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Spotify is trumpeting big paydays for artists – but only a tiny fraction of them are actually thriving

The company’s latest Loud & Clear report – a relatively transparent look into a closed-off industry – shows just how skewed financial success is in music

High suicide rates show music industry ‘profoundly dangerous’, researchers say

Calls for more support as study finds musicians in England and US have among highest rates of suicide

Mood Machine by Liz Pelly review – a savage indictment of Spotify

The global streaming behemoth has made music blander and life harder for artists, according to this enraging portrait

Kate Bush and Damon Albarn among 1,000 artists on silent AI protest album

Recordings of empty studios represent impact on musicians of UK’s plans to let AI train on their work without permission

The UK may be waning as a pop superpower – but a new generation is being nurtured

No British artists were in the top 10 biggest albums and singles globally last year. But big acts were between projects, and Charli xcx and Central Cee are hitting their stride

UK pop stars fail to reach global Top 10 albums and singles chart for first time since 2003

Global chart dominated by US acts including Benson Boone, Taylor Swift, Billie Eilish and Sabrina Carpenter, with K-pop bands also strong

‘Betrayed by the system’: Chappell Roan sparks debate over pay and healthcare in pop

The singer castigated record labels in her Grammys speech – but, as music industry insiders explain, issues around artist health and support run even deeper

EU accused of leaving ‘devastating’ copyright loophole in AI Act

Architect of copyright law says EU is ‘supporting big tech instead of protecting European creative ideas’

Sound investment: John Lewis teams up with Rough Trade to sell vinyl

Decision to stock records in some stores and also sell online dovetails with rising demand for turntables in its shops

2025 Grammys will celebrate music but also raise money for LA fire relief

With nominations led by Beyoncé and Charli xcx, the event will serve a dual-purpose by acknowledging the devastating wildfires in California

Richard Bleasdale obituary

Other lives: Software designer whose innovations transformed the live entertainment industry

Rough Trade to expand New York store as music fans seek ‘experiences’, owner says

British record store chain to triple size of Rockefeller Center location with 300-capacity room featuring built-in stage

UK festivals face ‘really tough’ year due to fewer headline acts and rising costs

Stars must now be booked so far in advance for events that organisers can only guess who will sell tickets in two years’ time

Ticket resale prices for live UK events to be capped in crackdown on touts

Viagogo and StubHub platforms to be hit by cap of face value plus 30% or less

The UK music industry is reporting record revenues. The reality is much gloomier

We’re apparently spending more on music than any time since the CD era – but the calculation methods are archaic, and don’t reflect the low incomes for many artists

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  • The Chappell Roan security incident raises a bigger question: what do celebrities owe their fans?
  • Pop maverick Robyn on sleaze, snobbery and dating during IVF: ‘When there isn’t as much at stake, sex becomes more fun’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘How can a TV show make you feel such emotions?’ The Bluey composer shares the trick to music that ‘hits you in the feels’
  • The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story
  • Tamerlano review – Trump, Freud and a Bridgerton escapee struggle to get a handle on Handel
  • UK music industry figures call for more black talent in executive roles
  • Add to playlist: the coffee-shop pop of Gianna and the week’s best new tracks
  • Billy Bragg calls for big turnout at London march against far right
  • Miroslav Vitous: Mountain Call review – double bass duets balance muscularity with mellowness
  • ‘I didn’t think anyone would be into it’: Slayyyter turns midwest trash into pop gold
  • Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey
  • Mendelssohn: Symphonies and Oratorios album review – Andris Nelsons’ prodigious talent on full display
  • No New York by Adele Bertei review – a vivid, vibrant, musical coming of age
  • ‘A broken heart can turn somebody into a bad Casanova’: breakout R&B star Leon Thomas on defiance, D’Angelo and his ‘doggie’ persona
  • Olivia Dean leads the way with three wins at 2026 Mobo awards
  • Dash Crofts of Summer Breeze rock duo Seals and Crofts dies aged 85
  • Anne-Sophie Mutter: East Meets West album review – diverse, bold and brand new
  • Paul McCartney announces 18th solo album, The Boys of Dungeon Lane, promising introspection and revelation
  • Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be
  • Rigoletto review – strong revival of Mears’s violent take, with Elder revelatory in the pit
  • You saw me standin’ alone: songs about the moon – ranked!
  • Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla
  • ‘Black music is not a subculture – it is the engine’: Why the Mobo awards matter more than ever, 30 years on
  • ‘Even Beyoncé is still learning’: 10 expert tips on how to become more musical
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • Country star Ty Herndon: ‘The drugs could be forgiven. Being gay definitely could not’
  • Teeth ’n’ Smiles review – Self Esteem makes a mesmeric rock star but the drama doesn’t dazzle
  • Duffy to tell story of her kidnapping and rape ordeal in new Disney+ documentary
  • ‘I was shunned, laughed at and underdogged’: Jane McDonald on her wild ride from clubland to cruises to country

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