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Chris Martin’s lost James Bond theme goes on auction with unheard Coldplay tapes

Acoustic recording of a song titled The World Is Not Enough included in wide-ranging auction featuring formative Coldplay recordings

The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit

Tapping into the kitsch and romance of a Blackpool weekender, this debut offering from Manchester’s White Hotel becomes a triumph of pan-genre experimentalism

Quincy Jones emailed saying, ‘Hey man, I need to have a word’: how Jacob Collier made In My Room

‘Stevie Wonder and Prince played all the instruments on their albums, but in recording studios. I did it all in a back room at home – and then it won two Grammys’

Bad Bunny review – dynamic Latin superstar hosts thrilling party

The Puerto Rican musician kicks off in a white suit fronting a salsa band in full flow, then switches up with a swaggering, chaotic rave in a replica island home

‘I’ve only been addicted to two things – funk and praise’: Eddie Marsan’s honest playlist

The actor dances his insecurities away and wells up at a particular Eric Clapton song. But which double act brings out his inner cockney?

I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never be the same again

I knew my 11-year-old son would love an evening at Wembley with his favourite star. But nothing prepared me for what it would mean to me, writes Polly Hudson

Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year

Tipped by Lorde and Billie Eilish, the New York musician twists sublime folk and chaotic synths into bewitching new shapes

Madonna & Graham review – it’s ‘gay heaven’ when Kylie arrives

You can’t blame Graham Norton for being tongue-tied over the icon. They have a nice, hammy time – and another pop queen serves them drinks – but where is the naughtiness?

Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover

Armed with four drum kits, an arsenal of hits and a 50,000-strong snake pit, Lars Ulrich and co deliver a masterclasss on their marathon world tour

The Surge review – a wild and haunting wake for Sinéad O’Connor

The late singer gets a thrilling tribute from a cast of 10 dancers in Sonya Tayeh’s heartfelt show

‘I can out-dance Bowie and Jagger!’ Martha Reeves on Motown, Dancing in the Street and smashing crockery with Dusty Springfield

Now 84, the voice of Heat Wave and Jimmy Mack is releasing a new album. She answers your questions on Marvin Gaye, popularising the roundabout and why she hates cover versions of her songs

‘Elon Musk is dangerous and crazy. And I kind of used to like him’: Interpol on their political awakening – and making their masterpiece

They were a big 00s buzz band – but looked in danger of fading out. Empowered by fatherhood and anger at war and AI, the New Yorkers explain why they ‘really showed up’ again

David Clayton-Thomas, lead singer for Blood, Sweat & Tears, dies aged 84

The Canadian musician, who achieved major hits such as Spinning Wheel and You’ve Made Me So Very Happy, died peacefully at a Toronto hospital

Muse: The Wow! Signal review – stupendous space-rock silliness … yet somehow surprisingly subtle?

From Count Dracula organ to choirs crying in Latin, the Devon band are scenery-chewingly preposterous​ yet nuanced on this epic about extraterrestrial life

‘It’s giving me carnival vibes’: how Fête de la Musique became a must-visit event for the Black diaspora

Begun in 1982, the festival is now a magnet for Black Britons, who spill across Paris enjoying genres from amapiano to zouk. But can it resist commercialisation – and is it getting too big?

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← Older posts
  • Chris Martin’s lost James Bond theme goes on auction with unheard Coldplay tapes
  • The show must go on: musical theatre cancellations lead to industry calls for urgent government help
  • ‘His ability is hard to deny’: is Tom Hardy a secretly good rapper?
  • The Black Lights review – Mica Levi, Moin and Klein thrill at an awesome addition to the UK festival circuit
  • Quincy Jones emailed saying, ‘Hey man, I need to have a word’: how Jacob Collier made In My Room
  • Billy Budd review – Clayton’s Vere is the devastating heart of vivid staging
  • Ubuntu Ensemble review – charged musical snapshots of South Africa’s struggle
  • Post your questions for Ezra Collective at Love Supreme festival
  • A new start after 60: I spent eight years thinking I had Parkinson’s. Then doctors ‘de-diagnosed’ me
  • Country diary: There’s no blackbird song like the one on my street
  • From burning bogs to boutique bonanzas: how did Britain become a nation of festival obsessives?
  • In the Belly of the Beast review – biblical events showcase Sun King’s favoured composer
  • Garth Brooks review – swooning fans turn out for British Summer Time’s hottest ticket
  • Bad Bunny review – dynamic Latin superstar hosts thrilling party
  • ‘I’ve only been addicted to two things – funk and praise’: Eddie Marsan’s honest playlist
  • I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never be the same again
  • Fatboy Slim says he felt paralysed at prospect of DJing sober after rehab
  • Haunted hooks and bone-chilling screams: how Chanel Beads became the indie breakout of the year
  • The Guide #249: As Glastonbury has a fallow year, here’s why more much-loved culture should down tools
  • From Supergirl to Muse: your complete entertainment guide to the week ahead
  • Madonna & Graham review – it’s ‘gay heaven’ when Kylie arrives
  • Grab your Stetsons! How country music is taking over the UK
  • Meriel Dickinson obituary
  • Metallica review – metal legends break out the pyrotechnics … and a Proclaimers cover
  • Initiation stones, buried recordings, and Ringo Starr’s drumkit: inside the visionary world of reggae master Lee ‘Scratch’ Perry
  • Add to playlist: the doomy predictions of incendiary metallers Burner and the week’s best new tracks
  • Radio 2 DJ Trevor Nelson taking break from broadcasting over health issues
  • The Surge review – a wild and haunting wake for Sinéad O’Connor
  • Candomblé: Sacred Rhythms in Brazil review – ceremonial drumming remixed for the dancefloor
  • Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory

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