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Macklemore dropped from Ed Sheeran’s US tour after ‘free Palestine’ speech

The American rapper will no longer support Sheeran’s US leg of Loop tour after comments at MetLife Stadium show

How did the Guardian cover Oasis at Knebworth 1996? Well … we didn’t

Noel Gallagher told fans ‘this is history’ but the paper opted to review support act the Charlatans instead, as that band returned from tragedy

Oasis announce 2027 tour, including return to Knebworth 30 years after historic concerts

After 2025’s wildly lucrative reunion, the Gallagher brothers will tour the UK, Ireland and US, and revisit the Hertfordshire site of their greatest live triumph

Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase

On his first album in seven years, Beck keeps the quality control extremely high as he surveys mid-50s malaise in the wake of divorce

Elkie Brooks looks back: ‘Before I went on stage I used to drink Guinness and a few shots of brandy’

The singer-songwriter on her rock’n’roll past, playing second fiddle to the Beatles, and the key to being an energetic performer in your 80s

‘I grew my hair and dropped out of society after hearing Black Sabbath’: J Mascis’s honest playlist

The Dinosaur Jr axe man stole from his mum to buy a Beach Boys record and squeaks to Tom Petty – but which punk banger made him cry?

Tove Lo: ‘The rumour I hear the most is that I’m either pregnant or in rehab. I want both of those to not be true’

The Swedish electro-pop singer-songwriter on eloping to Vegas, checking cupboards for murderers and her spooky party trick

The Guide #260: From Oasis to K-pop, music is going mad for the big-screen documentary

A new wave of concert films and career retrospectives is drawing fans to cinemas – but why now?

Add to playlist: Grumpy’s weirded-up country celebration of trans joy and the week’s best new tracks

Sometime Zach Bryan backing vocalist Heaven Schmitt started Grumpy as a solo project. It’s now a six-piece band, blending alt-country with jubilant solidarity

Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold

The 80-year-old continues his tireless output, delving into the past for inspiration to variable results – though two lengthy brand-new songs are real showstoppers

Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer

Unpredictable and utterly beguiling, the septuagenarian beloved by Harry Styles brings a hint of mischief to his innocently charming songs

Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo

The brilliantly strange band’s live show is a must-see spectacle powered by glorious noise and wild flair

The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock

Britain’s best indie-rockers hold fast to their defiantly old-school sound, slipping wry sideways looks at despair in among hooky melodies that always sound like a good time

Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly

The 78-year-old has astonishing range but gets bogged down in middling rock, though later delivers some gorgeous acoustic songs – and a slinky Marvin Gaye cover

Evanescence review – devastating power and range from one of rock’s great vocal talents

The titanic choruses and stormy metal riffs of latest album Sanctuary are the perfect foundation for Amy Lee’s astonishing, skyscraping vocal range

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← Older posts
  • I went to a festival in Kent – and had a revelation about human ingenuity
  • Texas Democrat under fire for honoring convicted abuser Chris Brown at concert
  • Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out
  • Macklemore dropped from Ed Sheeran’s US tour after ‘free Palestine’ speech
  • How did the Guardian cover Oasis at Knebworth 1996? Well … we didn’t
  • Oasis announce 2027 tour, including return to Knebworth 30 years after historic concerts
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • ‘I’ve never been more terrified!’ Carly Rae Jepsen on motherhood, stardom and her horniest album ever
  • Hospitality industry urges Andy Burnham to lay out VAT cut plans
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Elkie Brooks looks back: ‘Before I went on stage I used to drink Guinness and a few shots of brandy’
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • ‘I grew my hair and dropped out of society after hearing Black Sabbath’: J Mascis’s honest playlist
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return
  • Céline Dion performs first live show in more than six years
  • Tove Lo: ‘The rumour I hear the most is that I’m either pregnant or in rehab. I want both of those to not be true’
  • Girl Group review – Rebel Wilson’s dreadful music comedy is a spice-free wannabe
  • Eurovision made me realise that I was autistic at 34
  • Best UK universities for music – league table
  • The Guide #260: From Oasis to K-pop, music is going mad for the big-screen documentary
  • From Practical Magic 2 to Saturday Night Live UK: your complete entertainment guide to the week ahead
  • US rapper Lil Durk found not guilty of murder-for-hire scheme
  • Ileana Cotrubas obituary
  • Bruno Schrecker obituary
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • ‘It is insane’: the Australian organist playing 16 hours of back-to-back Bach – for the third time
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Add to playlist: Grumpy’s weirded-up country celebration of trans joy and the week’s best new tracks
  • Céline Dion sparks mass karaoke and power-ballad fever with return to stage in Paris

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