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Taylor Swift, Charli xcx and Springsteen among live music acts who gave UK £10bn lift in 2024

Report says concerts attracted record 23.5m fans, leading to unprecedented spend across British economy

I’m no Ed Sheeran fan, but he’s right: when it comes to musical plagiarism, guilt is in the ear of the listener

Musical history is littered with cases like the failed $100m suit against the singer, and they risk stifling pop music, says music journalist Simon Price

When did ‘feminist critique’ of celebrities become nothing more than a snide telling-off?

Those delivering paternalistic lectures to Sabrina Carpenter, Addison Rae and Sydney Sweeney would do well to revisit recent history, says writer Jennifer Jasmine White

NDAs should be banned to curb music industry ‘culture of misogyny’, says new parliament report

The use of non-disclosure and confidentiality agreements to cover up abuse in music remains a ‘major concern’ for the women and equalities committee

AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery

Fraudsters use fake artists to juice royalties from streaming services – but real musicians are getting blamed. Might they be better off without Spotify et al?

On the right track: the record label reaching out to Cameroon’s street talent

Born in Douala prison and hailed for helping young people stay out of trouble, the success of Jail Time Records has persuaded Burkina Faso to let the label branch out there

‘Feels bigger than herself’: the importance of Taylor Swift’s latest victory

World’s most famous pop star has finally bought back rights to her master recordings, a win for her but also a potentially major win for the industry

Taylor Swift buys back the rights to the master recordings of her first six albums

After her former label sold her catalogue in 2019, Swift embarked on her lucrative album rerecording project – but now owns the originals for the first time

‘Blur were so obnoxious!’: 35 years of epic gigs at Glasgow’s King Tut’s, from Oasis to Lewis Capaldi

It’s where Oasis were discovered – and where Radiohead only ever drew 150 people. Insiders and regulars like KT Tunstall explain why the live music venue is so loved by audience and artists

Tough times loom for night-time economy as young Britons opt to go out (and go home) early

Mitchells & Butlers pubco boss says home delivery boom and social media have changed attitudes to going out late

We have a chance to prevent AI decimating Britain’s creative industries – but it’s slipping away

The government has doubled down on a plans that would allow mass cultural theft, but we are fighting it at every stage, says crossbench peer Beeban Kidron

‘None of this should have worked’: David Adjmi on how Led Zeppelin sparked Broadway smash Stereophonic

The playwright was about to quit theatre but hearing Babe I’m Gonna Leave You led to a sensational, Tony-winning collaboration with Arcade Fire’s Will Butler

Oasis fans to shell out more than £1bn on reunion tour, study shows

Average spend of £766 includes tickets, accommodation, £75 on food and drink, £60 on merchandise plus travel and new outfits

From early setbacks to a storming Springsteen show: Co-op Live, a year on

CEO of company behind arena in Manchester says he’s ‘proud of the bet we made’ as report details economic impact

‘Everything we built – gone’: how the wildfires decimated LA’s music scene

January’s blazes in California have devastated the livelihoods of performers, technicians and other music industry pros. They reveal what they lost – and how they’re rebuilding

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  • Josh Pyke: ‘I turned around and throat-punched the guy – and the whole gig stopped’
  • ‘America, are we dating?’: Oasis finally wins over the US with triumphant tour
  • Best UK universities for music – league table
  • My cultural awakening: a Bastille show helped me get over my crippling Covid-era anxiety
  • You haven’t felt the power of heavy metal until you’ve seen a room of grown men cry
  • From Spinal Tap II to Ed Sheeran : your complete entertainment guide to the week ahead
  • Rick Davies obituary
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  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Add to playlist: the DIY no wave dub of Devon Rexi and the week’s best new tracks
  • Self Esteem to star as raging rock star in revival of David Hare’s Teeth ’n’ Smiles
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
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  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Radiohead condemn ‘exploitative’ touts and resale sites ahead of tour
  • ‘Addiction teaches you a lot’: breakout pop star Lola Young on sex, substances and self-loathing
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • And if your head explodes: Pink Floyd’s 20 best songs – ranked!
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Bangor Cathedral choir suspended after singing ‘inappropriate’ hymn
  • ‘We have permission to be brave’: the women taking charge of crisis-hit Welsh National Opera
  • Dreaming of You: The Making of the Coral review – the charming rise of the melodic noughties band
  • Mikaela Strauss AKA US singer-songwriter King Princess: ‘I thought love was pain … then I began to ask why’
  • Spinal Tap II: The End Continues review – rockers return for mockusequel of pin-sharp laughs and melancholy
  • Bad Bunny says he left US out of world tour due to fear of Ice raids at concerts
  • Rodion Shchedrin obituary
  • ‘Neutrality should not be an option’: why are so many artists now speaking out on Gaza?

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