared us to T Rex. Couldn’t get any better’: the Mekons on how they made Where Were You?

‘It’s about loneliness, really. It was the total opposite of that “It’s Friday night, let’s have sex” macho mentality that was in most rock music at the time’

Dennis Locorriere obituary

Lead vocalist of Dr Hook, the group that had a US and UK Top 10 hit with Sylvia’s Mother in 1972

Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody

After three unlikely Top 10 albums in the 90s, the trio are back – and on the basis of this rapid-fire set, you hope they’ll stick around

Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

From nostalgic returns to his Liverpool childhood to a crazed Glastonbury fantasia, these are songs written with real purpose and a master’s finesse

‘Growing up, you couldn’t play Bon Jovi – that’s what our parents listened to’: Bebe Rexha’s honest playlist

The chart-topping star makes a strong case for Livin’ on a Prayer and opts for TLC at karaoke. But which song reminds her too much of her ex to listen to?

Boards of Canada: Inferno review – after 13 years away, their prodigal return is a big disappointment

The Scottish electronic duo remain hugely influential – but their new album’s interrogation of religion is dubious, and the drum programming is worse still

Post your questions for Sister Sledge’s Kathy Sledge

The voice of some of Sister Sledge’s biggest hits is touring again, and will take on your questions

Post navigation

← Older posts
  • If CMAT is an affront to the male gaze and Olivia Rodrigo is indulging it, how exactly should women dress?
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Musical acts back out of performing at Trump-affiliated concert series
  • Add to playlist: the whimsy and warped electronics of duo Ear and the week’s best new tracks
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • CMAT shares ‘deep sadness’ over body-shaming after BBC Radio 1 Big Weekend performance
  • One bucket, two sticks and a million followers: how five NZ teens hit drumming fame
  • Olivia Rodrigo responds to babydoll dress criticism: ‘It shows how we normalize pedophilia in our culture’
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • ‘The biggest myth? That I left Sister Sledge’: Kathy Sledge on sibling rivalry, Chic and disco’s political power
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • ‘I felt my humanity was bastardised’: Cynthia Erivo says reaction to Ariana Grande red carpet incident rooted in racism
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • Escaping Babylon by Jesse Bernard review – an intimate history of Black British music
  • Loss of manual jobs could be driving toxic masculinity, says Sting
  • ‘We’re waiting for the plan to find us’: Mouse on Mars on working with Lee ‘Scratch’ Perry and 30 years of oblique adventures in sound
  • AI ‘art’ is boring, soulless theft – and when I see it as an artist I see red
  • Raves, Brecht and re-enacting Diana’s funeral: the White Hotel bows out as the north’s bravest music venue
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • Risk-taking, rigour and radicalism – Daniel Harding is an exciting prospect for Los Angeles
  • Power Ballad review – Nick Jonas and Paul Rudd star in terrific comedy of bromance and betrayal
  • ‘The UK is a hostile environment to do art’: Tara Clerkin Trio on the​ir bold, bright music – and the fight working class artists face
  • Australian BTS fans blast Ticketmaster’s ‘predatory’ tactic of hiding price until tickets go on sale
  • Magic, mastery and magisterial power: 10 of Sonny Rollins’ greatest recordings
  • Sonny Rollins obituary
  • ‘I’ve rebranded as a stoic. It’s my ting now!’ The crime and punishment of Pozer, UK rap’s fastest, fiercest talent
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Los Angeles Philharmonic announces Daniel Harding as next music director

Contact www.wrongmog.com   Terms of Use