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Bath music venue Moles and Nozstock festival close due to cost of living crisis

‘Live music at grassroots level is no longer economically viable’ says co-owner of the cherished gig venue

Sir Robin Millar: the vinyl revival is exposing artists’ climate ‘hypocrisy’

The producer and disability campaigner who made hits with Sade and Everything But the Girl says it’s time records were banned to save the climate

‘I’ve been sacked for asking for time off to tour’: the perils of being a musician with a second job

Thanks to streaming, Brexit and Covid, it’s never been harder to make ends meet as a musician. Three acts with second jobs discuss juggling stadium tours with shelf-stacking

Festival organisers sound alarm as big-name artists shun their events

Industry says with global headliners doing their own tours there are not enough stars to fill festival line-ups in UK and Ireland

I can’t go for that: the vexed business of artists selling off their songs

Hall and Oates are embroiled in bitter legal action over the sale of their rights, while rights-owning company Hipgnosis is in trouble. Is the market for songs as assets going out of tune?

Stars back Andrew Lloyd Webber call for music education funding

Ed Sheeran and Dua Lipa among signatories of letter to Rishi Sunak and Keir Starmer calling for funds for music in disadvantaged schools

Spotify made £56m profit, but has decided not to pay smaller artists like me. We need you to make some noise

What its Wrapped campaign doesn’t say is that indie musicians and labels are treated terribly, and deserve a better deal, says Damon Krukowski

Nearly a third of professional UK musicians report poor mental wellbeing

Squeeze musician Chris Difford among those expressing concern over findings by Musicians’ Union and Help Musicians

Music mogul Jimmy Iovine accused of sexual abuse and harassment

Representative for Iovine says they are ‘shocked and baffled’ by allegations made in summons in New York

‘Putting a number on art’: musicians nervous as Spotify announces royalty changes

Streaming giant says tweaks will bring more revenue to artists and away from fraudsters, but some musicians are worried about further creeping change

Spotify to phase out service in Uruguay following new copyright bill requiring ‘fair and equitable remuneration’

The streaming platform claimed that it already pays nearly 70% of every dollar to labels and publishers and had contributed to a 20% growth in Uruguay’s music industry in 2022

‘It was a way to share your musical experiences’: why cassette tapes flourished, and still endure

Two new books explore the history of the tape and how it helped spread hip-hop, thrash metal and experimental music around the world one mixtape at a time

YouTube to offer option to flag AI-generated songs that mimic artists’ voices

Record companies will be able to request removal of content that mimics an artist’s ‘unique singing or rapping’

Hipgnosis needs to hit fast forward towards a sale

A second consecutive cancellation of dividends suggests swift and drastic measures are needed at the music rights business

Baby, one more time: why Madonna, Britney Spears and Taylor Swift are all on a nostalgia trip

With retrospective tours, memoirs and rerecordings, three definitive US pop superstars are reclaiming their legacies. Why now – and is the past a trap?

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  • Diageo and Pepsi drop Wireless sponsorship amid criticism of Kanye West booking
  • ‘It’s dark in here – you can cry’: Mitski hosts intimate residency at LA high school
  • James review – special band still filling arenas with anthems of warmth and humanity
  • ‘I was getting down with a guy and he decided to put on One Love. It was creepy’: Duncan James from Blue’s honest playlist
  • The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Post your questions for DJ Shadow
  • Shostakovich: Symphonies No 2 and 5 album review – early experiment meets mature power
  • Messiah album review – Whelan takes Handel’s oratorio back to its beginnings
  • Martha Argerich and Dong-Hyek Lim review – legendary pianist and mentee create musical magic
  • Add to playlist: the endlessly inventive, radiant indie rock of Friko and the week’s best new tracks
  • Ex-Turnstile guitarist charged with attempted second-degree murder of frontman’s father
  • US senators rebuke Ticketmaster for raising fees after hidden charge crackdown: ‘Bait and switch’
  • Lizzo’s reinvention faces its greatest test yet
  • Sanaya Ardeshir: Hand of Thought review – poised piano minimalism with a quietly expansive reach
  • Earl Sweatshirt, Mike and Surf Gang: Pompeii // Utility review – rap radicals’ appealing study in contrasts
  • ‘I lost a $3m brand deal. I was like: OK, losers!’ Swedish pop provocateur Zara Larsson on fame, fun and fighting the power
  • Sunn O))): Sunn O))) review – a seismic return to drone metal’s elemental core
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he is bringing to London’s Southbank Centre
  • Peach PRC on stardom, synaesthesia and sexuality: ‘There was so much joy and fun in stripping’
  • Wireless festival’s backing for Kanye West is all about money. Don’t pretend it’s about the art
  • ‘The US is no longer the go-to place’: How Korean culture is taking Latin America by storm
  • ‘Ring the alarm! Wake up! Be human!’: Aurora and Tom Rowlands on their new dance-pop duo Tomora
  • Megan Thee Stallion diagnosed with extreme exhaustion after hospitalization
  • Terry Cox obituary
  • Sadiq Khan and Jewish Leadership Council condemn Wireless festival for Kanye West headline booking
  • Method Man turns his eyeball inside out: Eddie Otchere’s best photograph
  • Why Bach’s music is indestructible, whether on the mandolin, modern piano – or soundtracking murder
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Hegseth says suspensions lifted for helicopter crews who hovered over Kid Rock home

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